At WorldFantasyCon, I attended a panel by this same name. Going into the panel, I expected a discussion of different types of strengths being compared to the default of physical strength. Instead, the panel veered into magical strength and stayed there.
Defining Strength
Of course, we addressed the titular topic, but the conversation just kept swaying magical.
Strength can be just an overwhelming level of power. But, to use one’s strength to accomplish one’s goals of any type is a form of competence. Be it physical, mental, mystical, or magical, without competence you end up with more of a firestorm than a laser.
Things Magic Can Represent
Magic can just be the extraordinary, but often in fantasy, it’s a way of discussing real-world issues without bringing all the baggage that its real-world counterpart has accumulated.
The hubris of the human spirit
It’s often an allegory for privilege or power
In worlds where magic is bad – the main character is often non-magical
In worlds where magic is good – the main character is often magical
Ways Magic Can Influence A Society
When certain people have power that others don’t have access to, that’s going to disrupt the social order. Just like any other sort of wealth or power.
Innate magic leads to a more stringent class hierarchy
Gained or earned magic tends to be in worlds with greater social mobility
Availability of magic determines if it’s rare or commonplace — expensive or cheap.
If magic is inherent in a place or object, that gives power to those who possess that place/object (ley lines/hubs, Dune’s dust…)
Tropes For Different Strengths
There are a lot of tropes when it comes to giving characters strengths and powers. Some are more overdone than others.
Magic users are seen as more intelligent
Magic types as innately light or dark
Magic as a tool
Magic based societies not developing more mechanical technology alongside it
Using an outsider or non-magical person to introduce us to the magical world
Using magic to solve everything
Giving poor characters fewer skills, rather than different ones
Try having a farmboy where his farming skills come in handy
‘Leveling’ the main character up everytime there’s a new boss
Types of Strengths For Villains
Heroes aren’t the only ones with strengths. Any respectable foe needs to have some strengths of their own.
Some villains share the main character’s strengths… but let their moral convictions prevent them from doing the right thing or rationalize their way into the wrong thing.
Some villains have good — or at least understandable motives — but their methods and the lengths they go, using their strengths to achieve their objective cross the line into monstrous.
Some villains are the protagonist of their own story. The strength of their moral convictions — like Magneto in the X-Men. He might be on the wrong side, but I can’t say he’s wrong.
What sort of strengths do you have? Your core competencies? What about your main characters and your villains? Do they balance each other?
The panelists were Fonda Lee, Carol Cummings, Marissa Lingen, and Rhiannon Held.
Returning to share notes from yet another World Fantasy Con panel: Unsafe Places and Why Characters Go There (see Gender 401 and Writing as Sanctuary, for other panels). The panelists were Ysabeau Wike, Nina K. Hoffman, Rajan Khanma, Joe Haldeman, and Suzy Charnas.
I expected this panel to be about the journey troupe – stories following those who chose to stand up and go, not the ones who are reasonable and stay home. But, the panel itself ended up being more of a discussion on how to use unsafe places to propel the story forward.
What is an Unsafe Place?
Just because a place is safe for one person, doesn’t mean it’s safe for everyone. Places can be unsafe due to the environment itself, or because of the people in the place.
Sometimes? Home is the unsafe place. And it can be unsafe because of external factors, or because of internal ones.
According to Charnas, when fate is against you, no place is safe. And old age is a very unsafe place.
Finding the Conflict That Initiates the Story
When you begin a story, you should make clear what is missing in the main character’s life — or at least, what they THINK is missing.
Often, the strongest stories are about the true thing that is hidden. In those cases, the missing thing identified at the beginning is simply a symptom, not the cause of the conflict.
It’s okay if you don’t know what the true cause is when you start writing the story. Writing can be a search process, a way of finding your way out of the dark. WARNING: If you go into the story with an agenda, stories often come out rather contrived. Strive to avoid that.
Sometimes, the unsafe thing didn’t exist prior to the story’s start. It can be that the world changed and became unsafe for your character.
