Some people work with partners. And some people like to work with their romantic partner. But whether you’re romantically involved or not, there’s techniques that could work for you.
At WorldCon2019, Heidi Goody led the working couples of Peter Morwood and Diane Duane, plus Delia Sherman and Ellen Kushner in discussing how to maintain working and romantic relationships — with the same person.
Maintain Separate Offices
In rural Ireland, Duane’s office is the living room and Morwood’s is the second bedroom.
When they’re working on a project together, they stay in their room and don’t talk. When it’s time to fraternize or collaborate, they meet in the kitchen.
In New York City, Sherman and Kushner mostly write separately — by hand — in their studies on opposite sides of the apartment. (They left Boston because they were “tired of being the most colorful couple in the room.”) They like to take long walks and discuss character building, writing theory, or whatever they’re working on.
Both couples find it hard to stop talking shop, but Sherman and Kushner find it helps to have other passions.
Duane and Morwood’s biggest interruptions are the neighbor’s loud sheep. Known to the neighbors as “The Trekkie’s”, they’re considered boring because they don’t raise sheep or horses.
How Their Writing Partnerships Began
On Morwood and Duane’s honeymoon, her book was late, so they wrote it together. It helps that Duane is a big outliner, especially for screen. As she says, screen writing is very formulaic.
For Sherman and Kushner, a year or so after they moved in together, they learned to negotiate through writing. But for them, it is the ‘Spirit of Fun!’ Like playing Barbies together.
Sharing Drafts and Blending Portions
Some people consider their drafts sacred, others see theirs as horrible piles of —
Duane never shows her rough draft to another human soul. The next draft though is fine.
Morwood doesn’t count how many drafts he goes through. As he says, “I’m a professional.”
Sherman and Kushner typically have interweaving plotlines, with Kushner woking on the more social scenes, while Sherman works on the academic ones (when they started collaborating, she had just graduated and had scores to settle.)
When writing each other’s characters, the other keeps the veto power. They do their best to keep personal ego out of the story — only really argueing over semicolons.
When it comes time to edit, Sherman reads aloud to Kushner, her bits and the printouts. Although, Sherman is stronger on description, while Kushner does dialogue, when they revise drafts, they overwrite each other. By 5 drafts in it’s fully blended.
Morwood and Duane work together similarly. Plus, they’re pretty good literary mimics. One usually has veto power. Duane is best at plotting and screen writing. Morwood has veto power on fight scenes and tactics.
Just remember when collaborating, there are competing needs for validation, love, and “listen to MY story.”
Music to Collaborate to?
Duane stopped listening to music — it interfered with her dialogue. But movies work fine for her as background.
Kushner used to listen to music, although it couldn’t be in English or had to be something she knew inside and out. Now, she writes at home in silence.
Morwood listens to tons of things, but turns off his Audible when writing dialogue. He likes to have Dragon Naturally Speaking play back his dialogue to him.
Sherman and Duane both like to write in cafes, with that background chatter, gathering faces for characters. If Sherman can’t have that, she needs complete silence.
When deadlines are piling up, Duane will go to a friend’s flat in the middle of no-where-Switzerland for weeks, while Kushner will head off to a friend’s house. The change of location helps with productivity. No chores — or partner — around to distract.
Collaboration can be a tricky beast. Have you worked on a collaborative work? What techniques worked best for you?
Have you worked with a romantic partner? Did it strain your relationship?
