Whether you’re querying PitchWars mentors tomorrow or literary agents on Friday, it’s best to do your homework first. Querying an agent (or mentor) simply because they represent your genre is the bare minimum to not get thrown into the trash in 0.005 seconds.
I know it’s hard to pick — and harder yet not to get emotionally invested in a person who knows nothing about you.
As I’ve mentioned before, do not stalk agents or mentors. Do not go through their facebook/instagram feed and like everything they’ve posted for the last five years, scour their photos to find out their favorite foods, their friends, vacation places. Don’t Do It.
Do Not Rules Lawyer Their “No Thanks” Lists
Some agents or mentors mention things they want A, B, and C. But never Z. And you have A, B, C, and Z. They’d be perfect except for that last thing!
I can promise you, they do not want you messaging them asking if off-screen Z counts. Or, yes, they have Z, but it’s not that explicit.
Imagine saying you hate dogs and then your inbox gets flooded with dog pictures asking if this one is allowed because of whatever excuse. You’re now flooding them with exactly what they asked NOT to get.
5 Things To Help You Select An Agent/Mentor
Read their wish lists – on their bios – profiles – on #mswl/www.manuscriptwishlist.com
Read their don’t want lists – Then REMOVE from your list of agents/mentors to query if you have a match. No matter what.
Read their twitter feed – see if their personality seems like a good fit
Examine their bio – see what sort of agent/mentor they are (editorial/big picture/etc) – what experience they have – what sort of publishing experience/connections they have – REMEMBER – This is a two way process. It’s not just “do I have what they’re looking for”, it’s also, “do they have what I’m looking for”.
Check out their list of favorite books – if those books would be a great comp for your novel, or are evocative of your tone? That’s pretty promising!
Querying is scary and intimidating. It can be easy to stall by doing your research… FOREVER. But, eventually, you have to query or move on.
All you can do is your best. Then, it’s out of your hands.
Best of luck to all of you out there in the querying trenches — with agents or PitchWars!
Let me know what you’re querying! Let me know if you’re a pitchWars hopeful.
And link your social media below. I love connecting with other querying (and beyond!) writers.
Some people are sexually attracted to the opposite gender, some are attracted to the same gender, while others are attracted to more than one gender, and yet others are only sexually attracted under specific circumstances?
But, not all people are sexually attracted to someone. Those people? Identify as asexual.
Especially in Western culture, so many of our stories — be they folktales of yore, current tv shows, books, or movies — center around the main character’s relationship. Even if it’s not the main plot point.
For asexual people, they’ve had to read-between-the-lines to look for characters that represent them.
Is this character asexual? Or did the story just not cover a period of their life where they were in a relationship.
Is that character sexual? Or are they in a consensual sex-free romantic relationship?
At the titular panel, at WorldCon 77, Wendy Metcalfe, Darcie Little Badger, Dr. Edmund Schleussel, and Jasmine Gower discussed ways to make the asexual textual, without making it feel forced.
3 Reasons Not Making the Asexual Textual is a Problem
There is already a sparsity of asexual representation
Readers will project on the asexual characters and make assumptions
Many readers enjoy ‘shipping characters, and will mentally pair them up, or insist that there’s subtext
Shipping characters – Shipping is short for ‘relationship”, it’s when readers (and/or fanfic writers) decide they think two (or more characters) should be in a relationship.
Fanfic – is fiction written by fans about the characters from tv/movies/books that they want to see. Unofficial spin-offs. Like Paradise Lost is Biblical fanfic.
In fanfiction circles, “slash fiction” originated as stories pairing character A – slash – character B. A lot of the derivative stories have been traditionally homosexual pairings, but not always. And some of them, explicit erotica.
4 Approaches Making Asexual Characters Textual
Avoid the terms, but make it obvious in the plot
Make up terms in your story to represent asexual — or the reverse. Why not make a story where asexual is the default, and everything else must be defined?
