Morgan's 2019 Retrospective

2019 kept me busy. Between my dayjob, my own projects, and helping friends and family with their projects, I was, as always, completely overbooked.

As with 2017 and 2018, I may not have ended my year with a signed agent, but I didn’t just sit around.

I attended 2 writing conventions, wrote 21 short stories, 33 poems, got a mentor who is helping me revise my 1st novel (my 8th time), and revised my fourth novel.

Between Balticon and WorldCon, I hit 39 panels, 7 shows, 4 readings, 2 yoga classes, and helped run 2 parties. Outside of cons, I attended 3 different writing groups, joined the #authortube community, and became a regular at my local open mic nights for writers.

This year, I did a lot more interacting in person, versus all the virtual interaction I’ve done in the past, but I love comparing numbers, so let’s look at them.

orange and green pen on graphing notepad
Photo by freestocks.org on Pexels.com

My Writing Goals Last Year

I made sure to set SMART (specific, measurable, achievable, results-focused, and time-bound) goals.

2019 Goals

  1. Blogging/Vlogging – don’t break my streak. Maybe add a picture post.
    • WIN: Well, no new picture posts, but my streak is still going strong.
  2. Read at least 26 books this year.
    • WIN: I blew this one out of the water with 41 books this year!
  3. Revise Manuscript (MS) #1 in February, MS #2 in April, and MS #3 or #4 in June.
    • PARTIAL CREDIT (50%): Instead of 3 revisions, I’m halfway through a revision with my mentor of MS #1, but I did finish a revision of MS #4. It’s now off with my alpha-reader.
  4. Once MS #1 has been revised, starting in March, query 3 times a week for 4 months.
    • FAIL
    • Um… I’m still revising it. I didn’t query At All this year. ūüė¶
  5. Beta-Readers – after revisions, send MS #2 and MS #3/4 to <8 beta readers.
    • Partial Credit (25%): My alpha-reader’s sitting on MS #4, and MS #2 was never revised.
  6. Conventions
    • WIN
    • Attended Balticon and WorldCon as planned.
    • Did NOT get on any panels, but that’s fine. This coming year’s looking good ūüėČ
  7. Writing. Do OctPoWriMo and if I don’t have a great idea by NaNoWriMo, rebel and revise something.
    • WIN
    • I did OctPoWriMo – October Poem Writing Month – a themed poem a day for all of October.
    • I didn’t rebel by revising, but instead by writing short stories. I hit 50,000 words, so I count that as a NaNoWriMo win.
  8. And give myself a pass if I don’t get anything accomplished in December.
    • Wait? That was on my resolutions? *whew* Thank you, Past-Morgan. You were 110% correct on that front.
    • WIN

Things outside this list I achieved, though?

  • Got a writing mentor from The Broad Universe in January
  • Set up my own newsletter
  • Networking – became a regular at Open Mic Night for writers
  • Got asked to read slush for “The Oddville Press” – an online magazine.
  • Got asked to help with Balticon programming — due to my extensive panel viewing, I’ve got insight on which panels worked and which panelists I’d love to see again.
  • Beta-reading for friends. At least 2 full length novels and 5 shorts.
  • Setting up Trello for me (and for a friend on her blog tour for her book release)

Morgan peers over her laptop (it has a red flowery vinyl skin on it). trees are in the background behind her.

Blogging!

Top Lifetime Post

My sleeper hit, 10 Questions To Ask Your Beta Readers, from 2016 is still tops with 2,134 lifetime hits (and is published here). But, it’s way down from its peak, one of 2019’s posts beat it out for popularity.

Despite being less popular than my regular posts, I’m keeping my Query Corner — where I rewrite queries with authors preparing to enter the query trenches, and my Author Spotlight — to help promote friends works. I’m not hustling for¬†entries,¬†but will share them when I have content for them. (If you’d like to participate, please contact me at¬†morgan.s.hazelwood@gmail.com)

My Top 10 Posts of 2019!

  1. Morgan’s Complete Guide For Attending A Convention
  2. So You’ve Decided to Write A Novel – 7 Tips To Get Started
  3. Making the Asexual Textual
  4. Introduction to Hopepunk
  5. Done To Death: The Art of Killing Characters
  6. How I Finally Gave In and Set Up My Own Newsletter
  7. The Future of Podcasting
  8. Advancing the Story Without Traumatizing Your Characters
  9. What The Writer Needs to Know: The Brain and The Body
  10. Picking an Agent (or #PW Mentor) To Query

My Top 5 YouTube Videos! in 2019

Not all of these are from 2019, but here’s what was popular on my feed this year. (I’m still not sure where all my Mythology viewers are coming from, but I’m happy to have them.)