When The Conflict Is Internal
The internal conflict can either be a mental health issue, or an uncontrolled ability (like magic). It can be an internal need — to control one’s temper, to belong, to be loved. These are the things that make characters relatable and human.
When The Character Doesn’t See It Coming
Betrayal — when the main character thinks they’re safe, but they’re not.
The Joy Of YA
The joy of YA is that kids or teens will defeat problems long after the adults have resigned themselves to a world where the problems are insurmountable.
What Happens Next?
If you need to enhance conflict you can always limit resources. Be it allies, money, magic, or time.
Once you’ve addressed that first conflict — to fix the thing that was making your character unsafe — the main character usually finds something else they need to do — some new issue that’s often the consequence of the first fix.
And that’s it. That’s all the panel had time to discuss. Defining, exploring, and exploiting unsafe places to drive a plot forward.
If you’ve written a story, what was the factor that made your character’s space ‘unsafe’?
If you’re not a writer, share the factor that made a space unsafe for one of your favorite books.
Next up at World Fantasy Con was “Gender 401”. Having attended 101 and 201 panels in the past, I was ready for the discussion.
NOTE: I recognize that as a cis-gendered female I can listen and do my best to promote understanding and inclusion, but I am by no means an expert. If I’ve misrepresented anything in this panel write-up, don’t hesitate to call me out on it.
Also, I recognize that my notes are aimed more for the cis-audience– in part because I know I’m the wrong person to explain gender identity to anyone who isn’t cis. But, hopefully, the book suggestions are at least helpful for everyone.
[For those who aren’t familiar with Gender 101:
A transgendered individual has determined that the gender that they were assigned at birth does NOT match their personal identity.
A cisgendered individual has determined that the gender they were assigned at birth DOES match their personal identity.
Non-binary (nb or enby) people can run the gamut: [EDITED: I originally stated what the expression was, rather than the identity.]
Identify as multiple genders at once
Identify as different genders based on how they’re feeling on a particular day (also said to be ‘gender fluid’)
Identify as non-gendered
An intersex individual is one who was not easily assigned a single gender at birth ]
So, now you’re familiar with the cornucopia of gender identities, let’s get back to writing and figuring out how to use this knowledge to enhance our worlds.
Ways That Genre Fiction Can Improve
Remembering that cisgendered people aren’t the only ones out there and including all kinds in our stories.
Making sure the existence of transmen isn’t completely ignored when revisiting the overdone “What if men could get pregnant?” trope.
Thinking through the world. There are plenty of stories about gendered magic or cities that ignore where transpeople or non-binary people live.
Avoiding Scooby-doo style reveals, where the bad guy is transgendered — or just dressed up as the opposite sex to avoid suspicion.
TIP: You can acknowledge, then add a few details about how those cases work. You don’t have to make your story about gender identity, you just have to let people outside the binary exist in your world.
TIP 2: For gendered magic, you have to decide how to handle it. It can be influenced by whether magic is assigned at birth or something that happens when you hit puberty (or some other sort of ritual). And if someone changes their gender identity, does their magic change with them?
So. How do you decide what’s best without playing into stereotypes? And if you’re trapped in the gender-binary, how can you make sure you’re properly portraying these characters?
The best way to figure out how to handle non-cisgendered characters is to read stories by non-cisgendered writers.
Genre Writers Who Have Handled Gender Well
Austin Chant
JY Yang
Akwaeke Emezi
Charlie Jane Anders
Ursula K LeGuin
Octavia Butler
And collections of stories:
Transcendent Anthology – Edited by KM Szpara
There was a shout out to LeGuin for first introducing genre fiction to gender exploration.
Another place to explore is the Tiptree Awards. Begun in 1991, it started off just giving credit for having a woman as a character in an sf/f novel. But each year, the bar raises.
According to Ellen Klages, a Motherboard member of the Tiptree Awards for over 20 years, if a bar fight doesn’t break out when the winner is announced, clearly, the novel selected wasn’t cutting edge enough and shouldn’t have won.
