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#submitted

I’m submitting my story to contests, agents, and editors. It’s a nerve wracking experience!

Querying Versus Submitting

August 27, 2020August 27, 2020 / Morgan Hazelwood / 4 Comments

Last week, I wrapped up my Virtual Balticon notes, but before I launch into sharing my notes from CoNZealand I figured you were owed an update.

Camp NaNoWriMo did not happen for me in July of 2020. That doesn’t mean I didn’t move forward on my writing, though! I finally finished revising my YA manuscript and got back into the querying trenches.

And? I took a pair of short stories plus a poem of mine and submitted them to editors.

What’s the Difference Between Querying and Submitting?

If you’ve been following me for any amount of time, you probably are familiar with the concept of a query. It’s a brief letter to a literary agent telling them about your characters and their stakes, with a brief paragraph on the story’s stats and genre — maybe even with a few similar novels thrown in for comparison’s sake, and an even briefer sentence or two bio.

Once you get that heralded agent, they will submit your work to publishers on your behalf.

Most traditional publishers of novels do not accept “un-agented” work. They want you to be vetted. And? They want to be sure you have a person well-versed in book contracts to represent you, partially so you can’t claim ignorance later.

For the short story market, it’s a totally different beast. They have the payments listed (X cents per word), so no contract is really needed. And they expect writers to submit their own works, without an agent. Because really, the commission on a 1,000 word story that nets $80 at the pro-writer rate is chump change for anyone.

Now publishers, be they for novels, short stories, or flash fiction, don’t get query letters. They get cover letters, with the writing included — sometimes as a word attachment, sometimes copy/pasted into the email. These cover letter plus the full works are called “submissions” or “a submissions packet.” And the person you’re sending these to at the publisher is called the “acquiring editor.”

As I’ve discussed before, cover letters are far more brief than a query letter. You get one, maybe two sentences to describe your writing. Another sentence for its length (to the nearest 100 words for short stories or exact count for flash fiction). And then a 2-3 sentence bio, if they ask for you to include one. Especially with shorter works, you don’t need to tell the acquiring editor about your story, it’s right there and can speak for itself.

Despite the word “editor” in their title, acquiring editors are not just people who edit your work with feedback and all. Acquiring editors decide what they will and will not be publishing. They’re the ones who decide if your story fits the theme of their magazine, anthology, website, or publishing house. Sure, some of them will do some edits, after your work is accepted, but you should only be submitting fully polished works that are as good as you can make them.

There’s usually limited space (either in print, in time, in budget, or all three). If you had the choice between a solid piece and a might-be-amazing but “OMG it needs so much work and we need to have these prepped in two weeks and you’ve never worked with this writer before and they might take the edits in a direction you don’t want”… you’d probably go for the one that you know the readers will enjoy — without taking the chance on the one that needs more work without the guaranteed payoff.

Unlike querying agents, many publishers do ask for exclusive submissions. This means that, while you can usually query multiple agents at a time (although, most prefer you not to query multiple ones at the same agency at the same time), you should only be sending your shorts to one publisher at a time. I wish I could tell you that because of the exclusiveness, all publishers are prompt with their acceptance or rejection letters, but as with all things writer related… it can vary tremendously. Do pay close attention to the ‘open for submissions’ window time frames.

For me, I usually go to “The Grinder”, not the hook-up website, but :thegrinder.diabolicalplots.com/ and search for paying markets. I start with the pro level ones (paying 8 cents a word or more), and then try the sub-pro, and then maybe the free markets (or sit on the piece until another paying market opens). I also google “Short Story Markets” and check the listicles for places that might not be on The Grinder.

For agents, I usually go to querytracker.net, search for agents in my genre, and then cross reference their manuscript wish list, twitters, and literary agent profiles to see if the books they represent or mention enjoying are similar to my works. If I don’t recognize any of them, they’re probably not a great fit for me.

Note: Once you perfect your query letters and cover letters, you’re probably going to reuse them. Be Very Careful When Doing This.