Slip in the term
Worries it will feel dated
Have it as a small detail in a larger descriptive sentence
4 Overdone Asexual Tropes To Avoid
Having them focus on how their asexuality makes them weird or different. Asexual people typically don’t dwell on their lack of sexuality during their normal day-to-day lives.
Morgan question: What about thinking about how sexuality makes everyone ELSE weird?
Naivety – not understanding what sex is
Being repulsed by sex
Making the asexual character alien, or a robot, or inhumane in some way (very often Death itself).
Non-heterosexual characters being used as code for a ‘bad person’
How Being Asexual Affects A Person’s Life
No co-dependencies. Living alone is expensive and is easier with a profession.
Seen as naive or “just haven’t met the right person”
People trying to pair you up.
Seen as ‘frigid’ or ‘sexually dysfunctional’
Asexual people are normal people. They’ve always been out there.
For those looking for asexual stories:
Anything from the LessThan3Press (recently defunct)
Whether you’re thinking about a podcast, joining #AuthorTube, or just wanting to wow the audience when you read an excerpt from your own writing aloud to an audience, being a dynamic voice actor has a lot of benefits — for writers and creators of other forms of media.
In the titular panel, August “Gus” Grappin, Starla Huchton, Tee Morris, and Veronica Giguere, with Erin Kazmark moderating, shared tips to help you rock the voice acting world.
How IS Voice Acting Different Than Just Acting?
Of course, voice acting is a form of acting. But, when most people think of “actors”, they think of people on stage, television, or film. Without others to interact with, voice acting is a whole other ballgame.
Without an audience, there is no feedback
Those who feed off the audience find this a detriment
Those who the audience makes anxious, find themselves better able to relax and get into character
Theater is a team sport, unlike most voice acting
In theater, a good actor can bring you up, a bad one can kill the scene
In voice acting, you’re typically recording in a room by yourself and you have to trust the others to bring their A-game
It’s hard to match the energy, when you’re not all recording together
For audiobooks – it can be challenging to get feedback or direction from the author.
You have to use a microphone!
4 Tips To Keep The Narrative Itself Dynamic
Characters lend themselves to different voices, based on age, gender, and energy level. Narrators can be trickier. Third person narrators are almost an eye-in-the-sky, while differentiating a first-person narration from the character’s dialogue offers a few challenges.
Find a ‘character’ for the narrator. With good writing, the setting itself is a character and lends itself to a certain tone.
“Make a meal of your words,” says Phil Rossi. Linger on the words, with the exploration of the world coming through with your tone.
Think of the ‘narrator’ as ‘the storyteller’. Not someone reciting the words but someone telling the story to a fascinated audience.
In that vein — try to imagine that you’re talking to an actual person. A friend that you don’t want to bore (or roll their eyes).
7 Ways To Make Characters POP
When you are trying to differentiate in your voice between different characters, it can be easy to fall into cliches — be it a shrill woman, a thick-accented foreigner, or a slow, low male voice. And wild characters can be hard to understand.
Luckily, there are some tricks that can help.
Moving or changing posture between characters.
Giving a character a physical tic — twirling hair, glaring, talking out of the side of their mouth
Being careful not to mumble or speed up during action scenes
Pay attention to your use of breath and pauses. They can be dynamic but, don’t “Shatner” or you’ll “Shat all over your audience.” (thank you, Tee)
Pay attention to the character’s attitude — don’t make the focus of your delivery be on their gender
If your voice is naturally feminine, hardening your delivery, even without lowering your voice can help
As the narrator, hold the tension. Let them relive the experience as you bring the listener along for the ride.
I have a horrible habit of rushing jokes because I can’t wait to share the punch line. You don’t want to drag it out, but you want the audience to get there at a natural pace, not rush them, nor drag it out.
Reading aloud, be it for a animated show, podcast, or live audience can be nerve-wracking. But, if you’re dynamic, your audience should enjoy themselves.
Were there any tips you know that the panelists didn’t get a chance to mention? Are there things you enjoy in your audio dramas that you’d love to see more of? Or things you keep seeing that you HATE? Let me know!