What Our Panelists Would Like To See
Middle-aged and older women that aren’t witches
More stories that start off ‘beyond the pale’, to start to normalize their existence
Diversity in representation – not all perfect or all villain. If you have one person outside of the gender binary in your story, how you represent them will be a huge focus. If you have many, in multitudes of roles, it goes a long way toward fighting stereotypes.
Writing outside the box
Writing Worlds Outside The Box
If gender is so enigmatic now, how diverse could the real future — or your fantasy worlds be? Why even stick to binary genders in fantasy?
One can find inspiration from the common garden slug for new ways of handling gender identity.
TIP 3: If everything is different, it’s hard for your readers to follow. They’ll need a handhold of familiarity. Just remember that different audiences will need different handholds — what alienates some readers, will allow you to reach others. Decide who your story is really for.
TIP 4: Well. I guess this is more of a warning. These worlds can be very difficult to get the balance right, to bring the reader into a strange new world, without losing them. It takes a lot of skill to do something experimental, successfully.
Hopefully, if you weren’t already exposed to these concepts, you’ve got a better grasp of ways to fill your world with more gender diversity. If you were already familiar with them, I hope you found something of value from this write-up.
Go out and remember to include transgendered and non-binary people when filling your worlds. Plus, join the fight against gendered stereotypes and cis-gendered assumptions.
I know it’s been a while, but now that I made it through November, I’m back to sharing my panel notes. For World Fantasy Con, some of the panels turned more into suggested reading lists, but for now, I’m going to go through the other panels, in the order I experienced them.
I attended “Writing As Sanctuary” at World Fantasy Con. I went into this panel expecting to hear stories of authors using their writing as either escapism or as a tool to process stressors in their lives. Escapism either as a distraction from real-world issues, OR as a way to create a new world, with those issues fixed.
The actual discussion was a lot more nuanced, but less focused.
The panelists were Jacob Baugher, JD Blackrose, JL Gribble, and K. Ceres Knight, moderated by Anna La Voie.
The discussion started off exploring the motivations behind people’s writing and the reoccurring themes they explored, either intentionally or unintentionally.
Most wrote for themselves — but with the intent of publication — seeking that external validation. Only a few used their writing to explore alternative choices — either personally or historically.
Themes They Found In Their Writing
Some writers write themes explicitly into their work. Others only recognize it when they begin editing. And sometimes? You only recognize your themes when the same issues keep coming up, novel after novel. Here were some of the themes the panelists found in their writing – intentionally or not.
Non-dystopian post-apocalypse
The Holocaust
Mother-daughter relationships
Cyberpunk — in order to have control over their world
Which is better: To Be Writing or To Have Written?
It’s a reality for many of us writers — the process itself can be agony. I found it inspiring to hear how much of a struggle even published writers still find it. And how many also resort to procrasti-cleaning!
Some, like Baugher, were shocked to learn people could enjoy writing. He forces words out and is working on trying to change his own mindset.
Sometimes, real-world tragedies strike too close to home and you can’t write. Blackrose spoke of knowing when to push through, and when to step back. Then, when it’s time to return to the keyboard, she aims for just 500 words to regain her momentum.
Writing a novel is intimidating and that can make it hard to start. But 30,000 sounds a lot more doable. You can approach writing like Blackrose. She just wrote 30,000 words four times, and she had a novel.
Gribble uses gamification to get her words in. She wrote her 3rd novel, just using 5-minute sprints. Her best writing day was also the day she washed all of the windows.
Many of us, like Knight, love writing — when inspired. But most of her writing is deadline based.
Some writers swear by them. I know many writers who collect journals by the trunkful. But, advice doesn’t always sync up with reality so I was curious how these writers would answer. How useful are they in practice?
Some, like Gribble, find them a waste of words. Why journal when you could be writing paying work?
Some use it for free writing when the words just won’t flow. Baugher uses this process about once a week as a sort of 10-minute warm-up for his novel writing — his is mostly profanity.
