I grew up with parents attending Science Fiction and fantasy conventions. After a decade or two off, I’m now back as a writer! And spend FAR too much time in writing themed panels, taking notes from the experts! Plus, I squeeze in a bit of cosplay.
If you’ve been following my blog for a while, you probably know that I share a lot of notes from “panels”.
If you’ve never been to a convention, you may be unfamiliar with panels. If you’ve only been to corporate/work conventions, you might look at them as torturous boredom. Or, at the very least, strictly educational.
At their most basic: panels are simply several people, sitting at table, facing an audience, sharing their thoughts on a subject.
Typically, these individuals are what’s referred to in the DC metro area at least as “SMEs” – subject-matter experts.
And, quite often, these panels have one of the panelists acting as a moderator. A good moderator asks the panel questions, makes sure everyone on the panel is heard, tries to keep any debate lively without getting too personal, accepts the questions from the audience, and does their best to help with crowd control.
A typical con panel is 50 minutes, with the first 30-40 minutes being for the panelists to talk amongst themselves about the subject, and the last 10-20 minutes being for Q&A. With a brief introduction at the beginning, and a minute or so for closing thoughts and self-promotion at the end.
Now, panels aren’t the only things to attend at a convention, there are workshops, dances, book-readings, concerts, parties, and more. In fact, before I got so involved in my writing journey, I had attended a bunch of conventions and maybe 2 panels. These days? It’s a weird weekend if I attend fewer than 20.
Never fear, you can be a writer or a fan without ever attending a convention. Although, that’s partially why I like to share my notes, so that those who can’t, or don’t attend panels still have access to the nuggets of information I try to glean from the experts.
But, should you ever attend a convention, I want to set you up for success — so you’re seen as an excellent audience member and not someone to avoid.
4 Things Not To Do During The Q&A Period
“This is more of a statement than a question…”
If you attend panels, if you’re on panels, you will hear this phrase. A LOT.
I know that there are plenty of bright, intelligent people in the audience, I know many of them would have made excellent panelists themselves, and many ARE actually on other panels. BUT. Unless you are on this panel, this is neither the time, nor the place to insert your own opinion on the subject.
Save it for twitter. Or facebook. Or your friends — after the panel. You will not impress the panelists, you will not impress the audience. You will, however, trigger a massive eye roll, and a lot of tuning out.
Providing tons of background for your question
Especially in writing panels and gaming panels, audience members will want to provide background for precisely why they’re asking this question, in the hopes that they will get a tailormade answer. And because they’re just plain excited about their world and their story and… everything.
It’s fine to give a little context, but no more than 20 seconds. I’ve listened to audience members who took up to 5 minutes to get to the question portion of their statement. Most moderators aren’t going to let you get that far.
When you take that long, you’re taking time away from the panelists answers, and keeping other people from asking their questions. (And sometimes? It comes across like you’re stealing the time to market your own stuff, which is exceedingly rude.) If you know you have trouble getting to your question within 30 seconds, work with a friend in advance to rephrase until you can. Or, take it off-line, talk to them after the panel or at their table.
Caveat: People at merchandise tables are NOT your audience, they are trying to sell their own merchandise and it is incredibly rude to scare away potential sales by dominating their attention.
The panelists are prepared to speak on the subject described in the program. The other audience members are there to hear the panelists talk about the subject described in the program.
If you have a specific question, that is unrelated to the panel, ask it after the panel.
Asking tons of questions
If no one else is asking, feel free, but don’t monopolize the Q&A period. Ask one, then give other people a chance to ask theirs — they’re paying as much to attend as you are and deserve the chance just as much. Only, if no one else has questions, should you go for a second question.
All that said, don’t be afraid to ask questions. Ask for recommendations, or a panelist to speak more on something they hinted at.
