Author Spotlight: Deborah Maroulis

/ Morgan Hazelwood / 1 Comment
  • an author of contemporary novels

Readers! Let’s give a good hearty welcome to Deborah Maroulis

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Deborah Maroulis is an author of powerful and moving contemporary novels for teenagers. Born and raised in a small town in Northern California, she resides with her husband, two children, and her daughter’s semi-retired service dog.

She also teaches English and mythology at her local community college and studying myth and depth psychology in her Ph.D. program. She is represented by the Jennifer De Chiara Literary Agency in New York.

Deborah, thanks for agreeing to be here today. Most interviews start off with bios and such, and while I’ll get to that as always, let’s start with the important stuff!

If you could have any pet (real/fantasy/no-allergies/no worries about feeding it) what would it be?

Hmmm, any pet I want… honestly, and I know it’s cliche, but I would get a cat. I’ve had at least one cat my entire life except for the last eight years because my husband doesn’t like them. I miss being treated like a second class citizen by something that fits in my lap. What can I say?

Cats are pretty restful. I have allergies, but I’m still wishing I had one again…

What do you write and how did you get started?

I write issue-driven YA contemporary novels loosely based on Greek and Roman myths or mythological archetypes.

One Halloween, roughly three and a half years ago, I made the rash decision to try NaNoWriMo. I’d heard of it from some friends and was completely overwhelmed at the idea of writing 50,000 words in thirty days.

I mean, who does that?

I had to see if I could. After I handed out the last of the candy, I shut off the light and pulled out an old idea I’d been playing with—a story about what happens to the quiet girl when her best friend suddenly isn’t there anymore. That story turned into WITHIN AND WITHOUT!

Ha! I think there’s a lot of us out there who got our starts with NaNoWriMo. It’s a set timeframe and goal that can be the push to finally write that novel you’ve got in there!

What do you like to read?

I love reading historical fiction and YA contemporary most, but I try and read from a lot of different genres and age groups. This year, I’ve delved into gripping middle grade novels and novels in verse. I’ve also read some women’s fiction and noir. And, of course, as a grad student, I have to read a ton of academic books. At least they deal with all kinds of mythologies and psychology.

I try to read historical fiction and YA contemporary, but am mostly into fantasy and science-fiction. When I branch out, though, I find myself devouring them. Yay for getting to study mythologies!

Name one commonly accepted piece of writing advice that doesn’t work for you.

Use beat sheets.

I know they are super valuable for a lot of writers and I get why. My issue is I get so bogged down trying to get everything perfect and in the right spots that I lose the story. It’s better for me to follow my outline and then go back and edit for pacing. (Shout out to my CP, Dante Medena for being the pacing queen!)

I use beat sheets sometimes when doing my super-high-level outline at the start, and after writing my first draft to check my pacing. But, I can understand not using them. They can feel constraining.

Name one commonly accepted piece of writing advice that they can pry out of your cold, dead hands.

Plot using the hero’s journey

It may be my degree talking, but I will always use the hero’s journey to plot my stories. It’s so universal that even the “other” plot maps follow the same structure. Once you get the basics down, it’s easy to vary it a bit to keep people guessing.

Ha! No wonder beat sheets don’t work for you! With the hero’s journey to help with your pacing, you’d be doubling up.

Shameless Self-Promotion time!

Yay, my favorite part! (Juuuust kidding.) If you’d like to find out more about me or WITHIN AND WITHOUT, you can check out my website at www.deborahmaroulis.com or follow me on Twitter @yaddathree or on Instagram at @deb.maroulis.

Within and Without by [Maroulis, Deborah]

Some people go to great lengths to fit in. But how far is too far?

Described as “unflinching and authentic,” WITHIN AND WITHOUT is a stunning debut that touches on a teenage girl’s emotionally haunting journey to self acceptance “that will stay with you long after you turn the last page.”

Morgan’s Complete Guide For Attending A Convention

/ Morgan Hazelwood / 1 Comment

As I contemplate approximately 82 panels that sounded great for me to attend in under 4 days, I realized it’s time for me to share my complete guide for attending conventions.

Should You Attend A Convention?

Before deciding to attend any convention, ask yourself the following questions:

  • What is the focus of this convention?

