Morgan’s Convention Recap For Balticon 53

After 4 days and over 24 hours of panels, events, and parties, I’m home from Balticon.

I may have overdone it a touch, even though this clearly wasn’t my first time. But! I definitely followed my own rules and didn’t miss more than 1 shower, 1 meal, or one-half of a night’s sleep.

Unfortunately, when you’re going all out like this, it can make you more vulnerable to a thing called “con crud”. Usually, an unpleasant cold, but can be quite dangerous for people with compromised immune systems. I know it stinks, especially after having waited all year and paid your fees but if you’re sick, stay home. Or wear a mask and haul around hand sanitizer.

In the coming months, I’ll be sharing my notes from the panels that I can. Some panels make for poor posts, and I don’t blog workshops or lectures as those belong to a certain person or are focused more for participants. But, here’s the high-level overview of the ridiculousity that I got up to over Memorial Day Weekend.

Friday:

I was off to a late start getting to Balticon, including a car fire blocking 2 lanes during errands, before I even managed to head out. I’ve been listening to Guy Gavriel Kay’s A Brightness Long Ago, narrated by Simon Vance — both of whom I was on a voice acting panel with last November. I hadn’t listened to an audiobook in nearly 10 years, but thanks to an extra two hours of traffic, I made significant progress. It definitely kept the traffic from aggravating me.

Once at the hotel, I determined that my roommate’s assessment of “I think I put your name on the room” was mistaken. So, I left my bags with the concierge and went to registration. 10 minutes later, we were well into the 4 o’clock hour, so that helped lower the 65-panels-in-35-time-slots that I’d been eyeing, down to 63 panels in 34 time slots.

I checked out the dealers room, then hit my first panel of 5 for the night. In the midst of those panels, I got my room situation sorted out (“missing” another panel slot).

After a couple panels, I ran into my roommate/dad and he invited me to join him and few friends of his for dinner. By the time we all gathered and seated, there were only 15 minutes before a friend of mine was having a reading. So? I hit the buffet and asked for my check by the time everyone had gotten drinks and were placing their orders.

All-in-all on Friday, I attended “Logistics and Tactics: Writing Campaigns”, “CSI: Fantasy Edition”, an author reading with Doc Coleman, Jamaila Brinkley, and Mike Ventrella, “Writing Motivation for Doomsday Cults”, and a filk tribute to Mars and the Opportunity Rover.

Saturday

My morning started off with “But I’m Not A YA Author: Women in Speculative Fiction”, “How To Be A Good Moderator” (for that eventual day when I’m a longed-for panelist), and “Principles of Roman Hairstyling” Having loved Janet Stephen’s Youtube channel, I was excited to watch her presentation live.

I kept a bit busier on Saturday. My lunch break was carrots, humas, and pita in my room during a reluctant, but necessary break.

Next up were “Practicing Your Pitch”, “Dynamic Voice Acting”, “Improving Your Pitch”, and “Investigating Mysteries: Out-of-the-box thinking that solved strange cases” (by a hoax investigator).

I’d suggested to my dinner compatriots that we ORDER chinese, rather than go out, since so many wanted to be back in time for the Masquerade (or panels, in my case). We ended up letting the organizer know what our orders were at the meet up time, and then they insisted on walking over and ordering the food in person. Um, calling, then walking over could have saved 10 minutes! Ahhh, not everyone is a wiz with logistics, like I am. After a somewhat scattered dinner, I helped carry the cake and snacks up to the room for the DC 2021 party I’d help host later.

I did make it to a reading, featuring Danielle Ackley-McPhail, Keith DeCandido, and Ben Rovik, with a choose-your-own-adventure story, that was directed by audience acclaim. I, and the rest of the audience greatly enjoyed all the readings.

Outside of the convention that evening, there was a bit of concern, where two groups of Baltimore teens apparently crashed? I heard several things, from flash mob that was heavily monitored, to Prom kids hitting other teen clusters and clashing? I do know people were being arrested, and that the hotel closed off the doors on that side of the building, trying to keep us away from the disturbance. :/

Safely inside, I headed off to my rooms to help host the DC WorldCon 2021 “bid party”.

I showed up to the room party just as it started and slipped into my dragon costume. The party was snacks and drinks and letting people sign up for early memberships, if they were interested. And cake!

As no one is running against DC and it would be local for most attendees of Balticon, we had no detractors that I’m aware of.

Sunday

I woke early, with some thoughts on my roommate’s pitch I’d heard the day before in one of the pitch workshops. (You might have noticed that I’m addicted to rewriting queries…) Scribbling frantically on my notepad, I waved a roommate on into the shower, then realized my 1st intended panel was at 10, not 11! And my shoes were in the bathroom! I pulled my hair back, tossed on a dress, and got there just after the intro for the “Architecture and World building Workshop”. After that let out, I headed back to the room to get more properly bathed and dressed. As a button-eyed-doll.