Blackrose doesn’t journal per se, but she blogs…
Major life events can make journaling helpful. Knight only found herself journaling when she going through her divorce.
Some use it to manage stress. La Voie only journals sporadically but she finds it helps with her anxiety.
Knight and I agree: no writing is ever a waste. You’re always learning, always practicing.
What works for someone else, won’t necessarily work for you. Journal only if you’re actually getting something out of it.
Do you have your own writing sanctuary?
Now, me? I have a desk in a library alcove off my family room. But ever since I got a laptop, I find myself on my couch for most of my writing, with the occasional restaurant-based write-in. Not that I haven’t snuck words in at work or on my smartphone. There’s a reason I use GoogleDocs — it can auto-sync, you can use it offline, and it’s available for free on all my devices. I might not be the Google fangirl I was before they dropped 8 of the products I’d adopted… but some habits die hard.
But, I always find it fascinating to learn where other writers work.
Some, like Knight, can write anywhere that’s relatively quiet.
Some, like Gribble have home offices. But?
She NEVER uses it to write in.
She spends most of her time in Starbucks, on her couch, or the counter in her kitchen.
Gribble WILL, however, edit her writing in that perfect home office.
Some, like Blackrose, will write anywhere — even at her day job when things are slow.
Some libraries, like Blackrose’s, have writing centers you can use
On Sundays, she has permission to use the Writer-In-Resident’s office — it makes her feel like a ‘real’ writer!
And some have home offices they actually write in!
Baugher came home from a convention and found his wife had turned their 2nd bedroom into an office for him.
Do you use writing as an escape from life?
This question could have gone in so many directions, but somehow we got back to procrasti-cleaning again. As a procrasti-cleaner myself, I was happy to be in such good company.
You can use laundry to avoid writing like Blackrose
You can use writing sprints as breaks from chores like Gribble
Or!
You can leave the house to go write, so you can avoid laundry altogether, like Knight.
How much do you reread before you restart your writing?
Personally, I only skip back a paragraph or two and then push on from there. I keep waiting for there to be a right answer to this. But of course, with all things writing related, it’s a matter of preference.
Some read just the start of the current scene, like Gribble.
Some, like Baugher, like to leave notes or hints for what’s going to happen in the next scene.
Some reread it all.
Some, like Blackrose, use the first 7,000 to 15,000 words as a sort of giant outline, and then fill in.
Some write in layers. First getting the action out and the plot, then coming back and filling in the descriptive narrative, like Knight.
Critiques That Made You Regret Sharing Your Writing
Even if writing isn’t your sanctuary, it can be scary to share your words and thoughts with the world. And sometimes, critics can be harsher than they know.
For Baugher’s first writing workshop, for his first critique ever, another writer told him, “Stop writing now — this sucks!”
One writer’s mother doesn’t do fantasy, and after they opened up and shared their novel, the response was, “how do you think of these things?”… and not in an awed sort of tone.
Gribble once had a critic complain about the orgy. One problem? Her novel contains ZERO orgies…
Knight once watched a teacher lay into a fellow classmate for half-assing the assignment. Which, not only was discouraging for the student in question, but also, I’d imagine, inhibiting the other students from trying new things.
Blackrose once wrote a Seders in Space humor piece, pulling from her own experiences. A non-Jewish friend hated it and felt it mocked the Jewish stereotypes. Her Jewish friends and family loved it.
And the two final questions from the panel? The answers were in unison.
How does marketing interfere with the sanctuary of writing?
A Lot.
and
Do you write as a sanctuary for your readers?
YES.
So, a bit more of an exploration of their lives as writers, but altogether a panel I enjoyed.
Do you use writing as a sanctuary?
Do you use books as a sanctuary? What are some of your favorites?
Your friendly, neighborhood writer-blogger-vlogger-voice actress has been BUSY!
Two weekends ago, I attended a writers’ workshop put on by my local writer’s group, Write By The Rails. Unfortunately, I had to miss the end of it.
Why? You might ask.