    There are as many different types of conventions as there are conventions themselves. Some are more professional oriented, some are pitch events, some are workshop focused, some are all about the party. Note: for the geek-oriented conventions I’m mostly referencing, they’re often known as “Cons”.
  • What are the expenses involved?
    • The cost of admission
    • The distance
      • Gas/Parking money or plane/taxi costs
    • Workshop fees (sometimes these are extra)
    • Hotel room (can you room with friends? Is there a crash board for the con offering space in someone else’s room?
    • Food
    • Spending money
    • Can you staff (involved ahead of time, likely for the full convention) or volunteer (sign up, drop in, obligated for a set number of hours) in order to cut costs?
  • How accessible is it?

    If the convention space has been around, you can typically find out from people who have been there before. If not, you can contact the hotel/convention center/etc. Check to see what the convention says about accessibility. If they make it a priority, it should show.
  • How large is the convention?

    Is it a local college con with a couple hundred guests, or the tens of thousands that flood Atlanta for DragonCon? How well do you do with crowds? Size can influence the last two questions.
  • Who are the guests of honor?

    Sometimes, it’s worth splurging for a writer you’ve always loved, an actor you admire, the launch of some new webcomic/movie/whatever.
  • What sort of program events do they have?
    • Ceremonies – opening, closing, awards, etc
    • Panel topics
    • Concerts
    • Screenings
    • Readings
    • Parties
    • Signing
    • Photo Ops
    • Video Games
    • Contests
    • Cosplay
  • Are your friends attending?

    It’s always good to see a familiar — and friendly face in the crowd.

What To Bring To A Convention

  • Clothes

    If this is a geek event, everyone in day clothes will be wearing jeans and a black t-shirt. Do you want to stand out? Or blend in?

    If this is more business oriented, try for a business casual dress. Maybe a geeky t-shirt, with a dress skirt/slacks and blazer?

    Good walking shoes. Typically, you’re going to do a lot of walking on concrete floors. Even if you’re not, you’re likely to be on your feet a lot more than *I* am on an average day.
  • Costumes

    Do you cosplay? Check before you dress up, some conventions (like World Fantasy Con) aren’t into it. Others encourage it (DragonCon)

    Some allow more explicit costumes than others, be sure you know the rules.

    There are conventions with strict photography rules — for hallway pictures, creepy stalkers, and professional photo shoots. Check before you make plans.
  • Food and Drinks

    If you can, bring breakfasts, snacks, and drinks of your choice. Hotels can be very drying, so you’ll need to hydrate more than normal. Especially if you bring in any alcohol.
  • Business Cards, Queries, Pitches, and Chapters

    If you’re going? Network.

    Hand out your business card to anyone who seems friendly.

    If there are pitch sessions, agents, or imprint editors? Have printed copies of your pitch and your queries printed out. And just in case? Have a copy of your first chapter.
  • Electronics

    Some like having laptops, or live tweeting events. Have your electronics, a bag for them, and all your chargers. Bring a spare battery if you can.
  • Notepad and Pens

    I don’t like to take notes on my computer during panels. Instead, I’m scribbling like mad in a new notebook I got just for this con.

    YES. This is an excuse for a new notebook, or to use that one you’ve been hoarding.

    Bring a couple of your favorite pens to write with. Even if you’re doing the laptop thing or phone-ing it in. 😉 You might end up with a hallway autograph session, or need to scribble down someone’s room number.

What To Do At A Con

I touched on this briefly, when you were deciding if you should attend, but not everything is in the program book.

  • Panels

    A panel is typically a discussion between 3-6 guests, with a given theme. Usually, there is a moderator to make sure the conversation flows.

    Typically, these are 50 minutes long, with about 5 minutes given to introductions, 30-35 minutes for discussion amongst the guests, and 10-15 minutes for audience questions. Different conventions have different standards, though.

    When picking which panels to attend, there are several factors to consider. I wasn’t kidding earlier when I said I was contemplating 82 panels over 4 days. Luckily, I’ve cut it back to about 65 panels/events at this point.

    And? They’re spread among the same 35 hours, so literally, I can’t do nearly half of them. I’m going to have to pick.

