Tips On Writing Characters With Agency

One thing you hear about a lot when you start sending your manuscript out into the world is ‘agency’. Most agents (and publishers) are looking for characters who make things happen, not ones who merely react to the situation they’re stuck with.

In general, inciting incidents — i.e. That problem that kicks the main character out of their run-of-the-mill daily lives and into the story — are externally delivered. But HOW the character decides to respond can demonstrate either agency or a lack-there-of.

Most stories that feature a journey start off with the main character having little-to-no agency, but as the story goes on, they come into their own.

Let’s look at Bilbo Baggins in The Hobbit. A swarm of dwarves shows up, demands dinner, and then Gandolph tells Bilbo he’s needed for the adventure. Bilbo is a grumpy host and eventually kicks them out in the morning — but at the last second realizes he’ll regret having missed his chance, and follows the dwarves out of Hobbiton, joining their quest.

sky ditch eye hole

Photo by Skitterphoto on Pexels.com

Pitfalls With Granting Characters Agency

But, it can be easy to fall into the trap of thinking your character has full agency, when in fact, they’re bound by gender or race tropes. For example, women typically have options when it comes to WHAT to wear, WHICH spouse, and HOW MANY children.

A TRICK FOR TESTING AGENCY PARITY: To test if a character has too much, too little, or just right parity, try mentally switching genders and/or race, and seeing if their choices seem too free or restrictive.

The tricky part about agency is that the decisions that your characters make have to be internally consistent with your understanding of the characters. However, you have to realize that this is one place where truth can be stranger-than-fiction–and more forgiving. In real life, people don’t always act internally consistent. But, in a novel, if you don’t set up their out-of-character decisions properly, you’re going to lose the reader. They’ll be thrown out of the story and might not pick it up again.

This doesn’t mean you shouldn’t let your characters surprise you. Often, if you feel like your characters are ‘fighting you’, this can lead to you learning or discovering new motivations or backgrounds to this character that you hadn’t thought out before. By letting the character realizations guide you, you can make your characters more 3-dimensional and write a better-rounded story.

With ensemble casts, it can be hard to deliver agency to all the characters in all the plot-threads. USE that. You can have the character without agency react to that loss and the consequences thereof.

But sometimes? What the plot really needs is for that character to die.

NOTE: As a side-tip, 5 characters is usually the max number of people you can focus on in a particular scene or conversation. Think about it in real life, that’s where discussions fall out into side conversations, or the group is having a very orderly, controlled meeting.

Wood signpost, with worn red arrow pointing right. Greyed out mountains faintly behind it.

Photo by Jens Johnsson on Pexels.com

When Characters Lose Agency

Why is Agency so important? What happens when your character loses it?

Well, this is when your story starts following tropes and can become 2-dimensional. Motivations can become lacking and the world grows flat.

The world stops reacting to the characters and nothing they do can influence the world around them.

Coverless side of 7 thick books.

Agency Expectations Within Genres

Now, having agency isn’t the end-all and be-all of a good novel. Different genres have different levels of agency.

Mystery and suspense novels tend to have less agency (unless you’re talking a detective novel, ’cause those peeps go looking for trouble). There’s a crime and then the main character is compelled to figure out who–or what–is behind it.

Novels with an underlying horror element or sense of doomed-inevitability can slowly reveal that the main character(s) have less and less agency and were compelled to make what they thought were their own choices by inescapable machinations behind the scenes.

If you’ve ever watched the anime ‘Evangelion’, it seems like all the characters, except the main character, are strong characters, making decisions and trying to save the day. But, as you near the end of the series, you realize that all their actions and decisions were set up as to lead toward the inevitable ending that I won’t spoil here.

Conclusion

Make sure you know what sort of story you want.

Do you want the characters’ agency to grow or shrink as the story goes on?

By giving or taking away choice, you can influence the entire feel and direction of your story.


These notes come from the Balticon 52 panel, “Writing Characters With Agency”, featuring writers/panelists John Walker, Jennifer Brehl, Ada Palmer, DL Wainright, and moderated by Bugsy Bryant.