My Top 3 Posts of 2018

My Top 3 Posts of 2017


My Top 3 Posts of 2016


My Top 3 Posts of 2015


Social Media Stats

I like stats and tracking progress, so here are my numbers for 2019. I tried to be both engaged and engaging, while still invested in upping my content creation in all mediums.

Followers

First off, I worked on getting more followers for my Youtube channel and Instagram. I was sporadic in my Pinterest and Reddit usage. Having hit the Twitter follow limit, I can only add people as people add me.

Between all my social media accounts, I added 5,970 followers, more than double last year’s! Twitter was, of course, #1 for number of new followers, but percentage-wise, my facebook page, facebook profile, and Youtube channel were the main areas of growth. Plus, I added LinkedIn to this chart and removed GooglePlus.

Content

This year I maintained my streak of blogging at least once a week and kept up with the vlogging. (My Goodreads stats are books added to my library, the last 2 years are the books I’ve read.) (My FB page wouldn’t give my year stats and stopped letting me scroll in mid-2016, so, those stats are incomplete, but I can compare to the last 2 years.)

As targeted last year, I maintained my average of posting on Instagram twice a week. And started posting at least weekly to Pinterest.

Account Break Down

  • WordPress – I started this blog in April of 2015.
    • I took a bit of a dip in the blog category, although some of it is just plain not posting as much. I had a lot of Query Corners, Author Spotlights, and a blog hop last year. This year, I didn’t do as much. Actually slightly below 2017’s numbers, in views and likes.
  • ¬†Twitter MorganHzlwood¬†– I joined in March of 2016.
    • I could be more engaged. But, I think I’m comfortable with my level of engagement. I’ll ramp it up if needed. I’m still just posting and responding to my notifications. It’s a good way to avoid the drama that twitter can be prone to.
  • ¬†Tumblr MorganHazelwood¬†– I joined in June of 2016
    • I mastered queuing things, in spurts. Grew a bit organically, but I think the platform is dying.
  • ¬†Instagram MorganHazelwood¬†– I joined in 2015.
    • I may try posting on an actual schedule. Or not. You never know when something pretty will happen. I’ve been trying to be more intentional in my posts. Making 1 text post for every 2 image posts. (or reversed in OctPoWriMo). And making sure to vary the types of images.
  • ¬†¬†Pinterest MorganHazelwoo¬†– I joined in 2015.
    • I’m sharing my video post weekly, but not much else. I should join some group boards? Or something like that. I did make that inspiration-board for my middle-grade novel, though.
  • ¬†Facebook PagesMorganHazelwoodPage¬†– I joined in 2015.
    • I invited all my friends once. A lot of them followed me, and I’ve been trying to post semi-regularly. Since I bother to alt-text most of my reshared content, “Writing About Writing” often reshares me — and brings in MASSIVE readership for those posts. Otherwise, though FB still often shows my posts to fewer than 10% of my followers. It’s annoying, but I’m not paying. I’ll just keep reposting on my personal page as well.
  • ¬†Facebook MorganSHazelwood¬†– I joined in 2013.
    • I got a lot of new followers when I posted a tribute to the Mars Rover Opportunity. (The post went VIRAL) It was a roller coaster for me and as heartbreaking as a robot could ever be. </3
  • ¬†Google+Morgan S Hazelwood¬†– I joined in 2013
    • Dead.
  • ¬†GoodReads Morgan Hazelwood¬†– I joined in January 2016
    • I read 41 books this year, beating my target of 2 books a month significantly!
    • I rated all of them, but don’t think I reviewed them.
  • Reddit –¬†Morgan Hazelwood¬† –¬†I joined in January of 2017.
    • I slipped on this, but my karma is 510.
    • I had 7 posts, mostly reshares from my blog.

In Conclusion

I didn’t do as much as I’d hoped.

Some of that was external.¬†People who are reading your work out of the kindness of their hearts and working around their own schedules aren’t necessarily going to adhere to your schedule.¬†My paying job got very busy for the summer, plus personal travel.

Some of the issues were the consequences of decisions.

