Jack Campbell, Elizabeth Bear,&Sebastien de Castell discussed how to Write Fight Scenes That Work at #worldcon75.
Here are my notes.
Morgan Hazelwood: Writer In Progress
I attend cons — sf and fantasy conventions — a couple times a year. Of late, I’ve been attending more than a few panels on writing, editing, and publishing. With professional writers, editors, Editors, and agents as the panelists. Here is where you can find my notes!
Jack Campbell, Elizabeth Bear,&Sebastien de Castell discussed how to Write Fight Scenes That Work at #worldcon75.
Here are my notes.
“Point of View solves everything.” – Elizabeth Bear
Tips on how to start your novel. Plus! Famous examples and discussion about how they work.
You might know all about your main character, but a world isn’t a world without other people!
Writers know all about our main character–they’re the focus of our story. Often, the story is told in their voice.
But what about everyone else? Unless you’re writing a person-versus-nature like Hatchet, you’re probably going to have other characters.
In real life, people are not necessarily open and honest about their feelings, their intentions, or their actions. Sometimes they try to hide them, and sometimes, they honestly don’t know themselves.
In my 2nd video blog, I discuss:
In real life, people are not necessarily open and honest about their feelings, their intentions, or their actions. Sometimes they try to hide them, and sometimes, they honestly don’t know themselves.
In writing, it adds to a character, helping round them out from 2-dimensions into 3 if you can figure out how to add the sub-text.
Sub-text is how you manage a big reveal or plot twist at the end of your book and have readers go “Oh! Of course!” rather than feeling cheated or misled.
But how do you add subtext to your novel?
(Or at least the 1st page)
Let’s take a look at famous 1st lines and see how many of these things they manage. And how they do it…