Make sure to update the agent name and any sort of personalization you added to the query letter. If you mention the name of the publication you’re submitting to in a cover letter, don’t be me. Make sure to update the publications name before you submit your piece to another publication.

I got a very quick rejection on a submission I made that mistake with. (Well, the publication has an under 48 hour turnaround time anyway, but still. Definitely not a mark in my favor.)

Between short stories and my manuscript, I’ve gotten 8 rejections this year.

There’s always the doubt: is it my writing? is it the market? Did I flub the query or cover letter? Am I picking the wrong agents?

Form rejections can’t tell you anything — but they’re become more and more commonplace as agents and editors get tired of writers responding negatively to thoughtful feedback.

If you get a personalized rejection — you know you’re on the right path. I’ve gotten a few in the past, but none this go around. But, I’m not letting it stop me.

I’m gonna keep querying and submitting because I believe in my work.


Best of luck to all of you out here with me in the query trenches or the submissions grind.

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The 5 Stages of a #PitchWars Hopeful

October 8, 2019October 8, 2019 / Morgan Hazelwood / 14 Comments

Flashback Post From My First PitchWars but as true as it ever was! Querying PitchWars mentors, agents, or publishers.

What To Expect After You Query

It really is just like dating…

1- Anticipation

You start by joining the Facebook groups, the twitter chats, and incessantly checking your email. Just knowing, they’re going to start #PWTeaser your novel now. Meanwhile, you’re trying to engage with the other writers in your genre and cheer them on (while not-so-secretly hoping yours is better).

2- Rationalization

With my superpower of being able to rationalize anything (the perfect skill for a great henchman, or a decent writer!), I start making lists:

TOP 5 REASONS YOU HAVEN’T GOTTEN A REQUEST YET:

  1. Your chapter was so good, they don’t think they can help
  2. They see where you need work, but do better at the other type of editing (line edits vs big picture)
  3. It’s too close to what they’re writing, they feel it’s a conflict of interest
  4. They like your genre, they just like a different type of it better (action, adventure, quests, etc.)
  5. They read it on the 1st day, along w/the huge crush of submissions and have it blended with a different one. You’ll get the request when they reread

REALISTIC 5 REASONS YOU HAVEN’T GOTTEN A REQUEST:

  1. It’s great, but the market is saturated and they don’t think it’ll sell
  2. Your query or chapter misled them and they don’t know it’s going somewhere AWESOME!
  3. They wanted more (diversity, action, poetic descriptions).
  4. It’s well done but just doesn’t POP.
  5. It uses too many tropes without subverting them.

3 – Bargaining

You start to think, maybe if I engage just right, I can entice the mentor to pick me!

(I may have started a #PWQueryTeaser tag for those things that didn’t fit in my query, but might entice someone to give it a try.)

You think, if I skip dinner and write for 3 hours, the writing karma will be paid back.

If I don’t check my email for 4 hours, I’ll be rewarded with a request.

4 – Distraction

You try to get back to work. Depending on what stage you’re in, you try different things.

Writer Style Distractions

  1. Write on your other WIP.(1)
  2. Start outlining your sequel.
  3. Participate in word sprints.
  4. Research Agents for that picture book you’ve been sitting on…
  5. Edit your synopsis and full, one more time. Checking for passive verbs, formatting, and typos.
  6. Find a Critique Partner on the FB groups and start helping each other. (CHECK!)

Non-Writing Distractions

  1. Pokémon walks.(2)
  2. Clean your house, catch up on that neglected laundry.
  3. Cook some tasty meals.(3)
  4. Read all your webcomics.
  5. DO ALL THE SOCIAL MEDIA.
  6. Visit your friends.
  7. Remember what the gym looks like.
  8. Catch up on your reading! (4)

5 – Acceptance

The choice is entirely out of your hands at this point.

Be honest with yourself. Look inside yourself.

  1. Did you polish it, making it agent ready?
  2. Are there any plot points that make it weak?
  3. Did you fail to market it appropriately?
  4. Is it too much like whatever else is out there, with nothing to differentiate it
  5. Did you bandwagon on Dystopia or Steampunk, without really doing anything new, without bringing the love to it?
  6. Can you fix the pacing?
  7. Is it clearly a first novel: great for the learning experience, but not so much for the sharing?
wp-1470881228682.jpg

Looking inside myself. Also, whose mirror DOESN’T have permanent kitty paw prints?