  • I’m still running 2 Facebook PitchWars support groups and administering another SFF writer’s group. Plus, stepping up as part of the #authorTube community. That takes time, energy, and spoons.
  • I decided to do my best to keep up with at least 5 different types of social media.
  • I really like 9 hours of sleep a night, even if 7 is more standard.
  • I still have scheduled social time with friends Monday, Tuesday, and Thursday nights. Add in my blog post writing and uploading Wednesday nights and full weekend social schedule…

I’ve been prioritizing keeping up with my self-imposed schedule over actually writing.¬†I’m still a bit burnt out, but I have goals. This year, I’m going to take intentional breaks. EVEN if I haven’t achieved my target for the previous working-stretch.

However…

I DID do a lot of writing, more revising on my first novel than anticipated, grew my vlog, critiqued novels for friends and family, and read an average of 3.42 novels/novella’s a month.

I may have fallen short, but you know what Les Brown says about that?

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How well did you do on your goals?

Had you given up on them in January, did you rock the BLEEP out of them, or did you do okay but think you might do better with concrete, SMART goals?

Creative Couples – Working Together

Some people work with partners. And some people like to work with their romantic partner. But whether you’re romantically involved or not, there’s techniques that could work for you.

At WorldCon2019, Heidi Goody led the working couples of Peter Morwood and Diane Duane, plus Delia Sherman and Ellen Kushner in discussing how to maintain working and romantic relationships — with the same person.

Maintain Separate Offices

In rural Ireland, Duane’s office is the living room and Morwood’s is the second bedroom.

When they’re working on a project together, they stay in their room and don’t talk. When it’s time to fraternize or collaborate, they meet in the kitchen.

In New York City, Sherman and Kushner mostly write separately — by hand — in their studies on opposite sides of the apartment. (They left Boston because they were “tired of being the most colorful couple in the room.”) They like to take long walks and discuss character building, writing theory, or whatever they’re working on.

Both couples find it hard to stop talking shop, but Sherman and Kushner find it helps to have other passions.

Duane and Morwood’s biggest interruptions are the neighbor’s loud sheep. Known to the neighbors as “The Trekkie’s”, they’re considered boring because they don’t raise sheep or horses.

How Their Writing Partnerships Began

On Morwood and Duane’s honeymoon, her book was late, so they wrote it together. It helps that Duane is a big outliner, especially for screen. As she says, screen writing is very formulaic.

For Sherman and Kushner, a year or so after they moved in together, they learned to negotiate through writing. But for them, it is the ‘Spirit of Fun!’ Like playing Barbies together.

Sharing Drafts and Blending Portions

Some people consider their drafts sacred, others see theirs as horrible piles of —

Duane never shows her rough draft to another human soul. The next draft though is fine.

Morwood doesn’t count how many drafts he goes through. As he says, “I’m a professional.”

Sherman and Kushner typically have interweaving plotlines, with Kushner woking on the more social scenes, while Sherman works on the academic ones (when they started collaborating, she had just graduated and had scores to settle.)

When writing each other’s characters, the other keeps the veto power. They do their best to keep personal ego out of the story — only really argueing over semicolons.

When it comes time to edit, Sherman reads aloud to Kushner, her bits and the printouts. Although, Sherman is stronger on description, while Kushner does dialogue, when they revise drafts, they overwrite each other. By 5 drafts in it’s fully blended.

Morwood and Duane work together similarly. Plus, they’re pretty good literary mimics. One usually has veto power. Duane is best at plotting and screen writing. Morwood has veto power on fight scenes and tactics.

Just remember when collaborating, there are competing needs for validation, love, and “listen to MY story.”

Music to Collaborate to?

Duane stopped listening to music — it interfered with her dialogue. But movies work fine for her as background.

Kushner used to listen to music, although it couldn’t be in English or had to be something she knew inside and out. Now, she writes at home in silence.

Morwood listens to tons of things, but turns off his Audible when writing dialogue. He likes to have Dragon Naturally Speaking play back his dialogue to him.

Sherman and Duane both like to write in cafes, with that background chatter, gathering faces for characters. If Sherman can’t have that, she needs complete silence.

When deadlines are piling up, Duane will go to a friend’s flat in the middle of no-where-Switzerland for weeks, while Kushner will head off to a friend’s house. The change of location helps with productivity. No chores — or partner — around to distract.


Collaboration can be a tricky beast. Have you worked on a collaborative work? What techniques worked best for you?