For some shameless name dropping here, I once attended a panel with the ever-famous George RR Martin on it, and, once the panel opened to questions, I asked a question addressing what I *thought* the panel had said it was going to be on in the first place. (Martin complimented my question, but the moderator actually answered my question the best…)
As I mentioned a couple weeks ago, if the Corona-virus permits, I’m actually signed up to be a panelist at three cons this spring and summer. Hopefully, I’ll be as good behind the table and I try to be in the audience.
Have you attended con panels? Are there any tips or tricks I missed?
Sometimes? You’re learning a new skill, practicing and playing with it. But something is holding you back from taking the next step — be it submitting your work, trying out for that team, or selling your creations.
Sometimes, you’re placed in a position where you supposedly know what you’re doing — either because of your bluster or someone else’s assumptions. It could be on the job, online, or when they send you home with your first newborn kid (or so I’ve been told). And every moment, you’re just sitting there, hoping to keep everyone fooled so they don’t know how big of a fake you are.
Impostor syndrome. Most of us have experienced it. Some of us live with it.
For those that don’t know? Impostor syndrome is defined as “a psychological pattern in which one doubts one’s accomplishments and has a persistent internalized fear of being exposed as a “fraud”.“
In my most recent Author Spotlight, Katherine talked about submitting hundreds of poems while in college and it made me think. I always wanted to be a writer, but it took me until I’d been out of college for a long time before I started taking my writing seriously. Before I even started contemplating sending my work to other people.
With my first manuscript? It’s on its EIGHTH round of revisions, because every handful of rejections, I stop submitting and start looking into how I can make it better. I tell myself it’s making me a better writer. I tell myself I’m building skills and improving. But, there’s definitely a part of me that is LOOKING for things to fix. Because if my best effort was rejected, that means I’m not good enough. I should just go home.
Dwelling on that might be good for a night or a week after a rejection, but it’s not going to get me anywhere.
5 Ways To Confront Your Impostor Syndrome
Take a class
Maybe you do stink. Maybe your skills aren’t where you want them to be. And honestly? All of us could improve, no matter how good — or bad — we are.
In that case? It could be time to take a class, brush up on the skills we’re good at, learn techniques to deal with our weaknesses, and discover new things that can make us shine.
See How Far You’ve Come
If you look at your old stuff, compared to your new stuff, you might notice a change. An improvement.
Or? If you like your old stuff better? Revisiting it might be the way to get that voice back — so you can run with it!
Re-visit What You’re Proud Of
Whether it’s a single sentence, a poem, or a novel, reread that thing you made that made you proud. See what you’ve done, what you’ve created. Remind yourself that this is a thing you can do!
Save The Good Notes
When a beta-reader or critique partner or reviewer says something about my work or forgets they’re critiquing, I file that away. In one (very stalling moment last October), I copied one encouraging note onto a piece of paper and taped it to my wall.
Then? When my writing is going rough, I reread their kind words, where they tell me how much they enjoyed my writing, or compared it favorably to an award-winning series I adore, I stick my chin up, and I get back to it.
Say “BLEEP It”
Sometimes? All you can do is tell yourself: “So what if my writing stinks, and everyone else’s writing is amazing and so much more deserving. I finished this and I’m putting it out there anyway. They can take it or leave it, but it’s mine.”
Otherwise known as ‘fake it til ya make it’.
It can be hard. Writing is years of work with no guarantee of success. It’s a labor of love and requires near-infinite patience with the publishing industry.
If you need to step away and take a break; if you need to do something else because it’s killing you? Do it! Do what you need to take care of yourself.
Plus? You can always change your mind. Your writing will always there for you. Waiting. However comforting or creepy that sounds.
Besides, you can’t be the impostor, I’m the real impostor!
Recently, I’ve been making a lot of progress on my short term goals — the ones I can control. So, what triggered my recent bout of self-doubt?
On the advice of a friend, I started applying to be a panelist at science-fiction and fantasy conventions a couple years ago. You know, the ones I like to attend 30 panels in 4 days at?
And this year? I’ve had 3 conventions accept!