 

Which stage are you in? What’s your coping technique?

1 – Work In Progress
2 – Hey! It’s walking, it totally counts as healthy, self-care!
3 – Because if you get in, ain’t nobody got time for that.
4- If one must read to write well, it’s really just helping yourself grow as a writer! Clearly.

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My 5 Biggest Misconceptions About Submitting A Short Story

October 18, 2018October 17, 2018 / Morgan Hazelwood / 12 Comments

This past weekend, I did something I’ve only done once before. I submitted a short story to a publisher.

I think my biggest surprise was how unlike querying an agent it was.

1 – No Query Letters

I mean, I knew you didn’t need to pitch like a novel manuscript, I’d done SOME research.

But, my single short query was a while ago, through an online form. So, when prepping my ‘cover letter’ I reached out to my fellow Sub-It-Club members to get a quick evaluation of what I had.

And I had too much! Why?

2 – Not Like a Picture Book Query!

I’d cut my standard query letter down to what I thought was a cover letter: just a quick pitch, story stats, and then, because they’d given me up to 100 words for my biography, I exchanged my standard 34-word bio, for my blog bio.

Because I wasn’t pitching to the YA novel community, thus PitchWars wasn’t going to mean much, I cut that part.

And that’s when I heard back from a friend in the Sub-It-Club group. Apparently, unless they ask for it, you don’t even need the one-line pitch! According to the link my friend sent me, a short story cover letter can be as basic as:

Dear Editor,

Please consider “TITLE” (H, 2000 words).

My short fiction has appeared in [PLACE] and [MAGAZINE].

I have a [relevent DEGREE] from [SCHOOL]. My thesis was on [Something Relevant].

Thank you.

Sincerely,

Firstname Lastname
blog.com

3 – Most Don’t Like Simultaneous Submissions

Agents these days EXPECT you to query multiple agents simultaneously (just not within a single agency). They occasionally ask for an exclusive when requesting your full, but that’s pretty rare.

Most of the markets I found to submit my short story to, though? They expect it and require it.

Publishers talk. Don’t play it fast-and-loose and hope you don’t get caught. They WILL black-list you.

4 – The Market Varies Wildly

For fiction short stories, you can get offers anywhere from ‘we find you worthy to share’, up to hundreds of dollars for a story. Pay attention to where you’re querying.

SFWA (Science Fiction and Fantasy Writers of America) has a certified list of what they call ‘professional rate’ magazines, that are stable and pay at least $.06 per word.

Depending on your story, many universities and colleges have their own magazines, some even still in print and not just digital.

For me, I went online and searched on https://thegrinder.diabolicalplots.com for places to submit — based on SFWA status, story length, and genre.

And they all have different requirements for:

  • how long of a story they’re looking for
  • what format they want your story in
  • when they’re open to submissions
  • how quickly they’ll response

5 – Reprints Are Fine

Short story rights are often granted for a short period of time – a year, maybe two – and then the rights revert to you. Many of the markets are happy to pay the same rates for reprints that they do for new stuff.

Which means? You can make money off stuff you’ve already sold! Provided you wait for it to come back to you.

Just like novelists making money off their back-lists, so can short story writers!


***

It was fun to write something short, that I could polish and share in mere weeks, as opposed to this novel I’ve been obsessing over for a few years now.

Between the short story and this month’s poetry, I think I’m all warmed up for NaNoWriMo.


***

Anything big I missed? Do you write short stories? Tell me about your experiences!

 


***

(P.S. I also heard back from WorldFantasyCon!

As of today, according to the schedule, on Saturday the 3rd at 5pm, I’ll be in the Homeland room, participating in the Talking the Talk: Audiobooks from Fantasy Works panel with Guy Gavriel Kay, Greg Tremblay, and Simon Vance.

Queue some nerves, excitement, and moderate impostor syndrome. Wish me luck?