    When I’m torn between panels, these are my decision factors:
    • What’s the panel topic? Is it relevant to my writing? Does it sound interesting? Have I seen it before? Is it a hilarious show? Maybe it’s a relaxing concert?
    • Who’s on the panel? Have I heard them before? (Even if this is your first time, as you go on with the weekend, you’ll often find you have specific panelists you enjoy more than others.) Maybe a panel is one I’ve seen before, but has a whole new cast of characters! Maybe they’re a friend I want to support and love hearing.
    • Do I need a break? Is this my 5th panel in a row? Do I need a nap or food?
    • Will I need to queue up? At WorldCon two years ago, the panels proved far more popular than anticipated, so to get into any panel, you had to queue up an hour before. So, I did.
  • Events

    There are tons of types of events, outside of panels.
    • Signings – from actors, artists, writers and more
    • Dances – everything from folk dance, to raves, to full on fancy dress balls
    • Workshops – these vary in length from a 50 minute panel, to a full day, to the full extended weekend of workshop. The longer it is, or more prestigious the instructor, the more likely it costs extra, and needs to be signed up for ahead of time.
    • Coffee klatches – a word from the 60s or so, when people hung out drinking coffee in kitchens. These are small gatherings with a guest of honor, to have an organic conversation. I think. They intimidate me, so I’ve never been.
    • Parades – certain groups or free for alls! Sometimes costumes are required
    • Ceremonies – most have opening and closing ceremonies. Some have awards ceremonies as well. World Con hosts the Hugo awards.
    • Concerts – Everything from acapella groups to ballroom-sized metal concerts
    • Pitch events! – Some have opportunities to pitch (or practice your pitch) with an actual agent or publisher.

      Pitching live can be a “I’ll sign you now!” sort of thing. But more often, it’s a thanks or no thanks situation.

      With the occasional: “that sounds nice, please query me” (and note that the agent requested in the query’s intro). And that submission? Might be super promising! Or, that agent may just have trouble saying no to your face.
    • Gaming rooms – Board games, video games, LARPing rooms, you can find a lot of stuff going on. And? This can be a great way to get to know new people, without having to resort to the ‘small talk’ many people (wrongfully) disdain.
    • Martial Arts – Demos or classes are often found at conventions. Longsword or jiu jitsu and everything in between.
    • Crafting – Demos or classes are often found at conventions. From fiber arts, to drawing, painting, and glueing together fake steampunk guns.
  • Art Show – Artists of all kinds can submit to have their art displayed. Often many paintings and prints, plus fabric arts, jewelry, woodcraft, pottery, and more. Here, it goes up for a silent auction, with a small piece of paper by it for people to write their bids. Usually, identifying themselves by badge number.

    Like Ebay, there’s often a ‘buy now’ option at a higher price. Often, the artists will have tables with less expensive prints in the Artists’ Alley or Dealers’ room.

    The Art Show usually wraps up on Sunday, or the last day of the con. Sometimes, there’s a live auction (I’ve been known to Vanna White one or two auctions in my day). The rest of the time, if you’re the winning bid, you have until a set time to pay and collect your piece.
  • Shopping

    Some have large vendor rooms, some have segregated “Dealers’ Rooms” (for people selling store merchandise) and “Artists’ Alley” (for people selling homemade goods). Here, you can buy any sort of art, con-themed clothing and costumery, swag, books, and more.

    Sometimes there are ‘room dealers’ who set their own hours working out of hotel rooms.
  • Con Suite

    A life-saver for the budget con-attendee, this is a room to relax, socialize, and SNACK. Sometimes they have oatmeal, cereal bars, bread, and pb&j. These rooms may have more, they may have less, but they’ll have some low level of sustenance for those that need it. (If you have allergies, they may be less helpful.)
  • Party Rooms

    In traditional/older school science-fiction and fantasy conventions, in North America, there is the tradition of a ‘party board’, where room parties are listed. Many are registered ahead of time, and end up assigned a room on the same hall, to keep the noise clustered.

    These are typically door-propped, mild to moderate decorations, some swag, some snacks, and a couple of hosts. If the event/location permits, there may be alcohol. People often ‘party hop’, sticking their heads in each of the party rooms and snagging refreshments before heading to the next one.