Meep! I’m still an unpublished writer. All I’ve got is this blog/vlog where most of the time it feels like I’m shouting into the void. Basically, a free vanity press where all it costs is my time and my dignity. I’ve been going to these cons and taking notes from the greats! What makes me think I can sit up there and talk, that my advice and perspective is something worth listening to?
Well, as my calendar reminded me, I’ve been blogging for nearly 5 years and haven’t missed a week since before this time last leap year! I’m consistent, mostly coherent, and still giving fresh takes. I’ve got experience querying in the current market, and people I beta-read for keep coming back for more, so I can’t be too useless — or mean!
Step one for this bout of impostor syndrome was to update my business cards and add “Blogger | Vlogger” to it. Because that’s a big part of why I’m going to be up there.
Enough teaser, Morgan. Tell us where you’re going to be so we can properly stalk you. (Note: please don’t stalk. Just say hi, and keep it casual.)
I’m going to be at RavenCon 15 in Williamsburg, VA April 24-26 and once I got my tentative schedule, my impostor syndrome backed off a little. (Plus, I have my own panelist bio page that is basically the best. I’m pretty happy with what I finally decided on for my new profile pic). But, anyway, my panels.
The Writer and the Beta Reader
Social Media Best Practices for Writers
Social Media, or, Why I Haven’t Finished My Novel
This schedule is still tentative and subject to change. But these are all things I can talk about for ages — at least the basics — without feeling like I need to step back and let the experts talk! Now to find out if I actually enjoy being on panels, and get my stuff out there to be published!
For the others conventions, I have no schedule yet, but I’m going to be on panels at Balticon in Baltimore, MD May 22-25, and in New ZEALAND at CoNZealand for WorldCon from July 29-August 2nd! With any luck, those panels will be along the same vein and I’ll really find my footing on panels.
And maybe get something published.
Have you ever faced impostor syndrome? What did you do to work past it? Or did you just run?
Have you ever paneled at a convention? Any tips for a neophyte?
As January firmly establishes itself, I’m finally ready to talk about what 2020 is going to look like for me.
Last year was intended to be a year of reading, revision, and reflection.
Thusly, I listed my goals:
As I shared last week, I did great on everything on that list — except my revisions and querying — you know, the parts of the list that actually get me closer to publication. Does anyone else see the problem here?
This year? This year my focus is on revisions and querying/submitting.
As always, I like to set SMART goals –
Specific – you’ll see numbers and dates!
Measurable – you’ll still see numbers and dates
Achievable – I set goals for things I have influence over. I’m aiming for an agent, getting something published, but unless I self-pub, I have no control over that.
Relevant – I’m keeping my exercise goals and healthy eating off this post. These are all about my writing, the relevance should be clear.
Time-sensitive – Obviously, these are intended to be completed in 2020, but some items may have specific dates associated.
So? Let’s take last year’s list and put it in a new priority order.
Last year’s goal of revising 3 full manuscripts was… ambitious. I clearly was thinking more about what it takes for me to edit (clean up a draft) than about what it takes to get feedback from others, integrate it, and polish the draft till it comes out in my voice.
The manuscript I had ready for querying last year is in the middle of revisions with my wonderful mentor. But? The mentorship officially ended last April, and, although she generously volunteered to keep at it with me, she has paying work that, of course, comes first. So? We’re working through my novel 30 pages at a time.
My hope is to have the revisions done by the end of May, when I hit Balticon. But, life happens. So, what can I do to speed up the process on my end? Make sure that the next 30 page chunk is as ready to go as I can make it before I get feedback from the previous section.
I’m cutting a secondary character’s role in the last 3rd of the journey, and changing the nature of the last leg of the journey quite a bit, so I already know a large part of the plotting changes. Plus, my mentor keeps reminding me to add visuals. As I’ve said before, I worry about what’s in the character’s head and the action. I forget people want to see the world itself. So, that’s my revision priority.
But, of course, there’s going to be some downtime.