Thanks for reading! I’ll be back again next week with even more panel notes from #Balticon53. Because I’ve got a book of notes here.
Having attended, at this point, easily over a hundred panels in the last 5 years, I definitely have opinions. And there is one role that can make or break a panel.
Whether you’re a writer guest-of-honor on a panel at a convention, or just hosting a dinner party, being a good moderator is highly underrated skill.
My favorite panels are where the big names are friendly and informative, and the smaller names are confident with their answers — without anyone talking over each other.
In the titular panel, Barbara Krasnoff, Grig Larson, DH Aire, Jennifer Povey, and Jazmine Cosplays, moderated by… Um. I think it was Barbara, but really? It was the most polite and self-moderated example of a panel I’ve ever watched.
How To Prepare To Moderate
When you sign up to be a panelist, or you’re asked to be one, pay attention when you get your schedule. If you’ve got that big ‘M’ in parenthesis, you’ve been selected as the panel moderator. Which means, you don’t have to know everything about the topic, you just have to make sure your panelists share everything they know.
Read up on both your topic and your fellow panelists.
Prepare open-ended topical questions
Read the panel description — sometimes it gives you all you need for discussion questions!
If you get fellow panelist emails, reach out and coordinate
Ask them what questions they’d like to be asked
If there are identity sensitive questions, give them a heads up
Pay attention if there are tangents they ask to avoid
Decide if you want to give introductions for the panelists, or make them introduce themselves.
How To Guide The Conversation
There are panels that basically run themselves. The panelists are solid on the topic, friendly and gracious at taking their turns, and make a lot of fascinating points. Other times? The conversation could use some… guidance.
Know who the audience is here to see — if there is a big name, or subject matter expert, you might let them talk a little longer.
Make sure everyone gets a turn. If someone is going on a bit, redirect.
If you think you might have a chatty panelist or two, feel free to inform the panelists of a time limit on answers during the introduction phase.
Ask leading questions
You want to make the panelists look good!
You can use leading questions to get back on topic, after a tangent
NOTE! If the audience is looking interested in the tangent, you can let it go a little.
Watch the panelists, if they seem to perk up at something another panelist is saying, take note of that and come back to them, especially if they haven’t been dominating the conversation.
A difference of opinions is more interesting than everyone in agreement — as long as it’s a case of personal preference and not a personal attack.
If the panel conversation seems to run dry, or the topic was too obscure, let the conversation veer. Especially when it’s engaging the audience.
Save 10 minutes at the end for a Question and Answer period. And don’t hesitate to open the floor for questions early if the conversation has ground to a halt.
If the audience is huge, try to leave extra time for the Q&A, and be apologetic if you can’t hit them all.
The last 2 minutes should be for the panelists to give closing thoughts… and do their book/social media plugs.
If you run out of time, you can always offer for people to send their questions to you on social media — assuming the panelists are open to answering more questions.
How To Shut Up Panelists
Some panelists love to hear themselves talk, others talk a lot when nervous, and others are so excited about the topic they’re just overflowing with things to say. But. A panel isn’t a monologue, and sometimes you’ve just got to move the conversation along. Or, a panelist might be working their way toward embarrassing themselves, or getting a little too worked up.
Some things to say to redirect the conversation
“Thank you, SPEAKER. QUIET-PANELIST, what did you think of what SPEAKER just said?”
“Thank you. Let’s give OTHER-PANELIST a chance to answer the question.”
“I’m gonna have to stop you there. Our time is getting short.”
“Now, it’s time to move on to NEXT-PANELIST.”
“That’s a great topic. I’m going to suggest it for a panel next year.”
“Oh hey, I think someone in the audience had a question.”
How To Moderate The Audience
Sometimes, the ones you need to watch out for aren’t even on the panel themselves, (although, some think they should be, and some may have been excellent additions).
Be firm. The rest of the audience is here to see the panelists, not listen to the audience. When you open the floor for questions, be sure to let them know, “Questions only, no statements.”