To hit my regional NaNoWriMo kickoff party!
Then, this past week, my day job was busy enough that I managed to take Friday off without having to burn any leave… to attend my first World Fantasy Con — including my panel debut!
And, of course, that doesn’t include finishing up OctPoWriMo, Halloween, keeping up with my blog and vlog, and a little thing called NaNoWriMo!
It’s been a little frantic here at Morgan’s lair.
As always, I’ll be sharing my panel notes, (although, some were more recommended reading lists) but first, I’m going to be sharing my experiences with you.
The writing workshop
It was a cool, rainy fall morning when I parked on the street in front of the full church parking lot, and prayed I’d read the parking regulations correctly. I asked a gentleman, walking across the parking lot if I was in the right place, and he confirmed.
I followed the sidewalk to the side door and found myself in the foyer of the church where the workshop was taking place. Once I’d hung my jacket and gotten my nametag from the table in the hall, I corrected my nameplate and found a seat at the large circular table toward the middle of the room. After a quick introduction to my fellow tablemates, I pulled out my notepad and settled in.
As always, the Write By The Rails crowd was enthusiastic, supportive, and welcoming.
The first panel was on marketing and took a local view. Most of the tips were more useful for non-fiction and novels set in the local area, but there was information about getting coverage for book launches and more.
We took a short break to look at all the books for sale by local authors. Manassas has a decent selection of local novels. Even most of the self-published books are high quality and make me proud to be associated with them.
Next up was a panel on memoirs. I’m not sure if I’ll ever be open to writing a memoir, but it was fascinating to hear the thought process that goes into it, how it differs from a biography, and the process for finding the theme that pulls the memoir together.
Finally, the topic nearest and dearest to my heart. Fiction novelists. The panelists were skilled, knowledgeable, and wrote in my genre.
Altogether, there were four panels: marketing, memoirs, novel writing, and poetry, I missed the last one. As always, I took copious notes on all — except that last one. Despite my OctPoWriMo inspired interest in poetry, I’d already committed to attending my regional NaNoWriMo kickoff party.
The NaNoWriMo kickoff party
I’d seriously joined NaNoWriMo in 2013, but didn’t attend my first in-person event until after I’d started this blog. This was my 3rd kickoff party.
I like going and meeting my local writing community. The circles overlap, but by no means encompasses those who are in the other local groups, and that weekend, I was determined to find my inner extrovert. (outer extrovert?)
I drove through the rain and made it to the library’s basement parking deck 10 minutes before kickoff time. I headed up the stairs, finding a conference room right where I remembered it from last year. The first room you get to at the top of the stairs. I held my breath, hoping it was in the same place.
Peeking in, I spotted the chairs in a circle, and the tables set up for food and drink offerings. With a sigh of relief, I headed in and signed up, adding my genre and motivation to the group display board as requested. Got my raffle ticket (and skipped putting my name on it, cause it was numbered) and goodie bag, and went about introducing myself to those near my chair (carefully selected to be right next to the snack table.)
Once we got going, everyone was asked to introduce themselves, share their NaNoWriMo forum name, years writing, and talk about this year’s project. When they got to me, my regional liaisons introduced me as our resident blogger. So I knew what I had to do.
“Hi, my name is Morgan Hazelwood. You can find me on the forums as morganHazelwood. And since I’m our resident blogger, you can find my blog over on morganHazelwood.com.”
“Folks. That’s! How you do branding,” our liaison laughed.
So, when we got to the raffle (a table full of items, in which our raffle only indicated the order of picking something off the table), I got a lot of grief for being basically the only person who DIDN’T put their name on their table.
I re-met people from previous years, chatted with first-timers, and never-finisheders. And I hope to see most of them, if not in person, then on the new-to-our-region discord chat rooms.
Plus, I ate way too many snacks, I couldn’t even finish my amazingly decadent peanut butter cupcake.
OctPoWriMo
OctPoWriMo 31 Poems in 31 days
Until OctPoWriMo, my main experience with poetry was class assignments and teenage flirtations with boys and paganism.