Have you worked with a romantic partner? Did it strain your relationship?

Romantic Subplots

Some books are straight up romances, some have no romantic dealings at all, but for everything in between, they’ve probably got a romantic sub-plot (or two) simmering in the background.

At WorldCon2019, PRK, Kate Johnson, Darlene Marshall, and Elliot Kay shared their tips for creating a successful romantic subplot.

The Rules Of Romance

Romance might get a bad rap in some circles, but romance is what keeps publishing in business, and it’s the mother of all genres when you look at sales.

Romance novels come in all stripes and colors, but they have two things that unify them:

  1. The love story is central to the plot – i.e. the plot doesn’t work without the romance
  2. An optimistic ending – these days, it doesn’t have to be happily ever after, but it needs to be happy-for-now, or at least romantically satisfying

The typical plot of a Romance novel is predictable

  1. The romantic partners come together
  2. Something separates them
  3. They come together again
  4. There’s a black moment when we think all is lost
  5. Then, there’s the optimistic/happy ending!

We know the plot of a romance novel, what makes them enjoyable is the journey.

Common Tropes

There are certain tropes that some people love to see over and over again. While other tropes are things that have been done to death — or are only enjoyable when there’s a fresh twist.

Our panelists shared a few of their favorites

  1. Enemies to lovers/Friends to lovers – i.e. Shards of Honor by Lois Bujold
  2. Alpha male – but easy to over do
  3. Flipping gendered expectations
    • Note: This includes romances that aren’t heterosexual, or cis-gendered, or have more than two partners. – i.e. Starless by Jacqueline Carey, and KJ Charles’s work.
  4. Both main characters are out to get the same things,\ and keep bumping into each other.
  5. When the love interest redeems THEMSELVES, after seeing their flaws reflected back at them. i.e. Pride and Prejudice, Jane Eyre

And least favorites:

  1. No communication. The romance just happens!
    • This leads to readers forming unhealthy expectations about their relationships!
    • Also! If the plot hinges on a misunderstanding that could be fixed with 3 minutes of conversation (that would be normal to do in this situation), it’s a bad plot.
  2. They’re only mean because they likes you
  3. Redeeming everyone
  4. She’s here to redeem HIM
  5. Killing her to provide motivation for the main character to grow

Writing Good Chemistry!

They didn’t give us too many tips. Just: if it’s fun for you (as a writer) and it works emotionally for you… it should be fine!

Chemistry can be sexual and/or romantic. In real life, asexual (Ace) people sometimes are interested in romance, even when they’re not interested in the X-rated stuff. So, characters can be written to reflect reality.

Communication and consent are key! When both characters are eager to take the next step, the relationship should blossom.

Suggested reading:

  1. Claire O’Dell’s Janet Watson Chronicles
  2. JD Robb’s In Death series
  3. Neil Gaiman & Terry Pratchett’s Good Omens
  4. Seanan McGuire’s Every Heart A Doorway

The Romantic Subplot Doesn’t Have To Work Out

Even in romance novels, there can be secondary romances that don’t work out.

  1. Short term relationships
  2. Breakups, where it just didn’t work

Chick-lit has tons of this. You’ll see the main character with tons of bad — or at least not right for her — partners.

Speaking of other genres, these days, it can be tricky to tell if you’re reading a romance or not — especially when you wade into the urban fantasy and paranormal romance corner. Kate Johnson shared her secret trick for determining, just by the cover, which is which. The paranormal romance has a topless guy on the cover, while the urban fantasy has a tattooed chick on the cover.

When she told us that, I closed my eyes and pictured the books on my shelves, and burst out laughing. She’s got it right.

Closing Thoughts

If you want to write more diverse characters, read #ownvoices works, research, talk to people who can share their lived experiences (don’t make assumptions), and pay sensitivity readers!

Write the book you want to write, your tropes will dictate the marketing.

Getting — and Staying Published

All writers who want to share their work with the world want to be published. Some want to self-publish while others would prefer to have the backing — and distribution — of a publishing house.

At the titular panel at WorldCon 2019, George Sandison, Patrick Nielsen Hayden, Rachel Winterbottom, E.C. Ambrose, and Michelle Sagara talked about the realities of traditional publishing — when you’re not an A-list author.