And let me know if you’ll be at WFC! I’d love to talk in person about writing with people who listen to me ramble about it online.)

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Flashback: The 5 Stages of a #PitchWar Hopeful: Week 1

September 4, 2018March 29, 2019 / Morgan Hazelwood / 4 Comments

I wrote this the first year I entered PitchWars and, even though I’m not participating this year, it’s just as true as ever. Best wishes to all the hopefuls out there!

What To Expect After You Query

It really is just like dating…

1- Anticipation

You start by joining the Facebook groups, the twitter chats, and incessantly checking your email. Just knowing, they’re going to start #PWTeaser your novel now. Meanwhile, you’re trying to engage with the other writers in your genre and cheer them on (while not-so-secretly hoping yours is better).

2- Rationalization

With my superpower of being able to rationalize anything (the perfect skill for a great henchman, or a decent writer!), I start making lists:

TOP 5 REASONS YOU HAVEN’T GOTTEN A REQUEST YET:

  1. Your chapter was so good, they don’t think they can help
  2. They see where you need work, but do better at the other type of editing (line edits vs big picture)
  3. It’s too close to what they’re writing, they feel it’s a conflict of interest
  4. They like your genre, they just like a different type of it better (action, adventure, quests, etc.)
  5. They read it on the 1st day, along w/the huge crush of submissions and have it blended with a different one. You’ll get the request when they reread

REALISTIC 5 REASONS YOU HAVEN’T GOTTEN A REQUEST:

  1. It’s great, but the market is saturated and they don’t think it’ll sell
  2. Your query or chapter misled them and they don’t know it’s going somewhere AWESOME!
  3. They wanted more (diversity, action, poetic descriptions).
  4. It’s well done but just doesn’t POP.
  5. It uses too many tropes without subverting them.

3 – Bargaining

You start to think, maybe if I engage just right, I can entice the mentor to pick me!

(I may have started a #PWQueryTeaser tag for those things that didn’t fit in my query, but might entice someone to give it a try.)

You think, if I skip dinner and write for 3 hours, the writing karma will be paid back.

If I don’t check my email for 4 hours, I’ll be rewarded with a request.

4 – Distraction

You try to get back to work. Depending on what stage you’re in, you try different things.

Writer Style Distractions

  1. Write on your other WIP.(1)
  2. Start outlining your sequel.
  3. Participate in word sprints.
  4. Research Agents for that picture book you’ve been sitting on…
  5. Edit your synopsis and full, one more time. Checking for passive verbs, formatting, and typos.
  6. Find a Critique Partner on the FB groups and start helping each other. (CHECK!)

Non-Writing Distractions

  1. Pokémon walks.(2)
  2. Clean your house, catch up on that neglected laundry.
  3. Cook some tasty meals.(3)
  4. Read all your webcomics.
  5. DO ALL THE SOCIAL MEDIA.
  6. Visit your friends.
  7. Remember what the gym looks like.
  8. Catch up on your reading! (4)

5 – Acceptance

The choice is entirely out of your hands at this point.

Be honest with yourself. Look inside yourself.

  1. Did you polish it, making it agent ready?
  2. Are there any plot points that make it weak?
  3. Did you fail to market it appropriately?
  4. Is it too much like whatever else is out there, with nothing to differentiate it
  5. Did you bandwagon on Dystopia or Steampunk, without really doing anything new, without bringing the love to it?
  6. Can you fix the pacing?
  7. Is it clearly a first novel: great for the learning experience, but not so much for the sharing?

wp-1470881228682.jpg

Looking inside myself. Also, whose mirror DOESN’T have permanent kitty paw prints?

 

Which stage are you in? What’s your coping technique?

1 – Work In Progress
2 – Hey! It’s walking, it totally counts as healthy, self-care!
3 – Because if you get in, ain’t nobody got time for that.
4- If one must read to write well, it’s really just helping yourself grow as a writer! Clearly.