Podcasting 101 was near my room, and I got drawn in, even though the panel was half-done by then…

Morgan, in a red dress, covered by a white apron, dark glasses, with white button eyes. Her brown hair is in pigtails, with yarn hair-falls

My afternoon was, surprise, surprise, full of panels. I hit “Advancing the Story Without Traumatizing Your Characters”, “YouTube Survival Guide”, the artist Guest of Honor’s slide show, discussing his collaboration with the late, great Ursula LeGuin. Then, to make sure I learn to do better “Consent Violation and Bystander Interventions”. After that, with the hope of figuring out the real difference, I attended “Coming-of-Age vs YA”. “Improving Your Readings” was a solid panel (but I thought it was going to be a workshop), and I enjoyed a story hour at the “Myths and Folktales of the Igbo people”.

I may have overdone it. There wasn’t really a lunch break, or even a bio break in there. I darted outside to find quick food. There was a cop car parked on the corner sidewalk with two young officers. I asked where the Subway was. They pointed around the corner, where it lay in plain sight. And one of the officers asked if my costume was from Coraline and smiled when I said “yes”.

The Subway had no line! I did spot another pair of cops patrolling on the backside of the hotel when I returned. Clearly, trying to avoid another evening like Saturday’s.

I scurried back into the hotel and managed to stay for most of the first half of the eBook’s massive launch party event in the Con Suite. (Although, they had food, so maybe I should have scrounged. But, my sub was mostly healthy, so we’ll dub it a decent call.) I got to hear a reading, and joined a few people at their table so I could sit. Excellent conversations! But, of course, I ducked out before the raffle, because there were MORE panels!

Next up was “Sex, Sexuality, and Worldbuilding”. Excellent moderation kept it useful for writing instead of falling down the very easily found rabbit holes. And then, “This Kaiju Life LIVE!” a hilarious podcast about government bureaucracy, with a Dilbert-esque main character and tons of crazy shenanigans.

Then? It was time for the DC 2021 party REDUX, because we had food and drink leftovers to spare. I was in and out a bit. But, got complimented on my vlog by one of the guests, which made my night. Clean-up was smooth.

Monday

Holy bleep, Morgan! There’s MORE?

Not that much.

I woke up in time for “The Future of Podcasting” (when my sniffles started to show up), packed and wandered. Then hit “Mythology, Philosophy, and Video Games” — which was a discussion, not a panel. Because I hadn’t been on the room reservation, I hadn’t gotten my parking validated, so I took care of that and dropped off my bags. I’d intended to hit some more panels, but by then, I was starting to fade. So, I reluctantly skipped “The Good Place as Dystopian Fiction” and headed out.

Morgan, hair pulled back, in a blue t-shirt with white letters: "Writing is my JAM!"

I was blessed with a smooth drive home — 2 hours shorter than the drive up — I finished my audio book 5 minutes after getting home. After messaging my thanks on the Baltimore Science Fiction Society‘s facebook page, my sinus pressure turned into a headache and the cold hit in full force. I’d gotten home just in time. And it was time to nap.


All-in-all? Another excellent convention. Far too many great panels — especially at the same times and/or at meal-times!

Looking forward to overdoing it again, next year.


Have you ever attended a convention? How did YOU fill your time?

Thanks for tuning in, and I’ll be starting on sharing these panel notes next week.

Dealing With The Emotional Roller-Coaster of Being A Writer

Being a writer, especially one with internet access, can be a complete roller-coaster of emotions.

Of course, we knew before we begin dreaming of writing that book reviews could be the height of joy or the depths of crushing blows. But, it used to be that you’d only see the professional reviews and could ignore them if you wanted.

Nowadays, it would be better (and less distracting) if writers only knew what people thought of their writing when they had the energy and focus to go look, and prepare to improve their craft.

NOT distracting them from what they’re in the middle of.

NOT when they’ve had a rough day of writing and feel like maybe they should throw the towel in.

NOT when life is dragging them down, and the internet’s nasty review is ready to kick them when they’re already down.

But, when you’re a writer, there’s so many other things that can bring you up and crash you down.

In the past week? I’ve been all over the place. Often on the same day.

My most recent roller-coaster of emotions

UPS:

Last week? I entered an overnight flash fiction contest — and WON! Well, I won a free book and bragging rights, but it’s still something.

DOWNS:

Then I got home to find heavy feedback from my mentor.

When I reread the passage? I couldn’t believe I’d sent that to her. I’d remembered the passage having been edited and being dark — yes. But, a rather different flavor of dark.

I dragged my feet getting back to those edits.

BOTH:

The next day, a dear writer friend, with a story pitch that harkens to one of my favorite moves, announced that she’d been offered representation by an agent.