 

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Balticon 52

No query corner this week: instead here’s a quick review of Balticon 52. I’ll be going into more depth on some of the panels later.

After a long week away from home learning about Aeronautics, my bed got me for one night before I hit Balticon 52. I saw old friends, made new ones, and–as always–brought home loads of notes to share with you!

Balticon 52

For those of you who don’t know, Balticon is an annual Science Fiction and Fantasy convention hosted in Baltimore, Maryland. It’s not a for-profit convention like the Comic-cons and the AwesomeCon’s of the world, this one is a labor a love, run by fans, for fans.

Balticon is a bit smaller and more mellow than DragonCon, though chock-full of activities and panels. There are writers and agents, scientists and publishers galore. But, unlike some of the writer-targeted conventions, there are no ‘pitching sessions’, etc. At least outside of BarCon* (the habit of some agents/etc to hang out at the bar. ‘Can I buy you a drink’ is often a good conversation starter…)

In years past, I’ve attended up to 21 different writing panels and workshops in the 4 days of the convention. This year was a bit lighter. Partially because some panels repeat, and partially due to me pacing myself a bit better.

I would have liked to get to the convention before the traffic picked up on Friday afternoon, but it was not to be.

gray plane wing

Photo by Pixabay on Pexels.com

As I mentioned earlier, I spent last week learning about aeronautics and my flight home wasn’t until after 4pm on Thursday.

If I had to list the biggest misconception I had corrected, it would be the concept of the ‘sonic boom.’ I’d thought it was a boom that emitted from the aircraft as it passed the speed of sound, radiating out from that point in space.

Nope! Instead, it’s the sound of the air leaving the speed of the aircraft and returning to standard pressure. It follows the vehicle like a dude water-skiing follows the boat.

But anyway, I’d made the decision to schedule an evening flight home to DC, aiming for the latest flight possible as to not miss any of the class. As it was, I had to miss the final review and the certificate ceremony.

I was pleased because flying back the next day would have me landing at Dulles, during rush hour, on a Friday–OF A HOLIDAY WEEKEND. Basically, a nightmare for getting to Baltimore.

However, that decision set me up for a 90-second layover in Detroit.

woman walking on pathway while strolling luggage

Photo by Oleksandr Pidvalnyi on Pexels.com

WHAT? Do airlines even allow that?

Well, it started out as a 42-minute layover, with the same airline, so it seemed reasonable.

Until you realize that planes start boarding 30 minutes before takeoff, and typically have to close the doors at least 20 minutes before taxiing.

So, that leaves me with a bare 22 minutes before they stop boarding.

Plus, that doesn’t include disembarking time. And did I mention it was a smaller plane so my rolling luggage wouldn’t fit in the sloped overhead compartment, so I had to wait for my luggage to be brought to me?

There I am, watching the clock, a map of the Detroit terminal on my phone, ready to run. And run I did, because my plane arrived at gate C15 and my next flight was at gate A73. The FAR end.

There were several people-movers (moving sidewalks) and I scurried. And in 12 minutes, I made it to my gate. With about a minute to spare before they belatedly began to board my flight.

*whew*

After I got home, I made the intelligent decision to assemble a new nightstand that had arrived while I was gone. I finished around 1:15am. What can I say? I haven’t assembled the 2 bookcases that also arrived! Because I couldn’t assemble just one. And after assembling them, I would’ve needed to finish unpacking from my move! (not my trip)

But back to the convention. By the time I got up, got moving, and got on the road, it was 1:30pm. And my radiator needs to go into the shop.

Blue car on the side of the road, hood up, person in blue shirt and khakhis looking in.

Photo by Kaboompics .com on Pexels.com

Fun Facts About Morgan’s Radiator Issues:

  • It was 90+ degrees on Friday
  • If I went over 65 mi/hr, I could have my AC on
  • If I was under 40 mi/hr, I could have the AC off, but the temperature still cool
  • If I was under 30 mi/hr, I had to have the heat on
  • If I was in stop and go traffic, I had to blast the heat

If I didn’t? My radiator overheat warning would come on! I only had to pull over twice before I got my levels properly calibrated.