The Top 3 Ways Writers Make It Hard On Themselves When Getting Published

  1. Quitting their dayjob
    • A publishing contract is great! It’s a huge amount of money. But, look at it as a year’s salary (or 5 years). There is no guarantee your next book will find the same market — or that your current book will perform as well as the publishers hope.

      If you get an advance, there are shockingly few authors who ever “earn out” — or make back for the publishing house — what the publishing house gave them.

      Many authors see their advances getting smaller and smaller, until they reflect what the market will give.
  2. Switching markets
    • Of course it’s always best to write what you’re most passionate about. If you’re forcing the writing, it usually comes through to the readers as a lack-lustre book.

      That said, if you change genres and markets, it can be like building your audience from scratch. Except, without the “like”. you ARE building your audience from scratch.
  3. Getting the wrong agent
    • If you get a contract before you have an agent, it is usually very easy to find an agent. It is always wise to get an agent or contract lawyer to look over your publishing contract, but unless the lawyer specializes in book sales, the agent will likely be better versed in industry standards — what’s expected and what’s not.

      That said, make sure you know if the agent you’re working with is invested in your career, or just here to help you through this single contract. Misunderstandings can leave your career in shambles.

Is It Three Strikes and You’re Out?

Usually, what it looks like from the writers’ end is…

  1. Your first novel? Floats on clouds of hope and optimism — and the traditional publisher advance reflects this.
  2. Your second novel? Well, they like to give writers second chances.
  3. Your third novel? Good luck.

The reality is that publishers need to sell a writer and their voice, not necessarily just one genre. Plenty of authors have more than one type of story in them.

Typically, writers query agents, and agents submit manuscripts to acquiring editors. Occasionally, some publishing houses will be open to unagented submissions. But, once you’ve sold a book or two, a working-relationship can evolve.

Acquiring Editors Can Work For An Author

Editors that select works for publication at publishing houses can have working relationships as close as an agent with a given writer.

And, of course, the more senior the editor, the more clout they have when it comes to deciding what gets published.

Here are 4 ways they can help a writer.

  1. They can go to bat for your novel, versus the publishing board, even if the numbers aren’t there. (i.e. We messed up marketing last time, but this writer is too good!)
  2. Publishers can pitch ideas internally, and bring in the author they want to write it.
  3. Even after a slump, if your pitch is keen enough, they can get you an offer.
  4. Some have success changing by-lines, to re-introduce authors to new audiences.

But sometimes? You need to walk away.

Reasons to find a new publisher

  1. Sometimes, a new publisher is what you need after a slump. The old one has already used all it’s connections and marketing techniques. It’s time to try something new.
  2. Sometimes, the editor you’ve worked with leaves and no one has the passion for the manuscripts they left behind.

But not everything relies on the publisher. There’s a lot you can do to make sure you’re ready for the market.

Ways To Set Yourself Up For Success

  1. Network
    Make friends in the industry. Hit conventions (if you have the time/energy but no money — volunteer! Or, you can just keep reading my notes).

    But, be sure you’re making a good impression when you do. Everyone knows somebody here, so be friendly but respectful of boundaries.
  2. Be prepared
    Rejection stinks. Seeing friends (or frenemies) succeed while your novel is passed over hurts — whether you’re at the “hoping for an agent” level, “hoping to publish” level, or the “hoping for awards” stage.

    Know that you aren’t alone. Know what you need to keep your passion from burning out.

    Read! Write! Ignore jealousy. Or acknowledge it — and then move on.
  3. Don’t give up the day job
    Even if you do get a huge contract, or tons of steady ones, fear of bills and falling behind can put too much pressure on you, and take away the love of the writing. Remember to take care of yourself.

    Age doesn’t matter, but financial security can affect your approach.
  4. Remember what you’re comparing
    When you see social media feeds and think about all the ways you don’t measure up? You’re comparing their highlight reels to your blooper reel. Take a break if you need to. Step away if you need to.

Audience Questions

  1. How does maternity/health leaves of absences affect your career?

    If you’re writing on a schedule, know this:
    1. Publishing schedules are flexible – but…
    2. Write first — as much as possible, if the leave is scheduled, and drop everything you can to make it happen.

    If you don’t have a schedule, it’s up to you.
  2. Should I self-publish?

    The more niche your book it, the more successful it could be as a self-published book.
  3. What does it take to succeed as a writer?

    Ideas are a dime a dozen, it’s all about the writing.

    Can you write a sentence? How about a paragraph? A chapter? Can you plot?