I think my biggest surprise was how quickly I could turn a theme into a poem that I didn’t hate. I don’t think I spent more than 15 minutes on anything except my sonnet (not counting typos while inking them.)
Overall, I think I would do poetry again. Either for a themed contest or anthology or as a writing exercise to get the words flowing. Perhaps, to keep up with writing when stuck in the editing doldrums and feel like being creative.
(If you missed them, here’s week 1, 2, 3, 4, and 5.)
Blog/Vlog
Clearly, I was still vlogging and blogging the last two weeks, with those poetry roundups, some author spotlights, and of course, my weekly blog and vlog posts.
Last week’s blog and vlog were done after spending 6-8pm handing out candy while debugging code for my day job. Then, I finished drafting and editing my post, set up my camera, and went to work. After my second take, I found out that the audio wasn’t what I like, but I tried both my plug-in camera and my built-in laptop one. With midnight coming quickly and a long day at work ahead of me, I went ahead and posted what I could. Then did a round of packing for World Fantasy Con and snuck in 110 words right after midnight.
I’ve been working on making my non-panel write-up blog posts more personalized, while still having useful tips that can help other writers. (Let me know how I’m doing.)
Since people’s interest peak’s the week after an event like a writers’ workshop or a convention, I’m torn between blogging my NaNoWriMo stuff and my panel write-ups. So. Expect a mix.
My NaNoWriMo progress thus far
NaNoWriMo kicked off on a 12 hour work day, with a 2-hour drive for me to check into a convention. With work keeping me as late as it did, though, the drive was cut to about an hour twenty, but I spent a bit too long in the ConSuite saying hi and settling in.
I ended the first day with 660 words, a thousand shy of the target. On day 2, I found the NaNoWriMo room at WorldFantasy, settled in, and squeaked out exactly 1,667 words. It was a great space and something I hope to find in more conventions — during NaNoWriMo or not. The only thing I would have added is extension cords and maybe an additional power strip or two. At a different event, allowing artists with their sketchbooks or quiet reading in the space might also work.
Day 3, my writing break was cut short 250 words shy of the target because I had to go to a panel — my debut as an actual panelist. After all the panels I’ve written up, this is the first one I’ve participated in. Day 4, between getting home, a nap, and visiting with my brother(sushi + binge-watching season 1 of The Good Place), I finally managed to get my daily target of words in just before midnight but was lagging almost a day for the month.
Fortunately, I’d taken Monday off work, and narrowed the gap in a long and distracted writing afternoon. My word target is amazing, it can expand to take however long I have to reach. Tuesday, I finally caught up and am now keeping on track!
World Fantasy Con!
The Baltimore Renaissance Hotel
Since Balticon is my ‘home convention’ and where I met many of those who convinced me to attend World Fantasy, I’m very familiar with the space. It’s a bit expensive to stay there, and parking is ridiculous…
But the first convention I worked was at the Gaylord National in National Harbor, Md. After that hotel, there are very few places that would give me sticker shock. And the Renaissance’s layout has nothing on the Gaylord, where only 2 elevators even reach the convention center.
Coming in the night before was worth it to me to miss the expected traffic and allowed me to settle in before the crowds got there. Although, “crowd” is a relative term. Balticon is noticeably larger, even when it’s not the 50th anniversary.
Working The Con
Morgan, wearing a Charles Babbage (and Ada Lovelace on the back) locket, eating squash soup, root veggies, and rice.
In the past, I’ve worked in guest relations for an anime convention. Liaisoning with the invited panelists and speakers, making sure their transportation and sleeping arrangements are made, their table (should they want one) is set up, that they’re fed and hydrated, and that they make it to those panels. That job is 24-7, from the day before the convention, sometimes until the day after it ends.
This time? I’d signed up to staff the ConSuite.
For those who don’t know. The ConSuite is a thing that exists at most fan-run conventions. Typically, it’s a hotel suite with snacks to tide one over and a place to hang out and chat with your friends past midnight that isn’t trying to sell you stuff.