If they’re rambling, cut in. “Do you have a question in there?”
You can use that, “That’s a great topic for a panel. You should suggest it for next year.”
If there’s not quite a question, and you need to take the floor away from them: “Does anyone want to address that?”
If an audience member crosses a line — either by repeatedly ignoring your requests, or saying something beyond the pale, you can kick them out. “I’m sorry, but you’re going to have to leave.” And just wait, or ask someone near the door to call for security, if they leave willingly.
What NOT To Do!
Now, the panel didn’t go into this, too much. But, I’ve seen a lot of crazy things in panels. I think we can find the rest of the answers from looking at, let’s call it, the negative space in the tips above.
The top 9 ways to be a horrible moderator
Let it tangent off-topic, with an irritated audience, while there’s plenty of topic left to cover
Don’t let the audience ask questions
Treat the panel as your platform, with the other panelists as supporting characters
Single out one panelist based on their identity, and make them speak for all people of their race/gender/ability/etc
Share any fellow panelist contact info you have, publicly
Let people talk over each other
Tell people their opinions are wrong
Let the audience or panelists bash each other
Spew hateful rhetoric
A good panel is informative, entertaining, and friendly. If you stay in this industry, it’s likely that you’re going to see these people on future panels. If you moderate panels that people enjoy participating in and/or attending, it’s likely they’ll look forward to being on panels with you in the future.
As I contemplate approximately 82 panels that sounded great for me to attend in under 4 days, I realized it’s time for me to share my complete guide for attending conventions.
Should You Attend A Convention?
Before deciding to attend any convention, ask yourself the following questions:
What is the focus of this convention?
There are as many different types of conventions as there are conventions themselves. Some are more professional oriented, some are pitch events, some are workshop focused, some are all about the party. Note: for the geek-oriented conventions I’m mostly referencing, they’re often known as “Cons”.
What are the expenses involved?
The cost of admission
Gas/Parking money or plane/taxi costs
Workshop fees (sometimes these are extra)
Hotel room (can you room with friends? Is there a crash board for the con offering space in someone else’s room?
Can you staff (involved ahead of time, likely for the full convention) or volunteer (sign up, drop in, obligated for a set number of hours) in order to cut costs?
How accessible is it?
If the convention space has been around, you can typically find out from people who have been there before. If not, you can contact the hotel/convention center/etc. Check to see what the convention says about accessibility. If they make it a priority, it should show.
How large is the convention?
Is it a local college con with a couple hundred guests, or the tens of thousands that flood Atlanta for DragonCon? How well do you do with crowds? Size can influence the last two questions.
Who are the guests of honor?
Sometimes, it’s worth splurging for a writer you’ve always loved, an actor you admire, the launch of some new webcomic/movie/whatever.
What sort of program events do they have?
Ceremonies – opening, closing, awards, etc
Are your friends attending?
It’s always good to see a familiar — and friendly face in the crowd.
What To Bring To A Convention
If this is a geek event, everyone in day clothes will be wearing jeans and a black t-shirt. Do you want to stand out? Or blend in?
If this is more business oriented, try for a business casual dress. Maybe a geeky t-shirt, with a dress skirt/slacks and blazer?
Good walking shoes. Typically, you’re going to do a lot of walking on concrete floors. Even if you’re not, you’re likely to be on your feet a lot more than *I* am on an average day.
Do you cosplay? Check before you dress up, some conventions (like World Fantasy Con) aren’t into it. Others encourage it (DragonCon)
Some allow more explicit costumes than others, be sure you know the rules.
There are conventions with strict photography rules — for hallway pictures, creepy stalkers, and professional photo shoots. Check before you make plans.
Food and Drinks
If you can, bring breakfasts, snacks, and drinks of your choice. Hotels can be very drying, so you’ll need to hydrate more than normal. Especially if you bring in any alcohol.
Business Cards, Queries, Pitches, and Chapters
If you’re going? Network.