I arrived, splurged on valet parking, and the line for Registration was done in under 15 minutes, my dad handed off my room key, and I was ready to convention!


Panels I Managed to Attend At Balticon

  1. Writing Characters with Agency
  2. Sustaining Tension In Your Writing
  3. Keeping Your Topic Interested (ended up being a lot about how to interview people)
  4. Reading Your Own Work (workshop)
  5. Pitching Your Own Work (workshop)
  6. What Makes An Idea Worth Exploring
  7. Ask Me Anything – Editors & Publishers
  8. Sassafras – (Concert! Including a Loki/Thor duet)
  9. Class Structures in SF/F
  10. [Nap Attack — missed some panels and was late to the next one]
  11. Useful Rabbit Holes For Writers
  12. What Good Is An Agent (I thought it would be preaching to the choir, but got useful stuff!)
  13. Making Fantasy Feel Realistic
  14. This Kaiju Life  (live podcast)
  15. Writing Compelling Villains
  16. Pitches We’re Sick Of (And One’s We’d Like To See More Of) (mostly boils down to writing what you’re passionate about, don’t chase trends, Zombies, Urban Fantasy, and Paranormal Romance are currently out, Steampunk may make a resurgence in the next 3-5 years. And vampires are coming back)

Cosplay!

 

 

I like to wear silly shirts, play dress up, and–I like bad puns. I kicked off my weekend with a ‘My Weekend is all Booked!’ T-shirt, and then followed it up with my Book-shaped bookbag wearing copper and red dragon, otherwise known as my ‘BookWyrm’. Unfortunately, I don’t have any pictures of my button-eyed Other-Morgan, as inspired by Coraline, but I did manage to creep out a few people and get several double-takes. Maybe next time?

I lost the hall costume votes by 2 votes TO A MUPPET!! A guy dressed as a Jurassic Park scientist, with a giant egg and a baby velociraptor muppet who visited the kids’ room during their ‘Dinosaur Dig’ hour, but STILL. I lost to a muppet. I blame the lack of costume title/explanation on the vote sheet.

 


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I also helped hostess the DC 2021 bid party!

Confession: I’m a second generation geek and when I decided to hit Balticon, I emailed my dad and asked, “Hey, can I room with you?” To which his reply was, “Only if you’re okay helping Bill with the Bid Party. Cause I’m signed up, as usual, to work the midnight-3am shift in the ConSuite (food and relaxation space open to all Con attendees).

Hostessing is something I’m usually pretty comfortable with, so he didn’t really need to talk me into it.

Anyway–at SF/F conventions like this, room parties are usually on the ‘party floor’, and put on by other cons that want you to attend them as well, committees bidding for the next WorldCon to be scheduled, or other groups. You wander down the hall, check out their snack and drink offerings, and chat with people.

We got a fair number of sign-ups of people buying supporting memberships for the DC bid (currently unopposed…) I gave out tiny stickers as long as people promised not to vote against DC, and the last people wandered out at 2:52am–the last party to shut down on the hall by quite a bit.

Good chats and I hit the chips&dip pretty hard.

I cleaned up, changed into my pajamas, and the alarm went off. 3:03am. So, I tromped down 5 flights of stairs and waited for the all clear. It took about 10 minutes. Then, back up to the room, helped carry all the left-overs to the ConSuite.

I’m sure I was asleep before 4am, but barely.


Between panels, I managed to fit in meals with friends, a few walk-throughs of the dealers’ room and art show, and, of course, SUNDAY night’s ‘return of the fire alarm’ at a more respectable 12:48am.

I met a lot of lovely people everywhere I went, dropped into a round of CodeWords for a bit, and overall had a pleasant visit.

Now, I’ve got to wait til next year.

How To Find An Agent For Your Novel

I talk a lot about my querying process, but one thing I haven’t talked as much about is HOW to find the agent in the first place.

It takes a bit of research, but most of us writers are pretty comfortable with research, especially if it means we’re putting our manuscript in front of the ‘right’ person. It’s a little time consuming, but ultimately not usually challenging.

Person holding a blue ballpoint pen writing.