To fill that in, I’ve been nudging my alpha reader who has my middle-grade contemporary fantasy (the school play story) and should hear back in the next week or so.
Also? Last year also included writing some short stories and some poetry. Between revising my middle-grade story and getting those shorts and poetry ready for publication, I’ve got a lot to work on.
2. Querying & Submitting
If you haven’t tried to get your work published before, this item might seem confusing. What’s the difference?
Querying is a intro-letter and first chapter or so that you send to a literary agent. Once you have an agent, they often make you do revisions, before submitting your work to a publishing house.
Why do you need an agent? There are many publishing houses that do not accept unagented work. Agents understand what your contract should look like and what is negotiable. Plus? The agent’s job is to know the market — and thus know what your book needs in order to best sell it — and to whom. Typically, you query 5-10 agents at a time.
Submitting a manuscript/short story/poem is what you can do to any editor/publisher who is open to it: publishers (who are open to unagented work), literary magazines, anthologies, etc.
When you’re sending a cover letter and your story to the place that will actually print/publish the piece, it’s called a submission. Typically, submissions are exclusive (unless the guidelines state otherwise), so you have to wait to hear back before you can send to another publisher.
This year, for my short stories and poetry, I’m going to try to get at least 5 stories ready for publication and submit them to at least 10 markets. At least half of those submissions should be before July, just to make sure I don’t forget to put myself out there.
With you, I’m finding an audience and, I hope, creating a community. You are the people whose queries I help polish as you look for an agent, whose books I add to my massive to-read pile, the people I feature in my Author Spotlights. Blogging puts me out there, keeps me accountable, and gives me a way to give back to the community.
Plus? I haven’t missed a week on my blog since February of 2016 (although, I have done reruns) nor a vlog-post since I started vlogging on June 27, 2017. So? I’d hate to break my posting streak! Thus, I’ll continue putting out a new blog/vlog every Thursday with writing tips or writerly musings.
I’m already off to a great start with this, but when I have them lined up, I’ll also be sharing Author Spotlights or Query Corners on Tuesdays.
I’m thinking of adding some Authortube videos of my massive to-read pile, or maybe an occasional brief weekly check-in since those were popular during NaNo. I just need to find a time that works every week for those, so I can schedule them in advance and make them interactive.
I did great on this one last year, but I’m not gonna look a gift horse in the mouth. I had a lot of travel, and managed to hit 41 books, but there’s no guarantee this year will as generous. I even managed to read a decent amount of physical books — but a lot of those were new or re-reads. Not as many from my to-read pile as I’d like to admit.
So? I’m keeping my goal from last year of reading 26 books – a little more than two a month. This time? At least 10 of them should be physical and ALREADY on my bookshelf.
So far? I finished a short story collection I bought over the holidays AND read a book that’s been with me since before I moved. Not a bad start!
Yet again, writing is so far down my list!
I can hear your thoughts, your concerns. What’s wrong, Morgan? I thought this was your writing blog. Why isn’t this more writing focused? Do you want to be a blogger/vlogger more than a writer?
Well, first? Rewriting IS writing, and revisions are tops on my list. The goal is publication and I’ve got 4 manuscripts, 21+ short stories, and 30+ poems just waiting for a home.
More writing right now just means a larger backlog of things to be polished.
But! Never fear, I will be doing OctPoWriMo again — writing a poem a day for all of October. And then NaNoWriMo — writing 50,000 words in November. If I’m really stumped in November, I’ll rebel and revise either 5 shorts or a full manuscript. But, knowing me, I’ll probably make new words.
6. Beta Readers
I’ll be reaching out to beta readers as I wrap up my revisions on my middle grade novel, hopefully before August. Last year’s goals of having revisions of two different manuscripts done by May AND July were unrealistic.
As always, I like to keep my beta reader pool to no more than 8 readers, typically from different backgrounds. I usually give them separate copies, so that their feedback won’t influence each other.
