Vlog: Writing Secondary and Minor Characters
You might know all about your main character, but a world isn’t a world without other people!
Morgan Hazelwood: Writer In Progress
I grew up with parents attending Science Fiction and fantasy conventions. After a decade or two off, I’m now back as a writer! And spend FAR too much time in writing themed panels, taking notes from the experts! Plus, I squeeze in a bit of cosplay.
You might know all about your main character, but a world isn’t a world without other people!
Writers know all about our main character–they’re the focus of our story. Often, the story is told in their voice.
But what about everyone else? Unless you’re writing a person-versus-nature like Hatchet, you’re probably going to have other characters.
You already know about the 3-Act Structure, you’ve experimented with beat sheets, and you’ve tried using script writing techniques to punch up the drama, but you’ve still got sections of your novel that lag.
Now what?
When you’ve done all you can do on your novel, but you think it could still be better. Or you’re just tired of form letter rejections to your queries: Sometimes, the next step is to hire an editor. But, how do you know if they’re right for you?
Here are 4 steps to finding the right editor.
In real life, people are not necessarily open and honest about their feelings, their intentions, or their actions. Sometimes they try to hide them, and sometimes, they honestly don’t know themselves.
In my 2nd video blog, I discuss:
In real life, people are not necessarily open and honest about their feelings, their intentions, or their actions. Sometimes they try to hide them, and sometimes, they honestly don’t know themselves.
In writing, it adds to a character, helping round them out from 2-dimensions into 3 if you can figure out how to add the sub-text.
Sub-text is how you manage a big reveal or plot twist at the end of your book and have readers go “Oh! Of course!” rather than feeling cheated or misled.
But how do you add subtext to your novel?
Query letters are hard.
They’re a job application to sell a project that you’ve poured your heart, soul, and more-than-just-all-your-free-time into for months, years, or even decades.
But, if you could have told your story in 250 words or less, you wouldn’t have needed to write the whole novel!
The problem is, there are thousands of other writers who (mostly wrongly or naively) think their novel deserves to be published more than yours does. You’re reaching out to agents who’ve seen almost everything and you need to convince them that your novel is different! (Or at least written well enough that readers don’t mind)
Unfortunately, I can’t tell you how to get it right. I don’t know the secret formula either, and I suspect it’s different for every agent, and dependent on how recently that agent had lunch.
But all is not lost!
(Or at least the 1st page)
Let’s take a look at famous 1st lines and see how many of these things they manage. And how they do it…
There are so many ways to do it wrong and no one consensus on how to do it right.
Here are thoughts, from two #Balticon panels, on common mistakes and things to try to get it right.
Biggest take-away: remember, characters should be 3 dimensional, not 2-D.