    Most of these parties are hosted by other conventions, to try and drum up interest and early memberships to help finance their own convention. Some of them are ‘bid parties’. Both WorldCon and WorldFantasyCon travel from year to year, like the Olympics. And like the Olympics, cities bid to host, votes are cast, and there’s a winner.

    I’ve helped with the DC 2021 WorldCon bid party twice. Luckily, no one is currently running against DC. (Also, both parties I helped with were in Baltimore, so the locals are fans, anyway.)

    There are often invite-only parties. Or so I’ve heard. These typically do have alcohol (and some even check IDs to avoid any legal issues). Some people even hire bouncers.
  • Socialize

    There are people around you, interested in the stuff you’re there to see. Talk to them. Admire something to them. Play games with them.

    The key to networking is — make friends.

    NOTE: If you see an agent at a convention — if they’re in the program, you can approach them — as long as they’re not in a rush somewhere, or look to be in a serious conversation. Just give your one line pitch after an introduction (or more conversation). Do not hand them query letters, or manuscripts, or more.

    If they’re not in the program? They’re probably there for meetings, or off the clock and you should leave them alone.

    If this is your first — or even second time at a particular convention, you may feel a bit left out. It seems like everyone else knows each other, everyone else is having an amazing time, and you’re locked out. But these are fans, and they love talking about their fandoms. It can take 3 or more times at a given con before it starts feeling like home. These are relationships that have been built in short weekends, spread over years. You have to put in the time to get there, but if you’re open to meeting new people, there will be people open to meeting you.

    There’s also a thing informally known as ‘Bar Con’, where the writers and agents hang out at the bar. This is a time to socialize with them and/or buy them drinks. NOT a time to do more than a single line pitch, IF they ask.

Take Care Of Yourself

To be respectful of others, you need to respect yourself and not push your limits. Don’t skip more than 1 shower. Don’t skip more than 1 meal. Don’t skip more than 1/2 of a night’s sleep. You’ll feel better about yourself, look more approachable to others, and you’ll have more patience and energy.

Hotels and convention centers are among the most dehydrating places on earth. I’ve been known to bring humidifiers when attending winter conventions to stave off colds. You’ll need to drink at least 8 ounces of water more than you normally would, just to stave that off. (More, if you plan to drink alcohol.)

If you’ve forgotten or lost your toiletries, you can ask the hotel staff or acquire some at the hotel’s store. If that fails, ask the con suite staff. They should be able to discreetly track you down some deodorant or toothpaste.

HOW TO BEHAVE

  • When you arrive at the convention

    Typically, if you’re staying at the hotel, you’ll want to check in first. Many don’t allow check-in before 4pm (to give them time to clean all the rooms after the 11am-1pm check-out time). If you’re early, you often can leave your bags with the concierge (although a tip will be expected)

    Next, you’ll want to find the convention’s own registration. This might be an hours-long line, or a 2 minute stop. You’ll need to have your ID on you, and if you haven’t pre-paid, money. They’ll give you a badge and sometimes a program guide and a map.

    If you aren’t pressed for time, I encourage you to scope out where the panels you plan to attend are, where the event rooms are, and where the restroom is.
  • At a panel
    • Try to arrive 5 minutes early. Be settled before the panelists begin.
    • Make sure your phone/alarms are turned off (or at least on silent)
    • Don’t take up more than one seat if there’s a decent-sized audience.
    • Feel free to take notes! Paper or laptop.
    • If you get a chance to ask a question, don’t be “That Guy”
      • Have a concise question
      • Remember that the audience is here to listen to the panelists, not you
      • Don’t use this as a chance to make an analogy to your own novel or gaming world
      • Don’t use this as an opportunity to show how clever you are and/or how you should have been on the panel
      • I know you wouldn’t do that, but there always seems to be one person who thinks they’re not just making everyone roll their eyes, (including the panelists they might be trying to impress).
    • If the panel didn’t address what you thought it would, this is a great time to ask their opinion on what you were hoping to hear them talk about in the first place. Or maybe you wanted them to go more in depth on something they touched on. These are all good questions!
    • If you must leave early (or it’s not what you expected, or you’re bored), look at your watch/phone with a startled expression, gather your things quietly, mouth “Sorry” in slow motion to the panelists at the front of the room, then slip out with as little ruckus as possible. I promise you, most people would rather watch the panelists than you.
  • In General
    • Be open to new experiences.
    • Chat with people, if it doesn’t happen organically? Hit the gaming room. Volunteer to help the con.
    • Attend something con related, don’t just hang with your friends or hide in your room
    • If you spot someone in costume, or someone famous in the halls, and you want to approach, evaluate the situation.
      • Do they look rushed or exhausted or closed off? They may need some downtime, or be late. Leave them alone.
      • Are they in a deep conversation with someone else? Leave them alone.
      • If they look relaxed, be respectful and courteous. Start with an introduction and maybe a compliment. Don’t be fake or fawning. “Hi, I thought your work in X was so very well something.” or “Hi, amazing work on the costume-part.”
        • Do NOT compliment a body part. Compliment something they can change in less than a week. Hair, costume, accessories, etc.
      • If they don’t seem irritated and you’d like a photograph or autograph, ask. “Do you mind autographing this/if I get a picture?“
      • Just because they’re already getting their photograph taken, doesn’t mean you can whip out your camera.
        • They might know the other person/people – and asked them to take their picture so they have a record later.
        • They might be trying to get somewhere else – like a panel, or the bathroom!