Hand out your business card to anyone who seems friendly.
If there are pitch sessions, agents, or imprint editors? Have printed copies of your pitch and your queries printed out. And just in case? Have a copy of your first chapter.
Some like having laptops, or live tweeting events. Have your electronics, a bag for them, and all your chargers. Bring a spare battery if you can.
Notepad and Pens
I don’t like to take notes on my computer during panels. Instead, I’m scribbling like mad in a new notebook I got just for this con.
YES. This is an excuse for a new notebook, or to use that one you’ve been hoarding.
Bring a couple of your favorite pens to write with. Even if you’re doing the laptop thing or phone-ing it in. 😉 You might end up with a hallway autograph session, or need to scribble down someone’s room number.
What To Do At A Con
I touched on this briefly, when you were deciding if you should attend, but not everything is in the program book.
A panel is typically a discussion between 3-6 guests, with a given theme. Usually, there is a moderator to make sure the conversation flows.
Typically, these are 50 minutes long, with about 5 minutes given to introductions, 30-35 minutes for discussion amongst the guests, and 10-15 minutes for audience questions. Different conventions have different standards, though.
When picking which panels to attend, there are several factors to consider. I wasn’t kidding earlier when I said I was contemplating 82 panels over 4 days. Luckily, I’ve cut it back to about 65 panels/events at this point.
And? They’re spread among the same 35 hours, so literally, I can’t do nearly half of them. I’m going to have to pick.
When I’m torn between panels, these are my decision factors:
What’s the panel topic? Is it relevant to my writing? Does it sound interesting? Have I seen it before? Is it a hilarious show? Maybe it’s a relaxing concert?
Who’s on the panel? Have I heard them before? (Even if this is your first time, as you go on with the weekend, you’ll often find you have specific panelists you enjoy more than others.) Maybe a panel is one I’ve seen before, but has a whole new cast of characters! Maybe they’re a friend I want to support and love hearing.
Do I need a break? Is this my 5th panel in a row? Do I need a nap or food?
Will I need to queue up? At WorldCon two years ago, the panels proved far more popular than anticipated, so to get into any panel, you had to queue up an hour before. So, I did.
There are tons of types of events, outside of panels.
Signings – from actors, artists, writers and more
Dances – everything from folk dance, to raves, to full on fancy dress balls
Workshops – these vary in length from a 50 minute panel, to a full day, to the full extended weekend of workshop. The longer it is, or more prestigious the instructor, the more likely it costs extra, and needs to be signed up for ahead of time.
Coffee klatches – a word from the 60s or so, when people hung out drinking coffee in kitchens. These are small gatherings with a guest of honor, to have an organic conversation. I think. They intimidate me, so I’ve never been.
Parades – certain groups or free for alls! Sometimes costumes are required
Ceremonies – most have opening and closing ceremonies. Some have awards ceremonies as well. World Con hosts the Hugo awards.
Concerts – Everything from acapella groups to ballroom-sized metal concerts
Pitch events! – Some have opportunities to pitch (or practice your pitch) with an actual agent or publisher.
Pitching live can be a “I’ll sign you now!” sort of thing. But more often, it’s a thanks or no thanks situation.
With the occasional: “that sounds nice, please query me” (and note that the agent requested in the query’s intro). And that submission? Might be super promising! Or, that agent may just have trouble saying no to your face.
Gaming rooms – Board games, video games, LARPing rooms, you can find a lot of stuff going on. And? This can be a great way to get to know new people, without having to resort to the ‘small talk’ many people (wrongfully) disdain.
Martial Arts – Demos or classes are often found at conventions. Longsword or jiu jitsu and everything in between.
Crafting – Demos or classes are often found at conventions. From fiber arts, to drawing, painting, and glueing together fake steampunk guns.
Art Show – Artists of all kinds can submit to have their art displayed. Often many paintings and prints, plus fabric arts, jewelry, woodcraft, pottery, and more. Here, it goes up for a silent auction, with a small piece of paper by it for people to write their bids. Usually, identifying themselves by badge number.