Photo by picjumbo.com on Pexels.com

Step One: Pick a list of literary agents

Where can you find a list of literary agents? All over the place.

The main places I look for agents are:

  • Guide to Literary Agents [YEAR]  – found on Amazon, in bookstores, or at your local library, this is a print(or Kindle) edition of vetted agencies. It’s fine if it’s a couple years old.
  • The Manuscript Wish List – A website associated with the twitter hashtag #mswl. This list is lightly vetted and tends to be where you’ll find the more social media adept agents.
  • Query Tracker – A website to track your queries, response rates, and more. You can also FIND agents to query here, with a pretty handy search feature.
  • Your genre magazine! Yes, they print a magazine for most genres listing the books that recently sold, what agent sold them, and interviews with the writers, agents, and editors. I write fantasy, so I look at Locus Magazine (for SF/F)
  • Publisher’s Weekly – check out the book deals and look for agents selling books that sound like yours.
  • Your bookshelf! – Open a book you love with a comparable genre to your manuscript (preferably one published in the last 3-5 years) and see who they thank in the opening. Who the listed agent is!
  • Google! Just look for literary agents.

Step Two – Make Sure They Represent Your Genre

When you’re looking at this list of agents, make certain that your genre is listed as something they represent! Otherwise, you’re asking for a short trip to the rejection form letter queue.

Feel free to add all the agents you want to your query list, though! I suggest creating a large list and ranking them 1-3.

It can take up to 100 no’s before you get that ‘yes’.

For me, 1’s are the agents whose bios spoke to me, who listed some of my comps (comparison novels) as favorites, or request a theme I feel is strong in my book.

2’s are the agents who sounded up my alley but didn’t have any specific requests that my novel fulfilled.

3’s are the agents who represent my genre, didn’t give enough detail for me to know if we’d be a good fit but didn’t list any specific dislikes that fit my novel. They could be AMAZING and just didn’t use their bios to their full potential.

Because a lot of these lists are just that- lists of agents’ names and represented genres.

And worse? Sometimes these lists are out of date.

Scrabble pieces spelling out 'SEARCH'

Photo by Pixabay on Pexels.com

Step Three – Visit Their Agency’s Website

No matter where you get the name from:

  1. Go to their agency website
  2. Visit their profile
  3. READ it.

Often, this is where you’ll get a list of their preferences, their tastes, their favorite books. This is where you get a taste of their personality so you can evaluate if you think they’d be a good match for you. Use this information when ranking these agents for querying.

Plus, you can find out their experience. Are they young and hungry? Where did they work before? Do they talk about their editorial feedback or are they just going to start selling your book right away? Are they experienced and only take on the rarest of new writers? Do they want to sell a book, or start a partnership that will last throughout your writing career?

And most importantly, are they currently open to queries!?

Step Four – Vet Them

Once you’ve decided an agent sounds right for you, don’t stop there. Check out both the agency and the agent!

  • Writers Beware – A SF/F run site, but can have lots of information on vanity presses, scams, and more.
  • Query Tracker – Do they have a success rate (many agents don’t track here, but can be a clue. Check out what other writers have to say about working with them, their response times, etc)
  • Absolute Write* – Forums and posts about agencies, agents, and issues with any of them.
  • Plain out google them. Check out their twitter or blog.

Some agencies are glamorized vanity presses. Remember, you should NEVER pay to be published traditionally.

Some agencies basically just help you self-publish. If you’re self-publishing or indie-publishing, you might end up paying out of pocket for your own editor, cover art, and print/e-formatting. Is it worth it to you to go through them?

Remember that a lack-luster sale on a self-published work or through a small publisher can be strikes against you in the future if you do try traditional publishing.

If you’re a blow-away success, you can find a publisher or agent easily. But the number of people who’ve gotten a book deal that way can be counted about on one hand.

A hand holding a deck of cards, fanned out, facing away from the camera.

Photo by Tookapic on Pexels.com

Step Five – Deciding Who To Query First

It’s recommended to send out queries in batches of 5-10. I usually do batches of 3-5, but I’m cautious and nervous.