After The Con

Some people hit their limit and are ready to leave. Many of us linger and want to catch last minute hugs and waves.

When you get home, odds are you’re going to want a nap. Probably some water, and maybe even some vegetables. Who knows?

Watch out for an energy drop, that’s not just the need for a nap, commonly known as “con drop”.

You’ve just been in ‘on’ mode for 2+ days. For many, this is a unique opportunity to be surrounded by other fans, where your interests are common, not unique. There’s a particular energy for each convention. When you leave that, you can feel isolated. Or irritable. Or just plain exhausted.

Cons are rather manic and leaving them can leave you depressed.

The trick to handling con drop is to know what you need.

For me? It’s often water, naps, and downtime. Then writing up my con-report and posting online, trying to connect with everyone else who was there.

For others? They may need to cave for three days. Or? They might want to schedule dinner plans the next few nights so they don’t go from 100% socialization to nothing.

Taking care of yourself doesn’t end just because you’re home. But with any luck? You’ll enjoy yourself and be ready for the con to return.

Let me know if I missed anything! And check back next week for more writing tips and writerly musings.

#31 Query Corner – Life From The Opposite Side

/ Morgan Hazelwood / 4 Comments

Welcome to:

Morgan’s Query Corner:

Fresh eyes for your query quandaries.

LIFE FROM THE OPPOSITE SIDE: FROM SOCCER MOM TO ADDICT AND HOME AGAIN is a memoir about a life torn apart, lost, then picking up the pieces.

NOTE: If you submit your query to me (morgan.s.hazelwood@gmail.com), and you are selected for inclusion, I will give you a high-level review, in-line feedback, and my own draft of your query. If this is your query, feel free to use or ignore as much of the advice and suggestions as you wish.

[Disclaimer: Any query selected for the page will be posted on this website for perpetuity. I am an amateur with no actual accepted queries and a good number of form rejections. This does not guarantee an agent or even an amazing query, just a new take by someone who’s read The Query Shark archives twice and enjoys playing with queries.]

Overall Impression:

Life From The Opposite Side sounds like a very personal, but fascinating journey. The initial query read a lot like a blurb though — lots of trope phrases, few details. My suggestions:

  • For queries, plot matters! Avoid high level descriptions-instead, be specific when detailing decision points.
  • Make sure to vary your sentence structure
  • Personally, if I don’t have a personal connection to the agent, I don’t try and stretch for one, or state the obvious (i.e. My genre is on your wish list) and just skip that portion. But some agents really do like it, so that part is up to your discretion.

Queryist’s Original:

Dear AGENT,

When Glenna’s 15-year marriage crumbles in a single night (why?), she is forced to rebuild her life from scratch with her two young sons. When she meets Micah on a dating website, (don’t start 2 sentences in a row the same way) she becomes trapped in a world of drug addiction, mental illness, gaslighting, and domestic abuse. Will Glenna find the strength to get away before she loses everything she holds dear? (Very TV guide, little feel for the voice of the story)

Life From The Opposite Side: From Soccer Mom To Addict And Home Again is a memoir complete at 65k words. I’ve previously been published by [PLACE A] as well as [PLACE B] and [PLACE C].