Like Ebay, there’s often a ‘buy now’ option at a higher price. Often, the artists will have tables with less expensive prints in the Artists’ Alley or Dealers’ room.
The Art Show usually wraps up on Sunday, or the last day of the con. Sometimes, there’s a live auction (I’ve been known to Vanna White one or two auctions in my day). The rest of the time, if you’re the winning bid, you have until a set time to pay and collect your piece.
Some have large vendor rooms, some have segregated “Dealers’ Rooms” (for people selling store merchandise) and “Artists’ Alley” (for people selling homemade goods). Here, you can buy any sort of art, con-themed clothing and costumery, swag, books, and more.
Sometimes there are ‘room dealers’ who set their own hours working out of hotel rooms.
A life-saver for the budget con-attendee, this is a room to relax, socialize, and SNACK. Sometimes they have oatmeal, cereal bars, bread, and pb&j. These rooms may have more, they may have less, but they’ll have some low level of sustenance for those that need it. (If you have allergies, they may be less helpful.)
In traditional/older school science-fiction and fantasy conventions, in North America, there is the tradition of a ‘party board’, where room parties are listed. Many are registered ahead of time, and end up assigned a room on the same hall, to keep the noise clustered.
These are typically door-propped, mild to moderate decorations, some swag, some snacks, and a couple of hosts. If the event/location permits, there may be alcohol. People often ‘party hop’, sticking their heads in each of the party rooms and snagging refreshments before heading to the next one.
Most of these parties are hosted by other conventions, to try and drum up interest and early memberships to help finance their own convention. Some of them are ‘bid parties’. Both WorldCon and WorldFantasyCon travel from year to year, like the Olympics. And like the Olympics, cities bid to host, votes are cast, and there’s a winner.
I’ve helped with the DC 2021 WorldCon bid party twice. Luckily, no one is currently running against DC. (Also, both parties I helped with were in Baltimore, so the locals are fans, anyway.)
There are often invite-only parties. Or so I’ve heard. These typically do have alcohol (and some even check IDs to avoid any legal issues). Some people even hire bouncers.
There are people around you, interested in the stuff you’re there to see. Talk to them. Admire something to them. Play games with them.
The key to networking is — make friends.
NOTE: If you see an agent at a convention — if they’re in the program, you can approach them — as long as they’re not in a rush somewhere, or look to be in a serious conversation. Just give your one line pitch after an introduction (or more conversation). Do not hand them query letters, or manuscripts, or more.
If they’re not in the program? They’re probably there for meetings, or off the clock and you should leave them alone.
If this is your first — or even second time at a particular convention, you may feel a bit left out. It seems like everyone else knows each other, everyone else is having an amazing time, and you’re locked out. But these are fans, and they love talking about their fandoms. It can take 3 or more times at a given con before it starts feeling like home. These are relationships that have been built in short weekends, spread over years. You have to put in the time to get there, but if you’re open to meeting new people, there will be people open to meeting you.
There’s also a thing informally known as ‘Bar Con’, where the writers and agents hang out at the bar. This is a time to socialize with them and/or buy them drinks. NOT a time to do more than a single line pitch, IF they ask.
Take Care Of Yourself
To be respectful of others, you need to respect yourself and not push your limits. Don’t skip more than 1 shower. Don’t skip more than 1 meal. Don’t skip more than 1/2 of a night’s sleep. You’ll feel better about yourself, look more approachable to others, and you’ll have more patience and energy.
Hotels and convention centers are among the most dehydrating places on earth. I’ve been known to bring humidifiers when attending winter conventions to stave off colds. You’ll need to drink at least 8 ounces of water more than you normally would, just to stave that off. (More, if you plan to drink alcohol.)
If you’ve forgotten or lost your toiletries, you can ask the hotel staff or acquire some at the hotel’s store. If that fails, ask the con suite staff. They should be able to discreetly track you down some deodorant or toothpaste.