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Flashback: The 5 Stages of a #PitchWar Hopeful: Week 1

August 10, 2017August 3, 2017 / Morgan Hazelwood / 1 Comment

I’m off at WorldCon: home of the Hugo Awards, which is being held in Finland this year! So, here’s a flashback post from last year, when I was in this same #pitchwars stage…

What To Expect After You Query

It really is just like dating…

1- Anticipation

You start by joining the Facebook groups, the twitter chats, and incessantly checking your email. Just knowing, they’re going to start #PWTeaser your novel now. Meanwhile, you’re trying to engage with the other writers in your genre and cheer them on (while not-so-secretly hoping yours is better).

2- Rationalization

With my superpower of being able to rationalize anything (the perfect skill for a great henchman, or a decent writer!), I start making lists:

TOP 5 REASONS YOU HAVEN’T GOTTEN A REQUEST YET:

  1. Your chapter was so good, they don’t think they can help
  2. They see where you need work, but do better at the other type of editing (line edits vs big picture)
  3. It’s too close to what they’re writing, they feel it’s a conflict of interest
  4. They like your genre, they just like a different type of it better (action, adventure, quests, etc.)
  5. They read it on the 1st day, along w/the huge crush of submissions and have it blended with a different one. You’ll get the request when they reread

REALISTIC 5 REASONS YOU HAVEN’T GOTTEN A REQUEST:

  1. It’s great, but the market is saturated and they don’t think it’ll sell
  2. Your query or chapter misled them and they don’t know it’s going somewhere AWESOME!
  3. They wanted more (diversity, action, poetic descriptions).
  4. It’s well done but just doesn’t POP.
  5. It uses too many tropes without subverting them.

3 – Bargaining

You start to think, maybe if I engage just right, I can entice the mentor to pick me!

(I may have started a #PWQueryTeaser tag for those things that didn’t fit in my query, but might entice someone to give it a try.)

You think, if I skip dinner and write for 3 hours, the writing karma will be paid back.

If I don’t check my email for 4 hours, I’ll be rewarded with a request.

4 – Distraction

You try to get back to work. Depending on what stage you’re in, you try different things.

Writer Style Distractions

  1. Write on your other WIP.(1)
  2. Start outlining your sequel.
  3. Participate in word sprints.
  4. Research Agents for that picture book you’ve been sitting on…
  5. Edit your synopsis and full, one more time. Checking for passive verbs, formatting, and typos.
  6. Find a Critique Partner on the FB groups and start helping each other. (CHECK!)

Non-Writing Distractions

  1. Pokémon walks.(2)
  2. Clean your house, catch up on that neglected laundry.
  3. Cook some tasty meals.(3)
  4. Read all your webcomics.
  5. DO ALL THE SOCIAL MEDIA.
  6. Visit your friends.
  7. Remember what the gym looks like.
  8. Catch up on your reading! (4)

5 – Acceptance

The choice is entirely out of your hands at this point.

Be honest with yourself. Look inside yourself.

  1. Did you polish it, making it agent ready?
  2. Are there any plot points that make it weak?
  3. Did you fail to market it appropriately?
  4. Is it too much like whatever else is out there, with nothing to differentiate it
  5. Did you bandwagon on Dystopia or Steampunk, without really doing anything new, without bringing the love to it?
  6. Can you fix the pacing?
  7. Is it clearly a first novel: great for the learning experience, but not so much for the sharing?

wp-1470881228682.jpg

Looking inside myself. Also, whose mirror DOESN’T have permanent kitty paw prints?

 

Which stage are you in? What’s your coping technique?

1 – Work In Progress
2 – Hey! It’s walking, it totally counts as healthy, self-care!
3 – Because if you get in, ain’t nobody got time for that.
4- If one must read to write well, it’s really just helping yourself grow as a writer! Clearly.

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Morgan Hazelwood

Morgan Hazelwood

Morgan Hazelwood (she/her) is a fantasy novelist who blogs and vlogs writing tips and writerly musings. She likes taking pictures of the sky, reading a good book, and ambiverting from her living room. She's also a voice for the fairy-tale audio drama: Anansi Storytime and its sister podcast: Legendsmith. She's been known to procrati-clean her whole house and alphabetize other people's bookshelves.

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