She’s worked hard, reworked her novel, and dealt with some setbacks. I was so proud and excited for her.

But?

I was also jealous and frustrated to be stuck in revisions. Again.

Writing Requires Resilience, Persistence, and
Perseverance

Resilience

the capacity to recover from set-backs. Like facing that scene and editing it into something I can be proud of and eager to show my mentor.

Like recognizing my jealousy and longing to be at the same stage as my friend whose most recent query netted her an agent. And accepting the fact that I want to make my novel better before I enter the query trenches again.

Persistence

firm continuance in a course of action in spite of difficulty. I keep writing and putting my work out there.

For that flash-fiction contest? It’s usually posted on Fridays, and open for submissions on Saturdays, for 24 hours. So many times, I’ve created an entry, and then forgotten to post it. But, I still keep my eye on it, and still draft up entries on Fridays.

For my writing? After reading my writing and recoiling in horror, I let that settle in me for a bit. After a day or so, I cracked open that manuscript to see what I could do. And revised it, until I was something I was happy to share with my mentor.

But you know what? I think I can do better. I’m going to edit that chapter again.

And for querying friend? I’m so proud of her and I can’t wait to be in her shoes again. I know I’ll be ready to put myself back out there, when my time comes.

Perseverance

persistence in doing something despite difficulty or delay in achieving success.

My win? It took a bit to get there.

I tried to post from my phone, but it wouldn’t let me. I tried again hours later, and still nothing. I borrowed a friend’s ipad, logged into an incognito window, and finally managed to get my 100 word entry entered.

Several finalists were announced, and the judge asked for input. No one voted for mine. A couple people wanted me to explain in.

Despite the lack of votes and assurance, I found comfort in making it to the finals, and despite all odds? I WON!

As for my writing. I’m going to keep at it. Querying when I can, polishing the rest until it’s something no one can resist — and they start begging for more.

And for my writing friends? I’m going to be there to celebrate their wins, share their writing with the world, and lend an ear whenever stress or setbacks send them reeling.


What sort of emotional roller-coasters have you been on lately?

Do you ever worry you won’t be able to handle it, when your writing gets popular? 😉

Make Endings Ring True – A Spoiler-Free Ode To Avengers: Endgame

Whether you’re writing a stand-alone novel, an 7 book/tv-season long show, or a 22 movies long franchise, you’ve got to get the ending right.

All the endings right.

Otherwise? Your readers or viewers will feel cheated.

So, every novel, episode, and season needs its own arc with a solid ending. But? The serieses that linger in people’s hearts and minds are often the ones in which the overarching themes and goals are wrapped up the right way in the last book.

Of course, that’s not saying you can’t set up a new story arc in that last book/episode/movie…

What type of ending you need depends on what sort of story you have, but you’re going to need at least 2 of these ingredients.

The 5 Ingredients Of A Satisfying Ending

Plot goals achieved

This is the easiest one to accomplish. You’ve set out to complete a mission, a goal, and you’ve achieved it.

We’re going to get that boy. We’re going to find out who gets to sit on the Iron Throne. We’re going to find out how to defeat whatever big-bad the universe has cooked up for us this time.

Sometimes, there’s a twist. Maybe you find what you thought you wanted isn’t satisfying. It’s okay to change goals in your story, as long as it makes sense for the world and the characters. It still counts.

Personal Growth

Remember that twist I just mentioned? Most stories have at least one character that’s going to grow and change. Sometimes they have to mature. Sometimes, they suffer traumas that they need to work through. And sometimes? They’ve got to accept themselves, before they can become the person they were always meant to be.

When we see a character learn the true extent of their capacity for compassion or greatness, it’s… it’s like a warm tasty pie. Delicious and warm and filling.

Relationship closure

Many stories keep us going with relationship issues. Be they friendships, rivals, family, or romantic issues. The ending doesn’t have to be a happy one, but it should have some sort of closure, even if it’s simply a character recognizing that they don’t need the other character any more.

But making amends, getting that happily-ever-after, or even, getting that nod of approval from a mentor, those are the things that can give us a solid ending.

Thematic

Getting more esoteric, let’s talk about themes. Many themes are relationship based — family, trust, love. But not all. Faith, justice, and freedom can be themes.

These endings have to be carefully done, or they can read like a morality play. But, like Sam on Mount Doom, loyalty and perseverance can pay off.

Sacrifice

It’s hard to find a good ending without some sort of sacrifice — or at least some solid compromise. The greater the odds, the more the characters have to suffer and pay to achieve the ending. If the success at the end comes too easily, the reader will feel cheated. Like the odds weren’t as tough as they were told. The challenges were too easy for the characters.