[Paragraph about why I picked this particular agent and how I know him/her.]

Thank you for your consideration. 

Sincerely,
Q31

My Revision:

Dear AGENT,

When Glenna catches her husband (cheating on her/discovers he’s gambled away their life savings/abusing her for the last time? Or is he the one who abandons her?), she finds herself at the end of a 15-year marriage, and is forced to rebuild her life from scratch with her two young sons. Wanting to feel wanted, she joins a dating website, where she meets Micah.

Glenna is swept away by Micah’s charm and in her eagerness to prove herself worthy, doesn’t walk away when he offers her drugs. As he drags her down into a world of drug addiction, mental illness, gaslighting, and domestic abuse, Glenna begins to lose herself. Glenna must find the strength to get away before she destroys her own life, and that of her sons (or lose them to CPS? her ex? to drugs themselves??).

Life From The Opposite Side: From Soccer Mom To Addict And Home Again is a memoir complete at 65k words. I’ve previously been published by [PLACE A] as well as [PLACE B] and [PLACE C].

[Paragraph about why I picked this particular agent and how I know him/her.]

Thank you for your time and consideration.

Sincerely,

Q31

The queryist was pleased with my suggestions and after another round of revisions, here’s the final (for now at least) draft.

The Final Query:

Dear AGENT,

When Glenna catches her husband cheating with a younger woman, she finds herself at the end of a 15-year marriage and is forced to rebuild her life from scratch with her two young sons. Wanting to feel loved again, she joins a dating website, where she meets Micah.

Glenna is swept away by Micah’s charm, and in her eagerness to prove herself worthy, doesn’t walk away when he offers her drugs. As he drags her down into a world of addiction, mental illness, gaslighting, and domestic abuse, Glenna loses her way and everything she holds dear. Glenna must find the strength to get away before she destroys her own life and the lives of her children.

Life From The Opposite Side: From Soccer Mom To Addict And Home Again is a memoir complete at 65k words. I’ve previously been published by [PLACE A] as well as [PLACE B] and [PLACE C].

[Paragraph about why I picked this particular agent and how I know him/her.]

Thank you for your time and consideration.

Sincerely,

Q31

It sounds like Queryist 31 has come a long way. Thanks to her for sharing her very personal story, of both her downfall and her growth. Best wishes in the query trenches!

And for the rest of you out there?
Best of luck in the query trenches!

Yes, You Can Be a Writer –Even Without A Visual Imagination

/ Morgan Hazelwood / 2 Comments

Not everyone has a visual imagination.

Apparently, there are many of you out there who can ‘see’ the story in your heads like you’re watching a movie.

Not me.

I know I’ve addressed this before, but until I started writing and talking to other writers, I’d always thought that was figurative. Not literally what was happening in other people’s heads.

I think my imagination is more story-board, sketches, and background plotting. Just like much of my writing is in my main character’s head, much of my imagination is… well… in these almost famous words

“I read and I know things.”

-(not quite) Hermoine Granger

It’s hard for me to describe my imagination to you visual people. I like to say that my imagination is more “conceptual.” Even in my dreams.

When dreaming (or novel plotting) I don’t SEE the color green, I just know that the wall is green. If a person in my dreams is walking out the door — I can know where they’re going and why and how they’re feeling… But, the figure is more of an outline sketch. Not quite a shadow.

I read ridiculously fast — some of it is probably skimming, but I spent several summers playing with a ‘learn to speed read’ kit my grandmother had. I read for the plot, I dive through dialogue.

If I hit dense description? It slows me waaaaaay down.

Game of Thrones, anything with complicated battle scenes, very lyrical and densely described worlds. My brain just doesn’t process those at the same rate.

Luckily for me, this doesn’t mean I can’t picture images in my head, but it takes a lot of focus. And I’m still not 100 percent sure it’s not me reading the image’s “legend” to know what color goes where. (All of this is probably a minor form of the condition: aphantasia.)

Today, I ran across a friendly blogger who took it as a matter-of-course that writers can visualize plots like movies. And I had to correct him, despite agreeing with the rest of his post.