For an untested query, I like to do a mix of 1’s and 2’s. I feel the 1’s are a better match, but I don’t want to use a query that performs poorly on all of them, because once they say no, you should NOT re-query, unless you’ve substantially revised your manuscript.

NOTE: If you’re getting a lot of form rejection letters, you should look at your query and opening pages and see if you can make improve them.

Requerying will typically just get you rejected faster, and possibly added to that agent’s blacklist.

A laptop, a map, a notebook, and a pen held over a spot on the map.

Photo by rawpixel.com on Pexels.com

Step Six – Follow Their Submission Guidelines

I’m assuming you’ve already written your novel, edited it, revised it, and gotten feedback at LEAST twice before you even THOUGHT about submitting.

If it takes you even more rounds of beta readers and revisions, that’s fine! Especially for a first-time novelist. You only get one debut novel.

You should have written your query letter — keeping it under at least 300 words, and preferably under 250 words — concentrating on the emotional arch of the main character(s). CHARACTER wants SOMETHING, but SOMETHING ELSE stands in their way.

You should have created your synopsis.

However, no two agents or agencies have the same guidelines. So what do you do?

  1. Go to the agency website
  2. Click the ‘Submissions’ tab
  3. Read the directions
  4. Follow them

Really. It’s that easy.

Plus? Their guidelines are kinda a test. If you ignore their directions, they’re going to assume you’re a pain in the butt to work with. They get dozens of queries a day and you just made it really easy for them to say no.

Some are going to have you fill out a web form. Some only accept snail-mail submissions. Some want you to email a specific address.

99% of email submissions do NOT accept attachments. Adding one anyway will get your query deleted without being read. Often, you’re going to copy and paste pages or even chapters AFTER your query letter, directly into the email.

And make sure you spell the agent’s name right. Don’t ask me how I know this one.


sky ditch eye hole

Photo by Skitterphoto on Pexels.com

Now you know how to pick agents to query! Best of luck in the query trenches.

Thanks for tuning in! Feel free to subscribe and I’ll be back next Thursday for more Writing Tips and Writerly Musings.

 

*Edited to add Absolute Write. I knew I was missing one!

#18 Query Corner: ‘ART GIRL’

Welcome to:

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Morgan’s Query Corner:

Answering Your Query Quandaries

ART GIRL is a YA contemporary novel.

Locally-acclaimed teen artist Lillie Kang must overcome her anxiety to create the painting that could win the scholarship to her dream university.

NOTE: If you submit your query to me (morgan.s.hazelwood@gmail.com), and you are selected for inclusion, I will give you a high-level review, in-line feedback, and my own draft of your query. If this is your query, feel free to use or ignore as much of the advice and suggestions as you wish.

[Disclaimer: Any query selected for the page will be posted on this website for perpetuity. I am an amateur with no actual accepted queries and a good number of form rejections. This does not guarantee an agent or even an amazing query, just a new take by someone who’s read The Query Shark archives twice and enjoys playing with queries.]

Overall Impression:

Pretty solid query, and a good story. There are a few things I’d tweak:
– It’s a smidge long, but not much
– There’s a lot of backstory
– The timetable is a bit confused/rushed in the query.
– The actual story may be a little short for the genre. Look at the story and see if there’s anything you can add.

Original:

[my comments are in blue/italics/brackets]

Dear_____,

Seventeen-year-old Korean-American artist Lillie Kang has one more painting to do for the high school’s art contest. The winner gets a cash prize, and their work displayed in an art gallery. Everyone in school expects the ‘Art Girl’ to be the winner, and at home, her parents have even higher expectations. But there’s one problem: all the pressure has made her so anxious she’s lost all inspiration to paint anything good. [this entire paragraph is backstory]

Until she meets Zevi, the boy who saved his cousin in a fire, leaving him with vivid scars to prove it. Despite her crippling social anxiety, she opens herself up to Zevi as he tries to coax her out from her comfort zone. In a desperate attempt, she tries to paint him but fails because she doesn’t know what she wants to convey.