And sacrifice can be used as a symbol of … well, many things. When Gollum leaps into the lava, we lose Smeagol, who had been fighting so hard to do what’s right. When Charlotte of Charlotte’s Web passes, it’s her gracious way of accepting the inevitability, and nature’s way of bringing in the new generation.

Sacrifices should follow the theme and rise to the level of the stakes.


If you can weave together plot goals achievements, personal growth, relationship closure, thematic ties, and sacrifice, readers should be able to appreciate your ending. Even if it makes them cry.


Are there any other ingredients you appreciate at the end of your stories?

What story do you think has done it the best?

(Please, don’t give any Endgame spoilers or current Game Of Thrones spoilers until AFTER May)

Finding My Way Out Of The Eternal Revision Roundabout

Did you ever get the feeling that you were NEVER going to finish your revisions?

I’m definitely feeling that way these days, as you might be able to tell from my runner-up titles for this post, including:

  • Another Bloody Round Of Revisions?
  • Fighting Past A Bad Case Of The I-Don’t-Wannas
  • Holy BLEEP, When Will My Revisions End?

My novel has been written and polished for years. I queried it. I got rejected. Lots of form rejections and a couple requests that turned into nothing. So, I’ve revised and queried, and revised again.

You know I’ve talked about the editing spiral before. I’ve been here and wrestled with this time and time again.

Every time I finish a draft, I think I’m done. (Well, every draft since the third draft. You don’t want to be too hasty.)

This is my eighth round of revisions, and seeing as how I applied for a mentor in January, it’s only fitting that I should be revising again with her help.

I’ve been working with Leona Wisoker since February. And with her help, I’m adding a lot of sensory details and working on tightening my plot. My main character can get stuck in her own head pretty easily, and — for the sake of both the characters and the readers — it’s best to have her look up once in awhile.

I feel pretty confident in my characters, my world building, and my story. I just need help to take my second-world fantasy from a light read to something that will linger in the minds of the reader.

And Leona’s help is wonderful. I’m THRILLED to be working with her. (If you’re interested, she’s currently open to clients at editor@leonawisoker.com)

BUT.

It means I’m doing another round of revisions when all I want to do is query and pitch and dream of The Call.

I wanted my story to be ready so badly. I’ve been working on this story since 2013, with a full draft in hand for nearly five YEARS.

You always hear about how most writers first novels are practice books that deserve to be in a drawer. I’m scared that the reason I’m still working this novel is because I won’t give up, when there’s no chance for this story to succeed.

The market is too crowded. Everyone has a book these days.

Yet, then I think back to those who have read it. My beta readers enjoyed it, my critique partners cheered for the story. The worst anyone’s ever said is “it’s clear this is an early draft” when I thought I was done. Back around draft five. (You thought I’d forgotten that, didn’t you. You know who you are.)

Everytime I want to throw in the towel on this round of revisions, I read my latest chapter and find myself filled with something warm and exuberant. Something that feels a lot like pride.

If I didn’t feel that sense of improvement, of rightness, after a round of revisions on a chapter, I would stop. But this is why I write.

As long as I feel at the end of the day that what I have after the effort is better than what I had before, I’m going to keep revising. Where I can take a chapter from merely telling a story to bringing the reader along for the ride.

That’s what I want.

And I’m getting closer, every day.

The 5 Stages of Handling Feedback

Everyone has to handle feedback and goes through this. But writers? We bleed words onto the page. We agonize over them, revise them, and proofread a million times.

Then?

We have to let our writing out into the world to get feedback because we’re “too close” or something like that.

Like sending a child off to their first day of kindergarten, we impatiently wait for our baby to come home, to find out how it went.

When we read through the feedback, there’s lots of line changes and small tweaks that we nod along at. But then? There are our babies.

How dare they question those lines!

Sometimes, the feedback is just plain wrong for our story, but not always. That’s when we go through all the stages of grief: denial, anger, bargaining, depression, and acceptance.

Denial

What are they talking about? I don’t see anything wrong there? It definitely is a strong and evocative scene.

Anger

She’s WRONG! Clearly, she’s just doesn’t get my story! I tried that and it didn’t work. I wrote it this way ON PURPOSE!

Bargaining

If he finished reading, he’d see that I need this to set up a later scene! Maybe, if I just polish this up a bit, it’ll make it more clear.

Depression

Oh BLEEP. It still doesn’t work, does it? I’ll never get it right. Maybe I should just delete it. I need a break. Or I should just shelve this whole mess. Anybody got a match?

Acceptance

Hmmm, maybe they DO have a point. If I move this there, and add those details, I think it just might fix it.


Now remember! Just any form of grief, you can skip stages, the stages can come in any order, and you can revisit any stage at any point in the process.

Best of luck finding the gems in your critiques.


Tell me about some feedback that you hated — that really helped your work. How did you handle it?