He replied, accepting that not all writers were that visual. But, he went on to say that he was, because he plays D&D and writes fantasy.

Worn stop sign, in front of trees, a solid white wall half hiding a brick building.
Photo by Mwabonje on Pexels.com

Uh. Hard stop there.

Oh, honey.

I create worlds and cultures and windswept plains. I build trade routes, and religions, and nations. And I play D&D every month.

Not having a visual imagination doesn’t keep my imagination grounded, by any means.

But, occasionally I need a crutch. When I need to describe a person or place, I’ll google image search until I find something that feels right for my world or my characters. I mean, isn’t that what Pinterest is for?

Do you have a visual imagination? Let me know!

If not, how does your imagination manifest itself for you?

Dealing With The Emotional Roller-Coaster of Being A Writer

/ Morgan Hazelwood / Leave a comment

Being a writer, especially one with internet access, can be a complete roller-coaster of emotions.

Of course, we knew before we begin dreaming of writing that book reviews could be the height of joy or the depths of crushing blows. But, it used to be that you’d only see the professional reviews and could ignore them if you wanted.

Nowadays, it would be better (and less distracting) if writers only knew what people thought of their writing when they had the energy and focus to go look, and prepare to improve their craft.

NOT distracting them from what they’re in the middle of.

NOT when they’ve had a rough day of writing and feel like maybe they should throw the towel in.

NOT when life is dragging them down, and the internet’s nasty review is ready to kick them when they’re already down.

But, when you’re a writer, there’s so many other things that can bring you up and crash you down.

In the past week? I’ve been all over the place. Often on the same day.

My most recent roller-coaster of emotions

UPS:

Last week? I entered an overnight flash fiction contest — and WON! Well, I won a free book and bragging rights, but it’s still something.

DOWNS:

Then I got home to find heavy feedback from my mentor.

When I reread the passage? I couldn’t believe I’d sent that to her. I’d remembered the passage having been edited and being dark — yes. But, a rather different flavor of dark.

I dragged my feet getting back to those edits.

BOTH:

The next day, a dear writer friend, with a story pitch that harkens to one of my favorite moves, announced that she’d been offered representation by an agent.

She’s worked hard, reworked her novel, and dealt with some setbacks. I was so proud and excited for her.

But?

I was also jealous and frustrated to be stuck in revisions. Again.

Writing Requires Resilience, Persistence, and
Perseverance

Resilience

the capacity to recover from set-backs. Like facing that scene and editing it into something I can be proud of and eager to show my mentor.

Like recognizing my jealousy and longing to be at the same stage as my friend whose most recent query netted her an agent. And accepting the fact that I want to make my novel better before I enter the query trenches again.

Persistence

firm continuance in a course of action in spite of difficulty. I keep writing and putting my work out there.

For that flash-fiction contest? It’s usually posted on Fridays, and open for submissions on Saturdays, for 24 hours. So many times, I’ve created an entry, and then forgotten to post it. But, I still keep my eye on it, and still draft up entries on Fridays.

For my writing? After reading my writing and recoiling in horror, I let that settle in me for a bit. After a day or so, I cracked open that manuscript to see what I could do. And revised it, until I was something I was happy to share with my mentor.

But you know what? I think I can do better. I’m going to edit that chapter again.

And for querying friend? I’m so proud of her and I can’t wait to be in her shoes again. I know I’ll be ready to put myself back out there, when my time comes.

Perseverance

persistence in doing something despite difficulty or delay in achieving success.

My win? It took a bit to get there.

I tried to post from my phone, but it wouldn’t let me. I tried again hours later, and still nothing. I borrowed a friend’s ipad, logged into an incognito window, and finally managed to get my 100 word entry entered.

Several finalists were announced, and the judge asked for input. No one voted for mine. A couple people wanted me to explain in.

Despite the lack of votes and assurance, I found comfort in making it to the finals, and despite all odds? I WON!

As for my writing. I’m going to keep at it. Querying when I can, polishing the rest until it’s something no one can resist — and they start begging for more.

And for my writing friends? I’m going to be there to celebrate their wins, share their writing with the world, and lend an ear whenever stress or setbacks send them reeling.

What sort of emotional roller-coasters have you been on lately?

Do you ever worry you won’t be able to handle it, when your writing gets popular? 😉