With an unemployed stepdad and a pregnant mom, Lillie is determined to win the cash prize but her overactive mind pushes away her friends. Then, she finds out that the gallery opened a scholarship opportunity for one of the participants to her dream university in the city. To achieve her goals, Lillie must learn to paint the scarred boy, and in the process discover who she is beyond her label as ‘Art Girl.’ With two days left to the deadline, Lillie must finish a painting, or she loses all chance for her future. [You have 2 different ‘must’ sentences’ in a row]

Art Girl is a young adult contemporary novel at 50,000 words. It will appeal to readers of Starfish and Since you asked. [BIO here].

Thank you for your time and consideration.

Sincerely,

Q18


My Revision:

Dear [Agent],

With an unemployed stepdad and a pregnant mom, seventeen-year-old Korean-American artist, Lillie Kang, is determined to win the high school’s art contest, with its prize gallery showing–and its cash. Everyone at school thinks she’ll win. There‘s only one problem: all the pressure has made her so anxious she’s lost her inspiration.

When she meets Zevi, the boy who saved his cousin in a fire, leaving him with vivid scars to prove it, he tries to coax her out of her shell. Despite her crippling social anxiety, she lets down her walls and allows Zevi to talk her into painting him. The painting is a disaster. 

Frustrated, Lillie pushes away her friends. But, two days before the deadline, she finds out that the gallery opened a scholarship opportunity for one of the participants to her dream university in the city. Lillie must paint the scarred boy, or allow her anxieties to take her art from her. 

Art Girl is a young adult contemporary novel at 50,000 words. It will appeal to readers of Starfish and Since You Asked. [Bio] 

Thank you for your time and consideration. 

Sincerely, 

Q18

 

I think we’re going in the right direction. Best of luck to querest #18!


And for the rest of you out there?
Best of luck in the query trenches!

When Querying A Novel: Hope Can Be The Scariest Thing

If you’re a regular reader, you saw my post two weeks ago about how I started to lose faith in my story. I believe in my story, but I was worried about its ability to stand out in an over-crowded market full of amazing stories.

I don’t know if it was karma, persistence, or simply comedic timing, but I got a FULL REQUEST on Monday.


Querying and Life

For those of you who haven’t queried a novel, I’ve been sending 1-page ‘query’ letters to agents, asking if they would like to represent my novel and me, and find me a publisher. Each agent and agency is different in what they ask for, some just want the query, some want anywhere from 5 pages to 50 pages, some want the synopsis as well.

As you might remember, I just finished a move that turned into a two-month ordeal. Well, I didn’t really get time to recover from that. The past 2 weeks, I’ve been helping coordinate my cousin’s wedding, which culminated in the official event this past Saturday. The beach was hot, the bride looked lovely, and we were surrounded by friends and family.

And? Let me tell you–if putting in that much time and effort to help a loved one earns me the karma for a full request on my manuscript? I’d do it twice a month. (I just don’t know where I’d find the time to work full time, write, and throw a wedding…)

A couple, kissing on a sandy beach at sunset (sunrise?)

Photo by Ibrahim Asad on Pexels.com


Hearing Back On A Query

But, going back to the full request. I’d queried this particular agent with just the query 104 days ago. The agency website says they TRY to respond in under 8 weeks for queries and under 12 weeks for page requests, but it’s not guaranteed.

Personally? I like to be patient and am hesitant to nudge unless a timeline for that is explicitly noted. Otherwise, I’ll likely wait double the suggested time limit. I don’t want to irritate the agent, and as long as they aren’t a ‘no-reply-means-no-thank-you’ agency, I’ve yet to not hear back eventually. (And many are now sending “we got it” automated replies, so that worry is alleviated.)


My Reaction To Getting a Full Request From An Agent

Confession?

When I got the email, I had to read it twice. I’ve gotten fewer than a handful of non-form-letter rejections. My one other FULL request, from two revisions ago, turned into no-reply.

Reading this one, I started breathing hard and my hands flailed in the air.

Tears welled up in my eyes, as I covered my face with my hands, and tried not to let my entire cube farm know that something was up.

Hope is terrifying!