I’m considering joining a local critique group and feel that short stories work much better in those venues than a full manuscript. Especially since I’m more interested in feedback on my pacing and characterization than the chapter itself. I guess it’s arrogance, but I think I know where my problem points lay.
On the flip-side, I’m now a contributing editor to The Oddville Press, an online literary magazine of odd, but not really fantastical tales. I’m also a regular beta-reader for my dad (who’s retired from a day job and enjoys filling my inbox). Not to mention, I have a few critique partners, and writer friends who have been known to reach out for feedback. I will try not to commit to more than 3 full length betas this year.
Actually, maybe I should have changed the name of this goal. This should be all the in-person writing goals. I aim to attend 6+ open mic nights, 4+ monthly writer meetings, try a critique group, and 3 NaNoWriMo events (kickoff, 1 write in, and the all-nighter till 11pm). Plus? Two+ conventions.
I intend to hit Balticon again (May) and — if everything works out — WorldCon (August) in New Zealand (!!). I submitted to be a panelist at Balticon again… and this time was accepted! And? I think they approved the panels I suggested (topics from this blog that I feel I can talk competently on, and that my unpublished perspective won’t be a detriment to my authority on the subject).
How do I know they approved them? They recruited me to be on their Programming team! (Apparently, after attending nearly 30 panels a year for the last 5 years, they suspected I might have opinions about what makes a good panel and who are the good panelists.) So, that’s another time commitment.
What does being on panels net me? Why do I want to do this?
First, it’s a greater reach for my blog and vlog. Plus, a larger audience when I do get published. Hopefully, a way to make more friends and supporters. Plus, a chance to talk about all the stuff I obsess over on my blog and on my vlog in person with actual people.
But how does attending conventions count as a writing goal? Isn’t it just fun?Or part of your social media addiction?
Well, if you’ve been following my blog, you’ve probably noticed that over half the content is actually write ups from notes at convention panels! I attend the panels, for those who can’t (or don’t). Also? My sister teases me that I act like a teacher, trying to get her recertification credits, all in one weekend.
And? Well, I talked about it in my post on attending conventions, but, of course, there’s the networking aspect. The science-fiction and fantasy conventions I prefer are full of readers, writers, and even some publishers and agents!
As is becoming my trend, the first part of my year will be focused on revisions, the middle on conventions, and the end on writing. Plus, I’ll be reading and blogging and vlogging throughout the year.
Except December. I’m not a writer in December — everyone needs a chance to breath.
We’ll have to wait until next January to see if I had 2020 foresight.
All writers who want to share their work with the world want to be published. Some want to self-publish while others would prefer to have the backing — and distribution — of a publishing house.
At the titular panel at WorldCon 2019, George Sandison, Patrick Nielsen Hayden, Rachel Winterbottom, E.C. Ambrose, and Michelle Sagara talked about the realities of traditional publishing — when you’re not an A-list author.
The Top 3 Ways Writers Make It Hard On Themselves When Getting Published
Quitting their dayjob
A publishing contract is great! It’s a huge amount of money. But, look at it as a year’s salary (or 5 years). There is no guarantee your next book will find the same market — or that your current book will perform as well as the publishers hope.
If you get an advance, there are shockingly few authors who ever “earn out” — or make back for the publishing house — what the publishing house gave them.
Many authors see their advances getting smaller and smaller, until they reflect what the market will give.
Of course it’s always best to write what you’re most passionate about. If you’re forcing the writing, it usually comes through to the readers as a lack-lustre book.
That said, if you change genres and markets, it can be like building your audience from scratch. Except, without the “like”. you ARE building your audience from scratch.
Getting the wrong agent
If you get a contract before you have an agent, it is usually very easy to find an agent. It is always wise to get an agent or contract lawyer to look over your publishing contract, but unless the lawyer specializes in book sales, the agent will likely be better versed in industry standards — what’s expected and what’s not.
That said, make sure you know if the agent you’re working with is invested in your career, or just here to help you through this single contract. Misunderstandings can leave your career in shambles.