At World Fantasy? They kicked it up a notch with slow cooker oatmeal in the mornings, full sandwich spreads, hot dinners, and leftovers from all the receptions. Not to mention, the expected snacks and candies.
Plus? As a new staff member, whose schedule didn’t permit me to help load or unload the supplies, they’d scheduled me 7pm-11:30pm on Friday and Saturday only. That left my days free for panels, and my evening free for parties and BarCon (i.e. The hotel bar, where writers/agents/etc hang out and network). I did end up missing the mass book signing and the art gallery receptions, which were far more of an event than I’m used to from less formal conventions, but I wouldn’t have traded my shift for any other.
Networking and New Friends
I’d been introduced to one of the ConChairs (organizers and coordinators) of World Fantasy back in May, when I ended up helping him co-host the DC 2021 bid party for WorldCon (they want to host it, currently, no one is campaigning against them). (As opposed to World Fantasy Con). He invited me in as ConSuite staff, made sure to introduce me to new people everytime I ran into him, and helped me raid the ConSuite after-hours for a post-daylight-saving-time-rollback-snack.
I ended up staying up past 2 am both Friday and Saturday nights, talking with people and having some quality conversations.
In the ConSuite, I met a ton of people–some new people, some vaguely remembered from cons past, and some fondly remembered. I chatted with them, shared my business card and Anansi’s business card, and found several more writers, bloggers, and artists I need to follow.
I’m now a member of Broad Universe. An inclusive network to support women writers of science-fiction, fantasy, and horror. As part of their more real-world support methods, they get tables at conventions that members can use for free (well, working a shift or 3) and they organize group readings.
I even networked on the elevator ride out of the con, Sunday afternoon. The gentleman emailed me links to the novel and non-fiction that he’s written on Monday. I’m working on my own follow-ups — emailing notes to thank people for their conversations and recommendations — especially those I’d love to chat with again.
My Debut Panel
At 5pm on Saturday, I made my debut as a panelist. I’d suggested several writing topics — beta reading, editing, querying, even social media. Instead, they realized I’d listed ‘voice actor’ on my list of qualifications. I’m a voice actor for Anansi Storytime, a folktale audio drama podcast, and, of course, I have my no-edits lazy vlog.
Thus, I found myself on Talking The Talk: Audiobooks from Fantasy Works. The panel was moderated by the award-winning Guy Gavriel Kay. My fellow panelists were Simon Vance, of literally over a thousand audiobooks, and Jessica Albert, from the small press EWC Press in Canada, where she manages the casting and creation of their audiobooks.
Guy Kay took his job as a moderator seriously and reached out to us a week before the convention, showing he’d clearly researched us all. He eagerly offered to pivot to include my experiences and discuss the differences in podcasting versus audiobooks, plus the difference between managing a voice project and being the voice for it.
The night before, I organized my notes as if I were about to vlog, and made sure to get all the equipment and process details from Anansi’s producer, in case that came up. I kept my notebook on my lap throughout the panel but never opened it. No one else was looking at notes, except Guy Kay, confirming the questions he was asking.
In person, he was no less gentlemanly and thorough, taking time to cater each question to address our particular specialties. I managed to provide a few answers I’m proud of.
At one point, though, I’d answered a question, I *knew* I’d answered the question, but the exact wording of it had escaped me, such that, when the time came, I couldn’t summarize my thoughts. I had to turn to Guy Kay and say, “I’m sorry, I got lost. What was the question again?”
As soon as I got back to my room, after the panel, I realized exactly what I *should* have said. And will say if I have this issue in the future. “Does that answer your question?”
A friend I’d met a few Balticons ago was there and took my picture for me before the panel. Then, he shared his favorable impressions in a quick post-mortem afterward. (Thank you!)
I’d seriously joined NaNoWriMo in 2013, but didn’t attend my first in-person event until after I’d started this blog. This was my 3rd kickoff party.