I’d given up. I’d emotionally stopped expecting to get any traction with this story I love so much, that I’ve worked so hard on. I’d even entered a writing contest last week to try and get feedback, to see if someone could help me try and add that SPARK to get the interest that my story deserves.

To be offered this chance, this opportunity to display my work to an agent I was super excited about was overwhelming.

I had hope. Which meant now I had something to lose.

I stared at the clock. I couldn’t wait to go home and work on my novel.

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Prepping My Manuscript For Submission

Wait! But Morgan, you’re only supposed to query novels that are already edited and ready to go? What work did you need to do?

Well, true. And my novel IS revised, edited, and ready to go.

But, I’ve been slowly working on a read-through of my novel, just for a final polish while waiting on rejections to try and make it shine. I’d slowed down after I passed the 50 page mark, thinking anyone who asked for more pages would start with a partial (i.e. Where they ask for more pages, but not the whole thing.)

And with the move and the wedding and all? I was sitting at about page 160 out of 340.

I could have just sent it and trusted my earlier edits, but honestly? I wanted to finish this read-through.

5 Bic pens fanned out. Green, black, pink, blue, and red.

All of my Bic editing pens.


The Odds That A Full Request Will Lead To An Offer

Now, I’ve been querying for a while and I know the odds. A request for more pages means that my query is working (and maybe my first pages if they’re included in the submission package.)

It does NOT in any way, shape, or form mean I’m about to have an offer on the table.

For one? Remember that 104 days I waited to hear back on my 1 query letter? A full manuscript takes a bit longer to read — assuming always that they don’t read the first chapter and decide it’s not for them.

In addition? This particular agent hasn’t read a single page of my manuscript, yet. The voice, the tone, or the pacing might not be right for her.

But then again? It could be just what they’re looking for.

Picture of a roulette wheel.

Photo by Pixabay on Pexels.com


Responding To On A Full Request

Back to my manuscript polishing. I could have spread it out a little–as long as I replied in the next couple days I would be okay.

But, I didn’t want to give the impression that I wasn’t ready.

I didn’t want to give the impression that I was slow to work with or that I looked at standard guidelines as mere suggestions.

Plus, I’m the kinda girl who finishes her test and turns it in first, because every time I try to review my answers, I only change right answers to wrong ones. Overthinking things isn’t my forte, so I just send it off and make sure it’s out of my hands. I wasn’t about to start sitting on things now.

Also, I’m the sort of person who, once I have a decided course of action, moves forward. (Assuming it’s something I want. Not just the lesser of two weevils.)

WIN_20180517_00_16_07_Pro


Focused On Polishing

Thus, I got home at 6 pm and I polished until 1:30 a.m., prepped the submission package, and sent it off before I could work myself into a tizzy.

The first about 150 pages I polished had my complete focus.

Wait. That’s a lie.


Distractions From Writing – Gaining Traction

About 25 pages in, I got an email from my dad asking if I wanted to collaborate on a short story. And remember that writing contest I entered? They were asking for more pages.

❤ Traction. My little story is starting to get some traction. ❤

I had to take a few moments to fan myself and take it all in.

Meanwhile? A thunderstorm was blowing in, with strong winds and heavy rains. I watched the trees in my backyard sway and decided I’d be working a little further away from those great big windows.

Sitting on my couch, away from the windows, listening to the howling storm, I had to just sit back and laugh.

When it rains it pours. In this case? Literally.

A hand reaching out to feel the falling rain - in black and white/greyscale.

Photo by Tookapic on Pexels.com


Late Night Writing

So, there I was, burning the midnight oil to finish reading through my polished draft one last time before I sent it off.

Honestly? The last 50 pages? Well, my eyes were starting to blur from staring at the screen, but the ending’s been rewritten and reworked a lot, so likely needed less polish than the middle.

A bit rushed, but acceptable work. Plus, now I know I can polish nearly 25 pages an hour, so I have no excuse next time for working so slow.

Social media can take care of itself without me for a while.

Now all I can do is cross my fingers and hope that my manuscript touches a chord.


 Best of luck to all of you out there and don’t give up hope!

Let me know if there was a time YOU got feedback at just the right time to keep you going. It doesn’t have to be writing related.