HOW TO BEHAVE
When you arrive at the convention
Typically, if you’re staying at the hotel, you’ll want to check in first. Many don’t allow check-in before 4pm (to give them time to clean all the rooms after the 11am-1pm check-out time). If you’re early, you often can leave your bags with the concierge (although a tip will be expected)
Next, you’ll want to find the convention’s own registration. This might be an hours-long line, or a 2 minute stop. You’ll need to have your ID on you, and if you haven’t pre-paid, money. They’ll give you a badge and sometimes a program guide and a map.
If you aren’t pressed for time, I encourage you to scope out where the panels you plan to attend are, where the event rooms are, and where the restroom is.
At a panel
Try to arrive 5 minutes early. Be settled before the panelists begin.
Make sure your phone/alarms are turned off (or at least on silent)
Don’t take up more than one seat if there’s a decent-sized audience.
Feel free to take notes! Paper or laptop.
If you get a chance to ask a question, don’t be “That Guy”
Have a concise question
Remember that the audience is here to listen to the panelists, not you
Don’t use this as a chance to make an analogy to your own novel or gaming world
Don’t use this as an opportunity to show how clever you are and/or how you should have been on the panel
I know you wouldn’t do that, but there always seems to be one person who thinks they’re not just making everyone roll their eyes, (including the panelists they might be trying to impress).
If the panel didn’t address what you thought it would, this is a great time to ask their opinion on what you were hoping to hear them talk about in the first place. Or maybe you wanted them to go more in depth on something they touched on. These are all good questions!
If you must leave early (or it’s not what you expected, or you’re bored), look at your watch/phone with a startled expression, gather your things quietly, mouth “Sorry” in slow motion to the panelists at the front of the room, then slip out with as little ruckus as possible. I promise you, most people would rather watch the panelists than you.
Be open to new experiences.
Chat with people, if it doesn’t happen organically? Hit the gaming room. Volunteer to help the con.
Attend something con related, don’t just hang with your friends or hide in your room
If you spot someone in costume, or someone famous in the halls, and you want to approach, evaluate the situation.
Do they look rushed or exhausted or closed off? They may need some downtime, or be late. Leave them alone.
Are they in a deep conversation with someone else? Leave them alone.
If they look relaxed, be respectful and courteous. Start with an introduction and maybe a compliment. Don’t be fake or fawning. “Hi, I thought your work in X was so very well something.” or “Hi, amazing work on the costume-part.”
Do NOT compliment a body part. Compliment something they can change in less than a week. Hair, costume, accessories, etc.
If they don’t seem irritated and you’d like a photograph or autograph, ask. “Do you mind autographing this/if I get a picture?“
Just because they’re already getting their photograph taken, doesn’t mean you can whip out your camera.
They might know the other person/people – and asked them to take their picture so they have a record later.
They might be trying to get somewhere else – like a panel, or the bathroom!
After The Con
Some people hit their limit and are ready to leave. Many of us linger and want to catch last minute hugs and waves.
When you get home, odds are you’re going to want a nap. Probably some water, and maybe even some vegetables. Who knows?
Watch out for an energy drop, that’s not just the need for a nap, commonly known as “con drop”.
You’ve just been in ‘on’ mode for 2+ days. For many, this is a unique opportunity to be surrounded by other fans, where your interests are common, not unique. There’s a particular energy for each convention. When you leave that, you can feel isolated. Or irritable. Or just plain exhausted.
Cons are rather manic and leaving them can leave you depressed.
The trick to handling con drop is to know what you need.
For me? It’s often water, naps, and downtime. Then writing up my con-report and posting online, trying to connect with everyone else who was there.
For others? They may need to cave for three days. Or? They might want to schedule dinner plans the next few nights so they don’t go from 100% socialization to nothing.
Taking care of yourself doesn’t end just because you’re home. But with any luck? You’ll enjoy yourself and be ready for the con to return.
Let me know if I missed anything! And check back next week for more writing tips and writerly musings.