Is It Three Strikes and You’re Out?
Usually, what it looks like from the writers’ end is…
Your first novel? Floats on clouds of hope and optimism — and the traditional publisher advance reflects this.
Your second novel? Well, they like to give writers second chances.
Your third novel? Good luck.
The reality is that publishers need to sell a writer and their voice, not necessarily just one genre. Plenty of authors have more than one type of story in them.
Typically, writers query agents, and agents submit manuscripts to acquiring editors. Occasionally, some publishing houses will be open to unagented submissions. But, once you’ve sold a book or two, a working-relationship can evolve.
Acquiring Editors Can Work For An Author
Editors that select works for publication at publishing houses can have working relationships as close as an agent with a given writer.
And, of course, the more senior the editor, the more clout they have when it comes to deciding what gets published.
Here are 4 ways they can help a writer.
They can go to bat for your novel, versus the publishing board, even if the numbers aren’t there. (i.e. We messed up marketing last time, but this writer is too good!)
Publishers can pitch ideas internally, and bring in the author they want to write it.
Even after a slump, if your pitch is keen enough, they can get you an offer.
Some have success changing by-lines, to re-introduce authors to new audiences.
But sometimes? You need to walk away.
Reasons to find a new publisher
Sometimes, a new publisher is what you need after a slump. The old one has already used all it’s connections and marketing techniques. It’s time to try something new.
Sometimes, the editor you’ve worked with leaves and no one has the passion for the manuscripts they left behind.
But not everything relies on the publisher. There’s a lot you can do to make sure you’re ready for the market.
Ways To Set Yourself Up For Success
Network Make friends in the industry. Hit conventions (if you have the time/energy but no money — volunteer! Or, you can just keep reading my notes).
But, be sure you’re making a good impression when you do. Everyone knows somebody here, so be friendly but respectful of boundaries.
Be prepared Rejection stinks. Seeing friends (or frenemies) succeed while your novel is passed over hurts — whether you’re at the “hoping for an agent” level, “hoping to publish” level, or the “hoping for awards” stage.
Know that you aren’t alone. Know what you need to keep your passion from burning out.
Read! Write! Ignore jealousy. Or acknowledge it — and then move on.
Don’t give up the day job Even if you do get a huge contract, or tons of steady ones, fear of bills and falling behind can put too much pressure on you, and take away the love of the writing. Remember to take care of yourself.
Age doesn’t matter, but financial security can affect your approach.
Remember what you’re comparing When you see social media feeds and think about all the ways you don’t measure up? You’re comparing their highlight reels to your blooper reel. Take a break if you need to. Step away if you need to.
How does maternity/health leaves of absences affect your career?
If you’re writing on a schedule, know this: 1. Publishing schedules are flexible – but… 2. Write first — as much as possible, if the leave is scheduled, and drop everything you can to make it happen.
If you don’t have a schedule, it’s up to you.
Should I self-publish?
The more niche your book it, the more successful it could be as a self-published book.
What does it take to succeed as a writer?
Ideas are a dime a dozen, it’s all about the writing.
Can you write a sentence? How about a paragraph? A chapter? Can you plot?
There is a huge cliff between a great book and a ho-hum, not bad book. Most are ho-hum.
These days, people prioritize a lot of things. Truth. Honesty. Maximizing share holder wealth. But there is something that seems undervalued — often described as a tool of the weak by those who are so inclined. But they’re wrong.
Today, I’m talking about the importance of kindness.
At the titular panel at WorldCon2019, Corinne Duyvis, Geoff Ryman, Claire Light, and Vanessa Rose Phin shared their thoughts about the true importance of kindness.
What is Kindness?
Kindness is the feeling of compassion channeled into action. But what is kind for one person, can be cruel for another, because we don’t all have the same wants or desires. When torn between the needs of multiple people and groups, the kindest thing to do is to balance the different wants and needs.