    There is a huge cliff between a great book and a ho-hum, not bad book. Most are ho-hum.

3 Things NaNoWriMo Gives You — "Win" OR "Lose"

This week, I thought I’d take a break from sharing convention notes to talk about my writing.* Specifically, what I’ve learned from National Novel Writing Month (NaNoWriMo) — both this year, and in previous years.

For those who are unfamiliar, NaNoWriMo is the pledge to write 50,000 words (or 200 pages) during the 30 days of November. This averages out to 1,666 words per day, or about 6 double-spaced pages.

Now, NaNoWriMo is clearly not for everyone. As with all things writer related, you should do what works best for you. But for a lot of people, it’s a great starting place.

If you’re new to my blog, I feel I should inform you that this was indeed, not my first rodeo. I’ve talked about my previous NaNoWriMos before. The first NaNo I won was in 2013, and I didn’t finish the novel itself until I hit 131,000 words that following August. I took that year off to revise. The following year, I was moving that month, and then I was back. Since 2016, I’ve attempted and won 4 more NaNoWriMos.

CONFESSION: NaNoWriMo is NOT my natural pace. For me, it involves a daily grind, prioritizing my writing over chores and social events, and fighting burn out. I know this. It’s always like this for me.

But? All 4 of my rough drafts, plus this year’s near TWENTY short stories were written as NaNoWriMo projects. It’s not sustainable… but it gets the job done — for me.

So. I’d like to talk about what has NaNoWriMo given me.

3 – Understanding Your Own Pace — And Limits

Some people are sprinters, some are slow-but-steady marathoners (me!), and others vary depending on the day.

By taking on the challenge, you learn:

  1. How fast you write
    Can you fit those 1666 words in before the clock strikes midnight?
  2. When you write best
    Are you an early morning writer? Sneaking it in on your lunch? Maybe on your commute — hopefully you’re not the driver. Do you pull late nights? Or perhaps, long weekend sessions where you make up the whole week’s word count goals?
  3. What you’re willing to give up for your writing
    For me, it’s chores and social time. For you? It’s all in what you say no to, and what you make sure to leave time for — besides your writing.
  4. What a reasonable pace looks like for you
    Maybe 250 words were the most you could write per day. Maybe you were averaging 3,000 words per day. You might even be one of those 10k on the weekends people.

By pushing yourself, you learn your limits — or you learned that you can do more than you ever dreamed.

2 – There’s A Writing Community For Everyone

NaNoWriMo has a website and very active forum. When you join, you’re encouraged to also join a ‘region’ based on actual geographic locations. Regions are run by “municipal liaisons”. Who run events.

Some regions are more active than others. Mine is very active. There were OFFICIAL, in-person write-ins at libraries, coffee shops, and diners 3-7 days a week. Not counting the unofficial ones, or the solo-writers.

On a chat program called Discord, we also could hang out virtually. Which is what I mostly did. Including writing sprints — challenges to see who can write the most words in the next 15 (or however many) minutes.

I’m also part of the #AuthorTube community. They had their own Discord chat, as well as Live-streaming write-ins. In which multiple Authortubers would video stream themselves writing, and others could ‘hang out’ on the stream’s chat with the streamers, conversing back and forth.

It let you know you weren’t in this alone. If you wanted company, it was out there for the taking. You could find other writers in your genre, style, what have you. It’s a priceless opportunity to both make friends and find potential beta readers/critique partners.

1 – Pride in my accomplishments

I’m not going to say “everyone’s a winner”, but if NaNoWriMo inspired you to write more words than you otherwise would have, you ended up ahead of where you would have been without it.

So many people achieve more during NaNoWriMo than they ever have before.

Besides. What do you win in a contest where claiming the winning certificate is entirely on the honor system?

All you win are bragging rights and some discounts on writing software. (And I seriously prefer gDocs over Scrivener anyway, so… shrugs).

Okay. Maybe there’s one kinda big thing.

There’s the satisfaction and pride at having set a goal, worked at it, and learned you can achieve it.

Not counting, of course, the community, the knowledge of your own pace, and an understanding of what you need to write.


Now What?

Now that November is over, what should you do next? Well, everyone has advice and here’s mine.

Do you participate in NaNoWriMo? If so, what has NaNoWriMo given you?


* Okay, let’s be honest here, my dayjob sent me on travel and I forgot my notebook, but hey. This is more timely anyway!