Kindness is a way of being — and death is the limit. It can be stepping up when someone else steps out of line to hurt someone. It can be discouraging unkindness and penalizing it.
Kindness is also said to be the ‘Culture of Hufflepuff’ (me? I’m a proud Hufflepuff). In JK Rowling’s magic school from the Harry Potter books, the students are split into four houses: the ambitious, insular Slytherin, the bookworm-ish Ravenclaws, the brave, heroic Gryffindor, and the friendly, loyal Hufflepuffs. Hufflepuffs do their best to be kind and not to judge others.
Is Kindness A Weakness?
Some see kindness as a luxury.
But, even in math, the purest of sciences, we find it can be the right solution. In game theory? Those who start off with a kindness, end up exchanging tit-for-tat, and find themselves winners. Those who are all out for themselves, find no one on their side.
Kindness opens you up to risk. To rejection.
To be kind is the bravest act of all.
Manners Versus Kindness
Politeness is what is expected of people. So-called “PC” terms are just requiring people to treat minority groups with the same level of manners that they’ve traditionally been expected to perform toward the majority group, or the groups in power.
But, as anyone in the South can tell you, politeness and manners can be weaponized — used to show someone they are lesser and/or don’t fit in. Think about the ubiquitous “bless your little heart” and all the judgmental condescension inherent within those 4 little words.
With manners, in most polite societies, you can demand tolerance. But tolerating something is inherently judgmental. Kindness is embracing people of all kinds.
In many cultures, one cannot demand a kindness. “Kindness” that is expected is an obligation or a type of manners. Kindness is a gift that must be freely offered.
Comfort Versus Kindness
The core of both is empathy. I’m sure all my readers out there will be encouraged by the recent studies saying that readers of fiction score higher on empathy tests.
Just because you disagree with someone doesn’t mean you need to attack someone. If you see they’re suffering, even when they’re in the wrong, you can get a lot of mileage out of recognizing their pain, but helping them understand the opposing viewpoint.
A comfort for someone is — a comfort zone, or a safe place. Somewhere they can relax and let their guard down.
Comforting someone — is an act to help someone (often, through an act of kindness), when they cannot be somewhere that is safe. When you can’t keep the stressors away.
Fairness Versus Kindness
What is fair or good is not always kind. Taxes paying to feed millions, to pave roads, to fund hospitals is a good thing. But, it’s not a kindness to those who have to pay up the money, and it’s not a kindness from those who pay when the payment is institutionalized.
People often treat accessibility for disabled individuals as a kindness that should be thanked — an act deserving of gratitude. This attitude is ablelist — when ramps grant access to everyone, while stairs are selective, why are ramps not the default? When someone has a legitimate need, versus a mere desire, providing it should be seen more as an act of fairness or even an obligation, rather than as a kindness.
Trigger warnings or content notes are often derided as coddling people. Why? Movies have had them for decades. Letting people decide what they’re up for or not is just allowing them to make informed decisions. Using them can be an act of kindness if freely given. If begrudgingly given, because the site the media is on requires it, then it’s not a kindness, just a fair expectation.
And kindness isn’t coddling. Often, correcting someone’s mistake before it gets too big IS a kindness. As a writer, feedback that requires tons of work is a bigger kindness than encouraging publication before the manuscript is ready.
Kindness To Oneself
Society can be cruel. People who take care of themselves are often seen as prideful or arrogant. They’re told they’re self centered.
In many societies, women especially are expected to self-sacrifice for their families, while men are supposed to throw themselves into their work, to earn their value.
Meanwhile, people who don’t take care of themselves for whatever reasons are seen as lazy and just plain bad people. Unworthy of help or support or love.
There are many ways you can be kind to yourself.
Eating well — both nutritiously and treats in healthy measures
Getting enough sleep
Taking care of your body (exercise, medication, etc)
Being honest with yourself – and your own limits
Nurturing healthy relationships and healing/ridding yourself of unhealthy ones
There are many ways to be good, to be just. There are multitudes of ways to be kind.